Wishbone Ash
From Wikipedia, the free encyclopedia
| Wishbone Ash | |
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| Country | Devon, England |
| Years active | 1969–present |
| Genres | Rock, Hard Rock, Progressive Rock |
| Members | Andy Powell Muddy Manninen Bob Skeat Ray Weston |
| Past members | Martin Turner Ted Turner Steve Upton Laurie Wisefield Ben Granfelt Mark Birch Tony Kishman Roger Filgate Mike Sturgis Andy Pyle Jamie Crompton Mervyn Spence Trevor Bolder John Wetton Claire Hamill |
Wishbone Ash are a British Hard rock band, formed in Devon, 1969, forming out of the ashes of the group The Empty Vessels, later Tanglewood.
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[edit] History
[edit] 1969-1980
Wishbone Ash was formed in 1969 by bassist Martin Turner and drummer Steve Upton. After an extensive search for a guitar player, the band could not decide between the final two candidates, Andy Powell and Ted Turner. Martin Turner suggested that they try both guitar players "just to see what it sounds like". Unbeknownst to Turner, he was helping to pioneer a brand new technique in rock: the "twin lead" harmonizing guitar sound. Coincidentally, across the ocean in America, Dickey Betts and Duane Allman were utilizing the same technique, as The Allman Brothers Band was formed around the same time in Macon, Georgia. Though both bands were heavily rooted in the blues, the Wishbone Ash twin lead sound also included strong elements of folk, progressive rock, and classical music. Asking their fans to suggest a name for the new band, the names 'Wishbone' and 'Ash' happened to be alongside each other on the decision sheet; a happy juxtaposition that Martin Turner spotted and encouraged the others to accept as a decision really needed to be made. They all agreed with Martin's choice. The name allowed the band to be as diverse as they pleased without any musical constraint implied. Thus the legendary Wishbone Ash were born.
In early 1970, the band scored an opening spot for rock legends Deep Purple, who were on their way to becoming one of the most popular bands in the world. During soundcheck, Purple guitarist Ritchie Blackmore was warming up alone onstage when a very bold Andy Powell walked up, plugged in, and began jamming along with Blackmore. Within 24 hours, Blackmore hooked the band up with legendary producer Derek Lawrence and helped them secure a record deal with Decca/MCA Records.
The band's self-titled debut album, released in 1970, was a huge success. Fans and critics alike praised the album, which contained a raw, rough bluesy rock sound as well as extended jam sessions and twin guitar flights that displayed the band's impressive musical skills. The haunting "Phoenix", clocking in at nearly 13 minutes, closed out the album and is considered by many to be the definitive Wishbone Ash song. The group also displayed early signs of heavy metal with the pummeling riffs of "Queen of Torture" and "Lady Whiskey".
L-R: Andy Powell, Ted Turner, Martin Turner & Steve Upton
One year later, the group released Pilgrimage. Reactions were mixed, as there was extreme pressure on the band to surpass their highly praised debut album. Regardless, Pilgrimage was a strong effort, and remains one of their finest studio recordings. However, most of the tracks on the album were instrumental, as there were only a few songs with vocals and solid song structures.
The band struck gold in 1972 with Argus, without question their commercial and creative peak. The album was voted by the readers of Sounds magazine as the best rock album of the year. Argus contained epic themes, brilliant vocal harmonizing, instrumental precision, and arguably best song writing of Wishbone Ash's career. The impact of Argus was enormous. A potent blend of folk, progressive rock, and classical music, it was a truly original album that helped propel the band to superstar status. The band was now one of the most popular rock bands in the world, and was getting international acclaim for their live performances.
The band was now headlining major arenas and starting to make a huge impact in the United States. In a move that Wishbone Ash would repeat time and time again throughout their career, the group released a lacklustre follow-up to Argus that put the brakes on their rise to the top. Wishbone Four was the band's first record without producer Derek Lawrence, as the band decided to produce the album themselves. None of the lush harmonies, folksy elements, or epic song writing was present, and most of the trademark twin lead guitar was missing, though the album still produced classics, including the beautiful "Ballad of the Beacon" and the underrated rocker "Doctor".
