Arnolfini

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Building information
Arnolfini
The Arnolfini from Pero's Bridge
Location	Bristol
Country	England
Architect	Richard Shackleton Pope
Construction Start Date	1831
Completion Date	1836

This article is about the Bristol art gallery. For the portrait of Giovanni Arnolfini by Jan van Eyck, see Arnolfini Portrait.

The Arnolfini (grid reference ST585724) is an art gallery in Bristol, England. The gallery has free entry and is funded by Bristol City Council and Arts Council England.

John Cabot's statue outside the Arnolfini

The gallery occupies Bush House, a 19th century Grade II* listed^[1] tea warehouse situated on the side of the Floating Harbour in Bristol city centre. The architect was Richard Shackleton Pope, who constructed first the south part of the warehouse (1831) then extended it to the north in 1835-6. As part of a two year development project that finished in September 2005, the old warehouse has been converted from two stories to seven, with the gallery occupying the lower four floors and the upper floors leased to help pay for the gallery. One tenant is the Bristol School of Art, Media and Design, part of the University of the West of England.

The gallery was established in 1961, by Jeremy Rees (1937 - 2003), son of the artist Jean Rees and moved to its current site in 1975 and has established itself as leading centre for contemporary arts. Originally dedicated to exhibiting the work of artists from the West of England under the Directorship of Barry Barker in the 1980s the gallery moved towards a more general spread of contemporary art. Barker supervised a successful refurbishment of the building by David Chipperfield. Before development work began, the Arnolfini was attracting over 400,000 visitors per year. In addition to the gallery itself, the centre houses a small cinema specialising in independent film, a well-stocked art bookshop, and a popular waterfront café and bar. The Arnolfini is named after Jan van Eyck's masterpiece The Arnolfini Portrait (1434) depicting the merchant and arts patron Giovanni Arnolfini. The painting is now in the collection of the National Gallery, London.