We're Only in It for the Money
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| We're Only in It for the Money | ||
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| Studio album by The Mothers of Invention | ||
| Released | January 1968 | |
| Recorded | August 1967 – October 1967 | |
| Genre | satire, musique concrete, psychedelic rock | |
| Length | 39:07 | |
| Label | Verve Rykodisc (reissue) |
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| Producer(s) | Frank Zappa | |
| Professional reviews | ||
|---|---|---|
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| Frank Zappa chronology | ||
| Absolutely Free (1967) |
We're Only in It for the Money (1968) |
Lumpy Gravy (1968) |
| The Mothers of Invention chronology | ||
| Absolutely Free (1967) |
We're Only in It for the Money (1968) |
Cruising with Ruben & the Jets (1969) |
| Alternate cover | ||
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| Zappa's intended cover was changed to this portion of the inside sleeve until the Rykodisc CD reissue reinstated the proper artwork | ||
We're Only in It For the Money is a rock 'n' roll album by Frank Zappa and The Mothers of Invention. Displaying snippets of styles as diverse as 1950s doo-wop to 1960s surf music to avant-garde orchestral doodlings, the album peaked at #30 on North America's Billboard Music Charts pop albums chart. The album is a parody of hippie culture and Summer of Love and a satire on the superficial nature of contemporary life in the United States.
First released in 1968 on Verve Records (see 1968 in music), it was rereleased by Rykodisc in 1986 with newly recorded bass and percussion tracks. Parts censored from the original release were also restored. However, subsequent fan demand for the original Verve recording led to its restoration on Rykodisc's releases from 1995 onwards. [1]
The album was included in Q magazine's list of the "Best Psychedelic Albums of All Time." In 2003, the album was ranked number 296 on Rolling Stone magazine's list of the 500 greatest albums of all time. [2]
The song "Flower Punk" is based upon "Hey Joe", famously performed by Jimi Hendrix, who is himself featured in the cover art.
Contents |
[edit] History
In 1967, Zappa conceived an album, Our Man in Nirvana, which would combine the music of his band The Mothers of Invention with comedy routines by Lenny Bruce (who had performed with Zappa at The Fillmore in 1966). [3] However, when Sgt. Pepper's Lonely Hearts Club Band was released and hugely touted as the first concept album, Zappa, who already had released two (which Paul McCartney later admitted had influenced Sgt. Pepper [4]) felt compelled to respond. Also, Zappa noticed its cultural effect, and felt that the then-popular flower power scene had and would continue to have a major influence on popular culture. Consequently, he decided to produce instead a satirical album that parodied every cynical aspect of the fad, Sgt. Pepper, and 1960s US society. [5] The only vestige of the original album idea in We're Only in It... is the phrase "Don't come in me, in me, in me..." in the song "Harry, You're A Beast", a reference to a Lenny Bruce routine about ejaculation. [6]
[edit] Censorship
Initial releases of the album had certain sections of songs edited or removed due to perceived offensiveness. These two sets of edits are often distinguished by the monikers "censored" and "heavily censored." However, these set of edits were sometimes applied inconsistently, so these two categories are inexhaustive. [7]
Tracks affected by censor edits include:
- "Who Needs the Peace Corps?": a spoken line "I will love the police as they kick the shit out of me" was cut out of the heavily censored version.
- "Concentration Moon": Gary Kellgren's whispered statement describing The Velvet Underground and The Mothers of Invention as 'shitty' was cut. In one of the more interesting cases of album censorship, three different variations of the cut exist: the most common version (and the one that made it to the '95 reissue) has the line completely cut, while Canadian LP issues seem to include the line intact.
- "Absolutely Free": The spoken word lines "I don't do publicity balling for you any more" and remark "Flower power sucks!" were removed on the heavily-censored version.
- "Let's Make the Water Turn Black": Several lines of the song are removed from the heavily-censored version, most notably the line about booger-smearing teenage friends Ronnie and Kenny Williams' mother ("and I still remember Mama with her Apron and her pad, feeding all the boys at Ed's Cafe") was removed due to a record company executive who thought the line referred to a sanitary pad. [8]
- "Mother People": a verse containing the expletives 'fucking' and 'shitty' was replaced with another; the original was backmasked and appended to the track "Hot Poop" (even there, however, "fucking" is absent, and the heavily-censored version omits the backwards verse entirely). (The line is: "Better look around before you say you don't care/Shut your fucking mouth 'bout the length of my hair/how would you survive/if you were alive/shitty little person?")
- "Harry You're a Beast": The "Don't come in me, in me" verse was edited in order to hide the offending lyric by re-editing parts of the verse in the wrong way, and reversing parts of the song. This phrase is from Lenny Bruce's "To is a Preposition, Come is a Verb" routine.
The 1986 release with new drum and bass tracks reinstated these sections, while the 1995 release with the original musical parts reverted to the "standard" set of US censorship.
