| Contact with WP Filmmaking |
|
Article
|
|
Date
|
|
|
Comments
|
| 35 mm film [1] |
|
September 12, 2006 |
 FA |
|
|
| Panavision [2] |
|
September 12, 2006 |
FA |
|
|
| Sound film [3] |
|
November 2, 2006 |
FA |
|
|
| WGA screenwriting credit system [4] |
|
September 12, 2006 |
FA |
|
|
| 3-D film [5] |
|
September 29, 2006 |
A |
|
|
| Color film (motion picture) [6] |
|
October 3, 2006 |
A |
|
|
| Depth of field [7] |
|
September 29, 2006 |
A |
|
|
| Film Booking Offices of America [8] |
|
December 1, 2006 |
A |
|
|
| Film colorization [9] |
|
October 14, 2006 |
A |
|
|
| Hyperfocal distance [10] |
|
October 3, 2006 |
A |
|
|
| Kinetoscope [11] |
|
October 28, 2006 |
A |
|
|
| Nelvana [12] |
|
October 3, 2006 |
A |
|
|
| Projection screen [13] |
|
October 7, 2006 |
A |
|
|
| RKO Pictures [14] |
|
October 14, 2006 |
A |
|
|
| Telecine [15] |
|
October 5, 2006 |
A |
|
|
| 20th Century Fox [16] |
|
September 29, 2006 |
 GA |
|
|
| 8 mm video format [17] |
|
September 29, 2006 |
GA |
|
|
| Adobe Flash [18] |
|
November 22, 2006 |
GA |
|
|
| Anamorphic widescreen [19] |
|
October 2, 2006 |
GA |
|
|
| Aperture [20] |
|
October 21, 2006 |
GA |
|
|
| B-movie [21] |
|
October 20, 2006 |
GA |
|
|
| Bullet time [22] |
|
October 7, 2006 |
GA |
|
|
| Camcorder [23] |
|
October 11, 2006 |
GA |
|
|
| Cinerama [24] |
|
October 20, 2006 |
GA |
|
|
| Circle of confusion [25] |
|
October 20, 2006 |
GA |
|
|
| Color temperature [26] |
|
October 19, 2006 |
GA |
|
|
| DV [27] |
|
October 14, 2006 |
GA |
|
|
| Depth-of-field adapter [28] |
|
October 14, 2006 |
GA |
|
|
| Dickson Experimental Sound Film [29] |
|
October 14, 2006 |
GA |
|
|
| Dimmer [30] |
|
October 14, 2006 |
GA |
|
|
| Exposure value [31] |
|
October 2, 2006 |
GA |
|
|
| F-number [32] |
|
October 14, 2006 |
GA |
|
|
| Film [33] |
|
October 3, 2006 |
GA |
0.5 |
|
| Film crew [34] |
|
October 7, 2006 |
GA |
|
|
| Focal length [35] |
|
October 19, 2006 |
GA |
|
|
| Gamma correction [36] |
|
October 3, 2006 |
GA |
|
|
| HDV [37] |
|
October 8, 2006 |
GA |
|
|
| High speed photography [38] |
|
October 3, 2006 |
GA |
|
|
| IMAX [39] |
|
October 8, 2006 |
GA |
|
|
| Light meter [40] |
|
October 11, 2006 |
GA |
|
|
| Match moving [41] |
|
October 14, 2006 |
GA |
|
|
| Metro-Goldwyn-Mayer [42] |
|
October 20, 2006 |
GA |
|
|
| Motion capture [43] |
|
October 20, 2006 |
GA |
|
|
| Movie projector [44] |
|
October 7, 2006 |
GA |
|
|
| Music video [45] |
|
October 20, 2006 |
GA |
|
|
| NTSC [46] |
|
October 3, 2006 |
GA |
|
|
| Paramount Pictures [47] |
|
October 14, 2006 |
GA |
|
|
| SECAM [48] |
|
October 14, 2006 |
GA |
|
|
| Silent film [49] |
|
October 6, 2006 |
GA |
|
|
| Sound effect [50] |
|
October 14, 2006 |
GA |
|
|
| Subtitle (captioning) [51] |
|
October 8, 2006 |
GA |
|
|
| Technicolor [52] |
|
October 14, 2006 |
GA |
|
|
| Television advertisement [53] |
|
October 20, 2006 |
GA |
|
|
| Time-lapse [54] |
|
October 14, 2006 |
GA |
|
|
| Traditional animation [55] |
|
October 14, 2006 |
GA |
|
|
| United Artists [56] |
|
September 29, 2006 |
GA |
|
|
| Univisium [57] |
|
September 29, 2006 |
GA |
|
|
| Video [58] |
|
October 3, 2006 |
GA |
|
|
| Videocassette recorder [59] |
|
October 3, 2006 |
GA |
|
|
| Warner Bros. [60] |
|
September 29, 2006 |
GA |
|
|
| Zoom lens [61] |
|
September 29, 2006 |
GA |
|
|
| 16 mm film [62] |
|
September 27, 2006 |
B |
|
|
| 180 degree rule [63] |
|
September 27, 2006 |
B |
|
|
| 24p [64] |
|
October 28, 2006 |
B |
|
|
| 70 mm film [65] |
