André Gedalge
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André Gedalge (December 27, 1856 - February 5, 1926), was an inflential French composer and teacher.
Gedalge was born at 75 rue des Saints-Pères, in Paris, where he first worked as a bookseller and editor specializing in livres de prix for public schools. During this time he published books by Marie Laubot and Edmond About for the Librairie Gedalge.
It wasn't until 1886, at the age of 28, that he entered the Paris Conservatory. In that same year he won the Second Prix de Rome. There he studied under Ernest Guiraud, professor of counterpoint and fugue, and Jules Massenet's teacher.
In 1891, Gedalge composed the score for le Petit Savoyard, a pantomime in four acts performed at les Nouveautés. In 1895, Pris au Piège was awarded the prix Cressant. In June 1900, his one act ballet Phoebé debuted at the Opéra-Comique. He composed Quatuor d'archet, les Vaux de Vire (a collection of melodies), children's songs, and three symphonies. These illustrated the proud motto that he followed: "Neither literature, nor painting", which defined "pure music". His Third Symphony in F Major and his Concerto for Piano and Orchestra (written in 1899) were considered masterpieces of French music.
In the years before World War I, Gedalge served as Mayor of Chessy, Seine-et-Marne, where he later died and was buried.
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[edit] Teaching
He influenced many students of music, including André Bloch, Nadia Boulanger, Claude Delvincourt, Jean Roger-Ducasse , Georges Enesco, Arthur Honegger, Jacques Ibert, Charles Koechlin, Paul Ladmirault, Raoul Laparra, Darius Milhaud, Max d'Ollone, Henri Rabaud, Maurice Ravel, and Florent Schmitt.
He also wrote instructional works for students: "Treatise of the Fugue" ("Traité de la fugue", 1904), and a book on "The Instruction of Music by the Education of the Ear" ("l'Enseignement de la Musique par l'éducation de l'oreille", 1922).
He was relatively modest and, as such, did not garner a large reputation as an individual musician, but he greatly benefited from the wide recognition of his students. On the day after his death, it was written:
"He gave to his students the best part of himself: the knowledge, the understanding of man and the supreme gift that is goodness. It was sufficient that he had been poor and worthy of the name of musician for that he counselled, taught, and gave affectionate welcome not only to his class, but in the intimacy of his dwelling."
(See below for original quote.)
[edit] Original quotes
- « Il donnait à ses élèves le meilleur de lui-même : le savoir, la connaissance des hommes et ce don suprême qu'est la bonté. Il suffisait qu'un être fût pauvre et digne du nom de musicien pour qu'il trouvât conseils, leçons et affectueux accueil non seulement à sa classe, mais dans l'intimité de son logis ».
[edit] Selected compositions
- 1891 Le Petit Savoyard, pantomime
- 1893 Hélène, drama
- 1895 Pris au piège, light opera
- 1899 Concerto for Piano and Orchestra
- 1900 Phoebé, ballet
[edit] Writings
- 1901 Traité de la fugue
- 1922 l'Enseignement de la Musique par l'éducation de l'oreille
[edit] Discography
- André Gedalge - Pièces instrumentales et mélodies Geneviève Laurenceau, violin - Mario Hacquard, baritone - Lorène de Ratuld and Claude Collet, piano - Benny Sluchin, trombone - Antoine Curé, trumpet. CD Polymnie (2007)
[edit] References
- This article incorporates information from the French article of the same name. (June 2006.)