Regardless of whether Wishbone Four captivated audiences, the band still had a reputation as a fierce live act. Therefore, in 1973, the band released a double live album entitled Live Dates, which truly captured the band at their peak of their live performance. Bands were releasing live albums left and right in the early 1970s, so Live Dates, although successful, did not receive the popularity and attention it should have.
Just as the band's popularity was continuing to rise on the strength of Live Dates and the now legendary status of Argus, the band suffered a serious blow with the departure of guitarist Ted Turner, who retired from music and moved to the English countryside. After replacing Turner with new guitarist Laurie Wisefield, the band relocated to America and recorded the critically acclaimed There's the Rub album.
Widely considered one of the band's strongest albums, There's the Rub contained several classics, including the druggy instrumental epic "FUBB (Fucked Up Beyond Belief)" (referring to the band's condition of high inebriation during sessions) and the haunting, gorgeous ballad "Persephone", one of the group's most beloved songs. American influences began creeping into the band's sound as well, as the album contained the first hints of the mellow, softer side the group would embrace later in the decade.
However, the band almost did not make it to the latter part of the decade, as their next album nearly killed their career. Locked In, produced (and extremely overproduced) by Tom Dowd, was a critical and commercial disaster. Virtually unrecognizable as a Wishbone Ash album, the album nearly derailed the band's career as fan backlash was enormous. The group even began touring with a keyboard player; not only was the album panned, but the shows were disparaged as well. The entire Locked In experience was seen as a complete disaster.
L-R: Andy Powell, Martin Turner, Steve Upton & Laurie Wisefield
The band returned with a newfound focus on 1976's New England, and the Americanization of Wishbone Ash was now in full effect. A huge step forward, the band was also beginning to mellow out in a big way. Aside from a couple of rockers, most of the album is soothing and breezy, bringing the band's vocal harmonies even more to the forefront. The laid back, mellow trend continued with Front Page News (1977). Many fans proclaim that the group's vocal harmonizing was never as fully realized as it was on Front Page News. A truly unique album which divides fans to this day, it acts almost as one constant, flowing number in the soft-rock vein, but without the kitsch elements. A highlight is the airy instrumental "714," which includes strings in the background (a first for the band).
Despite recovering from the Locked In debacle with two fine albums in the mid-1970s, the band's record sales were slumping. It was the era of punk and disco, and the hard rock giants of the early 1970s were now seen as has-beens only a few years into their careers. However, the group remained a strong live attraction that was still able to pack large venues.
In 1978, after years of experimental albums, the band decided to return to its roots with No Smoke Without Fire, the band's heaviest album since There's the Rub and the first to be produced by Derek Lawrence since the Argus masterpiece in 1972. The album contained many songs written solely by Laurie Wisefield, including the massive epic "Way of the World" and the gorgeous harmonic ballad "Ships in the Sky" (one of the few elements still left from the Front Page News era; most of the album was classic Wishbone Ash). However, the band had long lost the ability to have a high charting album release, especially considering the trends of the time.
However, the band soldiered on and spent over an entire year making the next album, Just Testing. Released in February 1980, the album was the strongest Wishbone record in years. Containing mostly Martin Turner material, the album allowed Wishbone to try new musical trends and still retain the classic Wishbone sound. The album contained less frills with a stronger emphasis on vocals and chorus, coming through nicely on tracks like "Insomnia" and the classic opener "Living Proof", one of Wishbone Ash's most popular songs of all time. "Lifeline", another "Way of the World" style epic, closed out the album, the decade and unfortunately, an era.
Pressured by MCA to make more commercial music, the band considered bringing in a lead singer and relinquishing Martin Turner's duties to bass guitar only. After 11 years, the band's front man and co-founder left Wishbone Ash. For some, Martin was more than just a bass player, as he basically represented the "face" of Wishbone Ash.
[edit] 1981-1989
Turner was replaced by the legendary John Wetton, formerly of King Crimson, UK, and several other classic groups. Most of Number the Brave, released in 1981, was written before Wetton joined, hence he sang on only one song. Wetton grew disillusioned with what he deemed a "session man" status, especially considering he was one of the most respected bassists/singers/songwriters in the world. Before the tour began, he quit Wishbone Ash and formed Asia. Wishbone Ash was dropped by MCA the same year.