[edit] Cover art
The entire cover was intended as a parody of the cover for The Beatles' Sgt. Pepper's Lonely Hearts Club Band. The fold-out cover for Sgt. Pepper had a collage of famous people by Peter Blake on the outside front, a picture of the group with one member facing away from the camera on the back, and a head-shot portrait of the band on the inside. Zappa originally intended to use the cover as one would expect--front cover on the front, back cover on the back, and the inside group head-shot on the inside--but Zappa's record company demurred and turned the cover inside-out for release, putting the most blatant Sgt. Pepper parody (front cover very similar in its production; back cover showing a picture of the group with only one member facing toward the camera) on the inside and the head-shot portrait pastiche of the band on the outside. A later Rykodisc release on CD featured the original photo restored to the front cover. Next to Zappa's head on the head-shot portrait, a speech bubble has him questioning, "Is this phase one of Lumpy Gravy?"
One section of the CD liner art features a series of badge, banknote, and facial hair cut-outs, satirising those of Sgt. Pepper, with some differences; one badge features a small photograph of recording engineer Gary Kellgren and the other is a nipple. The banknote had a picture of a belly button in the middle.
[edit] Track listing
All tracks by Frank Zappa.
- "Are You Hung Up?" – 1:25
- "Who Needs the Peace Corps?" – 2:34
- "Concentration Moon" – 2:22
- "Mom and Dad" – 2:16
- "Telephone Conversation" – 0:49
- "Bow Tie Daddy" – 0:33
- "Harry, You're a Beast" – 1:21
- "What's the Ugliest Part of Your Body?" – 1:03
(song sample, 258KB) - "Absolutely Free" – 3:24
- "Flower Punk" – 3:03
- "Hot Poop" – 0:26
- "Nasal Retentive Calliope Music" – 2:02
- "Let's Make the Water Turn Black" – 2:01
- "The Idiot Bastard Son" – 3:18
- "Lonely Little Girl" – 1:09
- "Take Your Clothes Off When You Dance" – 1:32
- "What's the Ugliest Part of Your Body? (Reprise)" – 1:02
- "Mother People" – 2:26
- "The Chrome Plated Megaphone of Destiny" – 6:26
[edit] Personnel
[edit] The Mothers of Invention
- Frank Zappa – guitar, piano, vocals, voices
- Dick Barber – vocals
- Jimmy Carl Black – trumpet, drums, vocals
- Roy Estrada – electric bass, vocals
- Bunk Gardner – woodwind
- Billy Mundi – drums, vocals
- Don Preston – keyboards
- Euclid James "Motorhead" Sherwood – baritone saxophone, soprano saxophone, voices
- Suzy Creamcheese – telephone voice
- Ian Underwood – piano, keyboards, voices, woodwind
- Pamela Zarubica – vocals
[edit] Session musicians
- Eric Clapton – speaking part
- Gary Kellgren – whisper
- Spider Barbour - vocals
- Dick Kunc - "cheerful interruptions" vocal
- Vicki Kellgren - additional telephone vocals
- Sid Sharp - orchestral arrangements on "Absolutely Free", "Mother People" and "The Chrome Plated Megaphone of Destiny"
[edit] Production
- Producer: Frank Zappa
- Executive producer: Tom Wilson
- Engineers: Gary Kellgren, Dick Kunc
- Remixing: Dick Kunc
- Editing: Dick Kunc, Frank Zappa
- Arranger: Frank Zappa
- Concept: Frank Zappa
- Art direction: Cal Schenkel
- Design: Cal Schenkel
- Artwork: Cal Schenkel
- Photography: Jerry Schatzberg
- Fashion advisor: Tiger Morse
- Wardrobe: Billy Mundi
[edit] Charts
Album - Billboard (North America)
| Year | Chart | Position |
|---|---|---|
| 1968 | Pop Albums | 30 |
[edit] External links
[edit] References
- ^ Rykodisc Catalog - We're Only In It For The Money - Frank Zappa. Rykodisc. Retrieved on July 17, 2006.
- ^ The 500 Greatest Albums of All Time. Rolling Stone. Retrieved on July 12, 2006.
- ^ Sovetov, Vladimir. ARF: Notes and Comments: WE'RE ONLY IN IT FOR THE MONEY: Harry, You're A Beast. Retrieved on July 8, 2006.
- ^ Fox, John. Frank Zappa? Classical Music? Absolutely.. Retrieved on July 17, 2006.
- ^ The Big Note | Serving The Lumpy Gravy. Retrieved on July 17, 2006.
- ^ Monologues of Lenny Bruce Cited in Obscenity Prosecutions. Retrieved on July 8, 2006.
- ^ Phase 315 of we're only in it for the money censorship. Retrieved on July 16, 2006.
- ^ Zappa, Frank, Peter Occhiogrosso [1989]. “Are We Having Fun Yet?”, The Real Frank Zappa Book (HTML) (in English), Simon & Schuster. Retrieved on July 2006. “Years later I learned that an MGM executive was convinced that the word "pad" referred to a sanitary napkin. He became obsessed with the idea that a waitress somewhere was feeding sanitary napkins to people in a restaurant, and demanded (in violation of our contract) that it be removed.”