|
September 29, 2006 |
B |
|
|
| American Mutoscope and Biograph Company [66] |
|
October 2, 2006 |
B |
|
|
| Angle of view [67] |
|
October 2, 2006 |
B |
|
|
| Animated cartoon [68] |
|
October 2, 2006 |
B |
|
|
| Apple Motion [69] |
|
October 2, 2006 |
B |
|
|
| Apple box [70] |
|
October 2, 2006 |
B |
|
|
| Arriflex 435 [71] |
|
October 2, 2006 |
B |
|
|
| Aspect ratio (image) [72] |
|
October 2, 2006 |
B |
|
|
| Avid Elastic Reality [73] |
|
October 2, 2006 |
B |
|
|
| Avid Technology [74] |
|
October 2, 2006 |
B |
|
|
| Betacam [75] |
|
November 19, 2006 |
B |
|
|
| Bipack [76] |
|
October 7, 2006 |
B |
|
|
| Black-and-white [77] |
|
October 7, 2006 |
B |
|
|
| Blender (software) [78] |
|
October 16, 2006 |
B |
|
|
| Bluescreen [79] |
|
October 7, 2006 |
B |
|
|
| Bokeh [80] |
|
October 7, 2006 |
B |
|
|
| Cel-shaded animation [81] |
|
October 11, 2006 |
B |
|
|
| Channel (digital image) [82] |
|
October 21, 2006 |
B |
|
|
| Cinelerra [83] |
|
October 20, 2006 |
B |
|
|
| CinemaScope [84] |
|
October 20, 2006 |
B |
|
|
| Cinematographer [85] |
|
October 16, 2006 |
B |
|
|
| Cinematography [86] |
|
October 3, 2006 |
B |
|
|
| Cinéorama [87] |
|
October 20, 2006 |
B |
|
|
| Clay animation [88] |
|
October 20, 2006 |
B |
|
|
| Closing credits [89] |
|
October 14, 2006 |
B |
|
|
| Clothes-pin [90] |
|
October 20, 2006 |
B |
|
|
| Color grading [91] |
|
October 19, 2006 |
B |
|
|
| Columbia Pictures [92] |
|
October 19, 2006 |
B |
|
|
| Computer animation [93] |
|
October 19, 2006 |
B |
|
|
| Computer-generated imagery [94] |
|
October 19, 2006 |
B |
|
|
| Contrast ratio [95] |
|
October 19, 2006 |
B |
|
|
| Depth of focus [96] |
|
October 14, 2006 |
B |
|
|
| Digital Domain [97] |
|
October 14, 2006 |
B |
|
|
| Digital Multiplex [98] |
|
October 14, 2006 |
B |
|
|
| Digital Theater System [99] |
|
October 14, 2006 |
B |
|
|
| Digital cinema [100] |
|
October 14, 2006 |
B |
|
|
| Digital cinematography [101] |
|
October 3, 2006 |
B |
|
|
| Digital video [102] |
|
October 14, 2006 |
B |
|
|
| Digital8 [103] |
|
October 14, 2006 |
B |
|
|
| Dolby Digital [104] |
|
October 14, 2006 |
B |
|
|
| Dolby Laboratories [105] |
|
October 3, 2006 |
B |
|
|
| Dolly zoom [106] |
|
October 14, 2006 |
B |
|
|
| Dubbing (filmmaking) [107] |
|
October 14, 2006 |
B |
|
|
| Ellipsoidal Reflector Spotlight (ERS) [108] |
|
October 2, 2006 |
B |
|
|
| FORscene [109] |
|
October 14, 2006 |
B |
|
|
| Film budgeting [110] |
|
October 8, 2006 |
B |
|
|
| Film director [111] |
|
October 5, 2006 |
B |
|
|
| Film editing [112] |
|
October 3, 2006 |
B |
|
|
| Film industry [113] |
|
October 14, 2006 |
B |
|
|
| Film preservation [114] |
|
October 17, 2006 |
B |
|
|
| Film score [115] |
|
October 19, 2006 |
B |
|
|
| Film speed [116] |
|
October 19, 2006 |
B |
|
|
| Film stock [117] |
|
October 19, 2006 |
B |
|
|
| Film tinting [118] |
|
October 9, 2006 |
B |
|
|
| Filmation [119] |
|
October 16, 2006 |
B |
|
|
| Filming location [120] |
|
October 6, 2006 |
B |
|
|
| Filmmaking [121] |
|
October 4, 2006 |
B |
|
|
| Final Cut Pro [122] |
|
October 19, 2006 |
B |
|
|
| Fisheye lens [123] |
|
October 19, 2006 |
B |
|
|
| Fleischer Studios [124] |
|
October 16, 2006 |
B |
|
|
| Forced perspective [125] |
|
October 14, 2006 |
B |
|
|
| Gobo (lighting) [126] |
|
October 3, 2006 |
B |
|
|
| Graduated neutral density filter [127] |
|
October 3, 2006 |
B |
|
|
| Handschiegl Color Process [128] |
|
October 3, 2006 |
B |
|
|
| Hanna-Barbera [129] |
|
