Armchair Theatre
From Wikipedia, the free encyclopedia
| Armchair Theatre | |
|---|---|
| Genre | Drama |
| Country of origin |  United Kingdom |
| No. of episodes | 457 |
| Production | |
| Producer(s) | ABC Television, later Thames Television |
| Broadcast | |
| Original channel | ITV |
| Original run | 1956 – 1980 |
| Chronology | |
| Related shows | Armchair Mystery Theatre Out of This World Armchair Cinema Armchair Thriller |
| Links | |
| IMDb profile | |
| TV.com summary | |
For the album of the same name, see Armchair Theatre (Jeff Lynne album)
Armchair Theatre was a British television drama anthology series, which ran on the ITV network from 1956 until 1968 in its original form, and was intermittently resurrected at various points during the 1970s. It was produced initially by ABC Television, and in the 1970s by ABC's successor company Thames Television, which had been created when ABC merged with Associated-Rediffusion in 1968.
Plays typically lasted an hour—fifty minutes, plus adverts. Many different subjects would be covered and plays could be set in a variety of locations, although contemporary dramas were the most common. The most successful era of Armchair Theatre is generally regarded as being that overseen by the Canadian producer Sydney Newman, who was ABC's Head of Drama from 1958 to 1962, and who personally produced over forty episodes of the programme during this period. Newman had a passion for socially-relevant, challenging drama that tackled sensitive issues, and turned Armchair Theatre into a vehicle for the generation of 'Angry Young Men' such as Clive Exton who were coming to prominence in the late 1950s and early 60s. The programme was networked nationally on ITV on Sunday evenings, and often drew large audiences. Among the best-known plays to have been screened were No Trams to Lime Street (1959) by Alun Owen and A Night Out (1960) by Harold Pinter.
One particularly notable play was Underground, a science-fiction story transmitted on November 28, 1958. A little over halfway through the live broadcast, actor Gareth Jones complained of feeling unwell while off-set in make-up between two of his scenes, and then suddenly collapsed and died. Sydney Newman ordered director William Kotcheff to carry on with the play and "shoot it like a football match", meaning to follow the characters around as they improvised a way of coping with the missing cast member. While Kotcheff hurriedly re-structured the story to be able to bring the play to an end without the missing character, production assistant Verity Lambert took over control of directing the cameras. Live transmission of Armchair Theatre plays ceased soon after this incident, and pre-recording on videotape began to be employed.
After the 1968 ITV franchise overhauls and ABC's metamorphosis into Thames, the programme was dropped until 1974, when a new version was produced under the title Armchair Cinema, effectively a series of short TV movies. In 1976 the Thames series Plays For Britain, although not officially part of the Armchair franchise, was avowedly inspired by Sydney Newman's work, its aim being to reflect social circumstances and conditions in the UK in much the same way as Armchair Theatre had done in the late 50s and early 60s. In 1978 a final version, Armchair Thriller was produced, and this ran for two years until 1980, when the programme ended for good.
The programme occasionally spun-off ideas into full-blown series such as Armchair Mystery Theatre, hosted by Donald Pleasance, which specialised in crime and mystery thrillers. A 1962 adaptation of the John Wyndham short story Dumb Martian, scripted by Clive Exton, was a deliberate showcase for the spin-off science fiction anthology Out of This World. A 1967 episode, A Magnum For Schneider, became the pilot for the hugely popular crime series Callan. One of Thames' 1974 Armchair Cinema entries, a one-off detective drama entitled Regan by Ian Kennedy Martin, successfully spun-off into the immensely popular series The Sweeney.
Hugely popular at its peak, with audiences occasionally touching an astounding twenty million, Armchair Theatre was an important influence over later similar programmes such as the BBC's The Wednesday Play (1964-1970). This latter programme was initiated by Sydney Newman as a deliberate attempt to echo the success of Armchair Theatre after he had moved to the BBC in 1963.
Overall, 457 plays were made and broadcast under the Armchair... banner from 1956 to 1980. As with much early British television, not all of the plays from the original ABC series survive in the archives, due either to live plays not being recorded, or recordings being wiped and re-used.
