Antonio Vassilacchi
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Antonio Vassilacchi, called Il Aliense (1556-1629), was a Greek painter, who worked mostly in Italy.
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[edit] Overview
Aliense was born on the island of Milos, Greece, which he left very young to settle in Venice. In 1572 Vassilacchi became a pupil of Paolo Veronese and began working on the frescoes in the episcopal palace at Treviso, in the church of Sant'Agata in Padua, in Montecchia and various churches in Venice. His opportunity came with the great conflagration that nearly devoured the Ducal Palace of Venice in December 1577. Aliense was one of the painters commissioned to decorate the restored Palace.
Vassilacchi became a member of 'The Brotherhood of Saint Nicolas of the Greek Nation', one of the liveliest 'foreign' communities in Venice, in 1600. In its book of members, the secretary inscribed, between a Cephallonian and a Cypriot, "Ant. Vassilachi: 1600:". He was also a member of the Brotherhood of Venetian Painters from 1584 and had acquired a sobriquet, 'Aliense'. The name derives from the Latin alienus, meaning stranger, alien, foreign, and was presumably given to Vassilacchi because of his completely alien, that is non-Italian (and not simply non-Venetian), origin.
[edit] Works
His work in the Doges' Palace is thought to outnumber those by any other single artist. There are works by him in all the major halls of the Palace, such as the Hall of the Grand Council (Sala del Maggior Consiglio), the Voting Hall (Sala dello Scrutinio), the Hall of the Senate (Sala del Senato), the Hall of the Council of Ten (Sala del Consiglio dei Dieci), the Hall of the Compass (Sala della Bussola).
In 1586, Vassilacchi was asked to paint one of his largest pictures, the 'Resurrection', in the chancel of San Marziale. He gave the preliminary sketch, in chiaroscuro, to Domenico Cresti, the painter of the Crucifixion in the same church. The common destiny of both works continues to this day, since both were restored in 1958 and still hang, four centuries later, in the same place, gazing at each other above the marble high altar of the church.
In 1591 Vassilacchi was engaged by the Brotherhood of Merchants (Scuola dei Mercanti), and some time later he was working in the church of San Giovanni Elemosinario, just a few metres from the commercial centre of Venice, the Rialto.
In the church of Angelo Raffaele the picture of the Plague of Serpents, painted in 1588, still survives while, behind the facade of the church of San Zaccaria, at least four large works by Aliense are preserved.
In 1559 the Benedictine monks of San Giorgio Maggiore decided to renovate their church. They commissioned Palladio to execute the work but at the time of his death, twenty one years later, it was still unfinished. The abbot then summoned Vassilacchi to select the best, in his opinion, preliminary design for the central altar of the church. Naturally modest and polite, Aliense had a good word to say about all the sketches, which complicated rather than simplified matters. In the end, the up to then judge was asked to design something himself. His sketch was immediately accepted and from it was created the large bronze group of the Four Evangelists Supporting the World and God.
In 1594, Aliense, recommended by the Benedictines of San Giorgio Maggiore, undertook to paint the circle of pictures that consist the "Life of Christ" for the church of Saint Peter in Perugia, which belonged to the same Order. His paintings still survive in their original setting.
In 1602 Antonio Vassilacchi began painting in the cathedral church at Salo', while his surviving work -- mainly decorative -- in the villa of the senator Giovanni Barbarigo at Noventa Vicentina, near Montagnana, is truly impressive.
[edit] Marriage
Antonio Vassilacchi married three times. The name of his first wife, who bore him his son, Stefano, is not known. Stefano followed in his father's footsteps as a painter and is said to have helped him on the 'Coronation of Baldwin of Flanders'. He died young, however, before having established a career. Vassilacchi also had two daughters who entered the Nunnery of Santa Chiara (that in which Vassilacchi had painted an 'Annunciation'), though it is not known whether they were from his first or second marriage. His second wife, Giacomina, made her will on November 2nd, 1609 and died six days later. Vassilacchi's last marriage was his most unfortunate. Ridolfi, his biographer, describes a painting by the artist in which he portrays himself carrying his wife, her nurse, her uncle and her son by her previous marriage, on his back. Vassilacchi used to show this picture to his friends and say "This is the burden I'll bear till I die".
[edit] Death
Aliense died on Easter Saturday, 1629, in his seventy-third year. He was buried with honours in the church of San Vitale on the following day, Easter Sunday. San Vitale is the church on the same square as Vassilacchi's house and, in particularly appropriate symbolism, gazing down from on high on the painter's coffin were a 'Resurrection' and an 'Ascension' painted by his own hand many years before.
In the official Venetian register, his death is entered as follows:
1629, 15th April. Sire Antonio Aliense, painter, aged about 73 years, sick of fever and catarrh these twelve days past.
[edit] External links
- Aliense
- Antonio Vassilacchi
- (Italian) Antonio Vassilacchi
