Ariel Pytrell

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Ariel Pytrell (born 1964) is an Argentine theatre director, playwright and writer.

Pytrell's plays are a search for harmoniously embody the aspects of both the classic and traditional theatre with the most modern stage production. As usual in his native country of Argentina, his academic education was focused in Stanislawski-Strasberg’s method, but early in his professional training he began to specialize in Greek Theatre as well as in the so-called Theatre of Image, aiming to amalgamate his knowledge on both a conceptual and visual theatre, with special importance in the drama play as a “score” in itself and as a visual and philosophical performance. His productions combine both opposed sub-genre: Greek Tragedy, in its updated form as neo-tragedy, and the Theatre-of-Image, to which is added the influence of modern Literature, Comic, Cinema and Video-Clip’s aesthetics, Music, Anthropological Theatre, Rhythmics, etc.

[edit] Some plays by the author

La tercera máscara (The Third Mask), premiered in 1990 at Teatro Babilonia, Buenos Aires, for the Independent Theatre Fest, arranged by Asociación de Teatros Independientes de la República Argentina / This is a story within a story within another story: a mirror game in which our look is amazed. Jazmin arrives at her father's home and there she is welcomed by Clara, and old friend of Santiago (Jazmin's father) who is a guardian of that kind of Museum. There the young girl realised what really happened with Santiago -a poet who had died twenty years ago- and a period of Argentina's history: the War, the De Facto Government, the lies among the beuty. This is a coral play, with flashbacks, flashforward, a chorus and masks.

Caro refugio (Beloved shelter), premiered in 1991 at Teatro del Plata, Buenos Aires, staging subsidized by the Fondo Nacional de las Artes // Published by Mondragón Ediciones, 2003 / Buernos Aires. An hypothetical future. The latest World War. The fearest World War. When Amanda and Gonzalo entered in Mario's refuge, they didn't know that they would find out the subtle thread of their Lives. They will be aware of that outer-wars start in inner-wars, and that there is another refuge among the pain. There are another shelter, another beloved shelter for them. Caro refugio is not a story about war and hate, but a love story: love of the best of Human Being, and of our responsibility for every living thing and for Mankind Destiny.

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