Wetton was replaced on the Number the Brave tour by former Uriah Heep bassist Trevor Bolder. Also joining the band was a female backing vocalist, Claire Hamill. who had sung on both the Just Testing and Number the Brave albums. The new Wishbone got mixed reviews. In 1982, after Hamill's departure, the band went heavy metal and released the Twin Barrels Burning album. There were few bright spots along the way, and once again the band depended on their still successful live shows to bring home the bacon.
Trevor Bolder left the group to rejoin Uriah Heep in 1983, to be replaced by Mervyn Spence. Spence was a capable lead vocalist (much like Jon Anderson of Yes) and acted as the front man from the 1984-1986 period. The group continued with a more heavy metal side on 1985's Raw to the Bone, which became the first Wishbone Ash album not to make the charts.
The band suffered even more disappointment when influential member Laurie Wisefield quit the band after 11 years of service. He was replaced by Jamie Crompton. Months later Mervyn Spence quit as well, to be replaced by ex-Kinks bassist Andy Pyle. This was considered one of the lowest points in the band's career. However, it didn't last long.
L-R: Andy Powell, Steve Upton, Martin Turner & Ted Turner
In 1987, IRS Records founder and original Wishbone manager Miles Copeland began a record label entitled "No Speak," which featured all instrumental music. In order to launch the label successfully, Copeland needed a big name band that would bring publicity to the project. Copeland approached Andy Powell and Steve Upton about having Wishbone Ash release an all instrumental album. However, he stated the album must mark the reunion of the original Wishbone Ash.
For the first time in 14 years, Andy Powell and Steve Upton joined forces with Martin Turner and Ted Turner to release the album Nouveau Calls, released in 1987. Fans were beyond elated to hear that the original Wishbone Ash was back in action, however, reactions were mixed because there were no vocals on the new album. The tour of 1988 was a huge success, as the band played large venues for the first time since the late 1970s. In 1989, fans got their wish as the band released a full-fledged reunion album with vocals entitled Here to Hear. Considered the band's best album since 1980's Just Testing, the album went over well with fans and critics alike. The 1988-1990 period featured some of the best live performances of the band's career.
[edit] 1990-1999
After spending the first part of 1990 on the road, the band went back into the studio to record the follow up to Here to Hear. The band was shocked when founding member Steve Upton, the band's drummer for their entire career, announced his retirement from the music business. Shaken but undeterred, the band quickly enlisted session drummer Robbie France to help out on some studio tracks and live shows. However, the band permanently settled on Ray Weston, who officially joined the band in 1991. After a full year in the studio, Strange Affair was released in 1991. Upton was not only missed as the band's anchorman musically, but also from a business standpoint, having effectively managed the band throughout much of its career. Upon Upton's departure, this mantle was taken on by Andy Powell. Whereas Upton had handled business affairs for the overall good of the band, Powell adopted a "hire and fire" mentality and seized upon an opportunity to adopt the band as a personal business venture.
In 1992, fans were saddened when founding member Martin Turner was fired by Powell and replaced by returnee Andy Pyle, who had been in the band years earlier. Turner had been the band's frontman, lead vocalist, and principal lyricist, whereas Pyle didn't sing or write. However, the band remained strong as Pyle, Andy Powell, Ted Turner, and Ray Weston toured throughout 1992 and 1993, releasing the live album The Ash Live in Chicago.
1994 saw the total dismantling of the band. All of the founder members of the band were now gone, aside from Powell. However, Andy Powell (the only remaining original member) promised to carry the flag and soldier on with a new version of the band. Guitarist/songwriter Roger Filgate replaced Ted Turner, bassist/vocalist Tony Kishman would be the frontman, and drummer Mike Sturgis replaced Ray Weston. Powell promised to deliver "the next Argus", and fan donations and outside assistance help the group finance the new studio album. However, Tony Kishman had prior performing engagements in America, and had to bow out of the project right before the 1995 tour. For the third time, founding member Martin Turner returned to the fold to the delight of fans. At this time Powell let it be known that he did not want Martin Turner in "his" band. Having saved Powell's tour Martin Turner was once again told that his services were no longer required. Martin Turner later recounted in the book 'Blowin' Free' that he had NEVER willingly left Wishbone Ash. It was now clear to many fans that Powell was, in his words, "exploiting" the Wishbone Ash fan base for his own benefit. This was now clearly the Andy Powell band using the name 'Wishbone Ash'
Illuminations was released in 1996. Essentially an Andy Powell project (considering he was the only original member), the album received rave reviews and was the strongest Wishone Ash release in years. The album, featuring a returning Tony Kishman, did not feature any of Martin Turner's contributions. Roger Filgate's contribution was crucial to this album. He co-wrote most of the material with Powell and played guitar and bass during the recording.
