A Right To Die
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| Author | Rex Stout |
|---|---|
| Country | United States |
| Language | English |
| Series | Nero Wolfe |
| Genre(s) | Detective fiction |
| Publisher | Viking Press |
| Released | October 22, 1964 |
| Media type | Hardcover |
| Pages | 182 pp. |
| ISBN | ISBN 0-553-24032-3 |
| Preceded by | Trio for Blunt Instruments |
| Followed by | The Doorbell Rang |
A Right to Die is a Nero Wolfe mystery novel by Rex Stout, first published by the Viking Press in 1964.
Contents |
[edit] Plot summary
The novel is set against the background of the Civil Rights Act conflict in the Johnson Administration. At the begininng of the book, Paul Whipple, a black character from the earlier 1938 novel Too Many Cooks, of whom Wolfe had gained the trust against a strong West Virginia atmosphere of prejudice, comes to tell Wolfe that Wolfe has since become his hero, and that he has also achieved the dream, stated in the earlier novel, of being an anthropologist. He has come, however, to draw upon the favor he did Wolfe 26 years earlier, by asking Wolfe to prevent his son Dunbar Whipple [1] from marrying a rich white girl, Susan Brooke, he is apparently in love with. While denying that he is not opposed, in principle at least, to a mixed-race couples, Paul Whipple thinks that sensible rich white girls don't fall in love with poor black men, even if the rich white girl is working for a black civil rights organization in New York. Wolfe is loathe to interfere in the matter, but agrees to at least learn what he can about the true movitations of the socialite girlfriend and why she would be interested in a Negro boyfriend.
Before the real mystery story gets underway, Stout allows some give and take on the concept of racism being a two-way street: blacks preferring their own as much as whites.
The matter takes a much nastier turn when Susan Brooke is murdered and Dunbar Whipple is arrested as the prime suspect.
As a whodunit, the book is not very complex, but it is a good period piece showing racial attitudes both of self-consciously unprejudiced people of that era (Stout himself, and the characters in the book) and those of bigots. Regarding the latter, Stout shows how a climate of racism, combined with mundane realities of life can incite the bigot to violence. In fact, the violence might have occurred without the racial overtones, and over-emphasis on race can be seen a poisonous element to everybody concerned. In the course of the book, Susan Brooke is shown to have been a femme fatale[2] for at least one earlier white boyfriend, perhaps justifying Paul's initial suspicions, or perhaps just being an unfortunate coincidence depending on the reader's own attitudes to such things.
At the end of the book, Dunbar Whipple takes an interest in a black girl, which disappoints Archie but pleases Dunbar's parents, particularly his mother.
[edit] Civil Rights
As noted earlier, Rex Stout had already had Nero Wolfe make civil rights a central issue in his 1938 Wolfe novel Too Many Cooks, although in that case his client was a not a black man, and so while many books were being written in that time period about the civil rights of Black Americans, few mainstream authors were writing a civil-rights sequel to a novel from 1938.
[edit] The Right To Die
The book's title causes some consternation even to many who have read the book several times. In principle, the plot is age-old: a woman punishes the woman who jilted her son and drove him to suicide. None of this anything to do with civil rights: all the people mentioned are upper middle class white Americans.
If that had been the extent of it, Dunbar Whipple would have been safe, and Brooke might not have been killed. It was only when Brooke started working at an NAACP-like organization in NYC (as does her might-have been mother-in law whom she never remembers meeting) and dating a black man that the syllogism formed: Brooke might be a precious creature better than any man, and her nemesis even accepted that — none too happily — until Brooke saw fit to romance a nigger — to use her word — showing that her son was no better than one of those men for whom she had formed such hatred at her husband's factory in southern Indiana — and Susan therefore had a right to die: civil rights in her view included the right of vengeance.
[edit] Notes
- ^ Paul was a waiter at the Kanawha Spa resort in West Viriginia when he and Wolfe first met. In that story, the none-too-friendly county sheriff has already questioned Paul and several other black restaurant staff and learned nothing. Wolfe attempts to convince them that he has quite a different opinion of black men than the sheriff, but has little success until he quotes cogently from the work of noted early Black-American poet Paul Lawrence Dunbar. Paul, an anthropology student at Howard University, recognized the work. That act of respect for Black-American culture convinces Paul and his buddies that Wolfe is no sweet-talking trickster more polite than the sheriff but with the same racist agenda. Paul and his buddies reward Wolfe's respect with some key information, and Paul has immortalized the incident by naming his future son -- now a young man -- "Dunbar" in joint honor of both Wolfe and the poet.
- ^ By the end of the book, one previous boyfriend is dead by suicide, another murdered, and a third charged with her murder
