Alvin Ailey American Dance Theater
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The Alvin Ailey American Dance Theater is a modern dance company based in New York, New York. It was founded in 1958 by choreographer and dancer Alvin Ailey. It is made up of 30 dancers as well as artistic director Judith Jamison and associate artistic director Masazumi Chaya.
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[edit] History
Alvin Ailey and a group of young black modern dancers first performed at New York's 92nd Street Young Men's Hebrew Association, under the name Alvin Ailey American Dance Theater, in March of 1958. Following this performance, the company traveled on what were known as the "station wagon tours"; in 1960, the AAADT became a resident company of the 51st Street YWCA's Clark Center for the Performing Arts. It was during this time period that Ailey choreographed the famous piece Revelations. In 1962, the company was chosen to tour the Far East, Southeast Asia and Australia as part of President John F. Kennedy's "President's Special International Program for Cultural Presentations." Judith Jamison joined the company in 1965.
Ailey established a school in 1969, the same year that the company moved to the Brooklyn Academy of Music. Both company and school relocated to 229 East 59th Street in Manhattan a year later, to a renovated church building. In April of that year, a financial crisis caused Ailey to issue a statement that the dissolution of the company might take place. The crisis abated, however, and in 1971 AAADT made its first performance at the New York City Center, where it is currently the resident company. Associate artistic director Masazumi Chaya joined the company in 1972.
AAADT, the Alvin Ailey Repertory Ensemble (a touring company) and the Ailey school relocated in 1980 to four new studios in a building on Broadway. The company celebrated its twenty-fifth anniversary three years later. Alvin Ailey passed away on December 1 of 1989; Judith Jamison assumed the post of Artistic Director, and the entire Ailey organization moved to 211 West 61st Street on the Upper West Side of Manhattan. The Ailey School and nearby Fordham College at Lincoln Center (FCLC), Fordham University, have since affiliated to offer a Bachelor of Fine Arts (BFA) degree program.[1]
Many arts organizations have experienced stresses upon the death of their founding artistic director. Many others have also contributed to the success of AAADT, but the work of the Executive Director from 1990 to 1993, Michael Kaiser is often cited [1] [2] [3] as a model of successful Not For Profit performing arts management.
Following tours in Russia, France and Cuba in the 1990s, as well as a residency in South Africa in 1997, the Alvin Ailey Dance Foundation announced in 2001 that a new dance complex was to be developed. Ground was broken on the building site in Manhattan the following year. The company and school moved into the building, named the Joan Weill Center for Dance, in 2004. The company toured Russia and the United Kingdom the following year.
[edit] Performances and repertory
The Alvin Ailey American Dance Theater has performed for an estimated 21 million people in 48 states, as well as 71 countries on six continents. Among these performances are included two South African residencies. The company has often been an ambassador for American culture, starting with President John F. Kennedy's Southeast Asia tour program. The company and its dancers and artistic staff have been recognized as cultural ambassadors numerous times, as in the 2002 awarding of the National Medal of Arts to both Judith Jamison and the Alvin Ailey Dance Foundation.
Founder Alvin Ailey created more than 79 dances for his company during his tenure; he also maintained, however, that the company was not solely a repository for his choreography. Hence AAADT has a repertory of more than 200 works by over seventy choreographers, including such choreographers as Ulysses Dove, Karole Armitage, Uri Sands, and most recently Twyla Tharp (whose work The Golden Section is part of AAADT's 2006 repertory). The company keeps Alvin Ailey's works, including Revelations, Night Creature and Cry, in continuous performance.