In 1997, Bassist Bob Skeat and guitarist/vocalist Mark Birch were hired, and former drummer Ray Weston rejoined the band. During the lineup changes, Andy Powell released two electronic dance albums under the name Wishbone Ash. Psychic Terrorism and Trance Visionary were ambitious dance projects that contained electronic beats blended with Wishbone Ash guitar riffs. Foolishly, the new band even played some of the material in concert. These concerts were a disaster and the good name of Wishbone Ash was once again "exploited"
[edit] 2000 to present
The band then released a quiet, all acoustic album of classic songs entitled Bare Bones before hitting the road in 2000 to celebrate their 30th anniversary. A special show was held at Shepherds Bush Empire in London, where the band welcomed special guests Laurie Wisefield and Claire Hamill as well as other friends for a star-studded concert that resulted in Live Dates 3 and a live DVD.
In 2001, Mark Birch was replaced by gifted guitarist Ben Granfelt. The band hit the road for their most extensive touring schedule in years, and renewed interest in the band was seen across the globe (many older fans had just assumed the group had split). Showcasing their strongest lineup in years, Wishbone Ash returned to the studio in 2002 for the highly praised Bona Fide album. Like Illuminations six years earlier, Bona Fide was considered an instant classic by fans and critics alike. 2003 saw the band touring across the world with Savoy Brown, playing the largest number of American dates since the 1980s.
Ben Granfelt made a huge impact on the new Wishbone Ash. But, just as the group was enjoying yet another rise to the top, he left the band to continue working on his solo career. Granfelt's mentor, Muddy Manninen, joined the band. As of spring 2005 (their 35th anniversary), the band continues to tour the USA and Europe regularly, and released their long-anticipated 21st studio album, entitled Clan Destiny, in May 2006. A tour of the UK and the USA will keep the band on the road through most of the summer of 2006. Manninen, who struggled at the start to fit in, now has emerged as a quality member of the group. He has taken the lead of many songs and made them his own, adding flair and panache to the music, and now has joined the ranks of top flight guitarists to play in this band.
In the autumn of 2005, Martin Turner joined with guitarists Ray Hatfield and Keith Buck, and drummer Rob Hewins, to form Martin Turner's Wishbone Ash. MTWA have played many songs which have been rarely (or never) heard live and have delighted longtime fans, many of whom felt the sound of the Andy Powell-led later line-ups had strayed too far from the band's trademark sound. Certainly the band's debut release, the "New Live Dates Vol.1" album (recorded on the band's debut tour) captured the essence of what most fans regard as the classic Wishbone Ash sound. A second volume is scheduled for release during 2007, with a new studio album.
[edit] Special events
Wishbone Ash have developed a couple of group gatherings, AshCon in the UK and AshFest in the USA. These began in the last few years and have developed into gatherings of the 'faithful' and have become annual fixtures. Always keen to encourage the fans, later ones have featured guitar clinics and question times that encourage musicians to play with the band and develop.
[edit] Discography
 1. Wishbone Ash (1970) |
 2. Pilgrimage (1971) |
 4. Wishbone Four (1973) |
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 5. There's the Rub (1974) |
 7. New England (1976) |
 8. Front Page News (1977) |
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 10. Just Testing (1980) |
 11. Number the Brave (1981) |
 12. Twin Barrels Burning (1982) |
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 13. Raw to the Bone (1985) |
 14. Nouveau Calls (1987) |
 15. Here to Hear (1989) |
 16. Strange Affair (1991) |
 17. Illuminations (1996) |
 18. Trance Visionary (1997) (electronic dance album) |
 19. Psychic Terrorism (1998) (electronic dance album) |
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 21. Clan Destiny (2006) |