October 16, 2006 |
B |
|
|
| High-definition video [130] |
|
October 3, 2006 |
B |
|
|
| Hydrargyrum medium-arc iodide [131] |
|
October 3, 2006 |
B |
|
|
| IMovie [132] |
|
October 8, 2006 |
B |
|
|
| Intermittent mechanism [133] |
|
October 8, 2006 |
B |
|
|
| JVC [134] |
|
November 19, 2006 |
B |
|
|
| Keykode [135] |
|
September 29, 2006 |
B |
|
|
| Kodachrome [136] |
|
September 29, 2006 |
B |
|
|
| Lens mount [137] |
|
October 11, 2006 |
B |
|
|
| Letterbox [138] |
|
October 11, 2006 |
B |
|
|
| LightWave [139] |
|
October 11, 2006 |
B |
|
|
| Lighting control console [140] |
|
October 11, 2006 |
B |
|
|
| Lost film [141] |
|
October 11, 2006 |
B |
|
|
| Macro photography [142] |
|
October 14, 2006 |
B |
|
|
| Maya (software) [143] |
|
October 14, 2006 |
B |
|
|
| Movie camera [144] |
|
October 7, 2006 |
B |
|
|
| Mutoscope [145] |
|
October 2, 2006 |
B |
|
|
| Negative pulldown [146] |
|
October 3, 2006 |
B |
|
|
| Non-linear editing system [147] |
|
October 3, 2006 |
B |
|
|
| OpenEXR [148] |
|
October 14, 2006 |
B |
|
|
| PAL [149] |
|
October 14, 2006 |
B |
|
|
| Pan and scan [150] |
|
October 14, 2006 |
B |
|
|
| Parabolic aluminized reflector light [151] |
|
October 14, 2006 |
B |
|
|
| Pathé [152] |
|
October 14, 2006 |
B |
|
|
| Performance capture [153] |
|
October 14, 2006 |
B |
|
|
| Photographic film [154] |
|
October 14, 2006 |
B |
|
|
| Photographic filter [155] |
|
October 14, 2006 |
B |
|
|
| Photographic lens [156] |
|
October 14, 2006 |
B |
|
|
| Pixar [157] |
|
October 16, 2006 |
B |
|
|
| Rankin/Bass [158] |
|
October 16, 2006 |
B |
|
|
| Raw image format [159] |
|
October 21, 2006 |
B |
|
|
| Re-edited film [160] |
|
October 3, 2006 |
B |
|
|
| Republic Pictures [161] |
|
October 6, 2006 |
B |
|
|
| Rotary disc shutter [162] |
|
October 6, 2006 |
B |
|
|
| Rotoscope [163] |
|
October 6, 2006 |
B |
|
|
| SMPTE color bars [164] |
|
October 14, 2006 |
B |
|
|
| SMPTE time code [165] |
|
October 14, 2006 |
B |
|
|
| Schüfftan process [166] |
|
October 17, 2006 |
B |
|
|
| Screen Actors Guild [167] |
|
October 17, 2006 |
B |
|
|
| Screen Gems [168] |
|
October 17, 2006 |
B |
|
|
| Screenplay [169] |
|
October 17, 2006 |
B |
|
|
| Screenwriting [170] |
|
October 19, 2006 |
B |
|
|
| Screenwriting software [171] |
|
October 19, 2006 |
B |
|
|
| Short subject [172] |
|
October 20, 2006 |
B |
|
|
| Sony [173] |
|
October 20, 2006 |
B |
|
|
| Sony Vegas [174] |
|
October 14, 2006 |
B |
|
|
| Sound design [175] |
|
October 14, 2006 |
B |
|
|
| Sound editor [176] |
|
October 14, 2006 |
B |
|
|
| Special effect [177] |
|
October 8, 2006 |
B |
|
|
| Stage combat [178] |
|
October 14, 2006 |
B |
|
|
| Stage lighting [179] |
|
October 14, 2006 |
B |
|
|
| Stage lighting instrument [180] |
|
October 14, 2006 |
B |
|
|
| Steadicam [181] |
|
October 14, 2006 |
B |
|
|
| Stop motion [182] |
|
October 14, 2006 |
B |
|
|
| Studio system [183] |
|
October 14, 2006 |
B |
|
|
| Stunt [184] |
|
October 8, 2006 |
B |
|
|
| Super 35 mm film [185] |
|
October 3, 2006 |
B |
|
|
| Super 8 mm film [186] |
|
October 8, 2006 |
B |
|
|
| Take [187] |
|
October 14, 2006 |
B |
|
|
| Techniscope [188] |
|
October 14, 2006 |
B |
|
|
| Title sequence [189] |
|
October 14, 2006 |
B |
|
|
| Universal Studios [190] |
|
September 29, 2006 |
B |
|
|
| Videotape [191] |
|
October 3, 2006 |
B |
|
|
| VistaVision [192] |
|
October 3, 2006 |
B |
|
|
| Walt Disney Feature Animation [193] |
|
September 29, 2006 |
B |
|
|
| Widescreen [194] |
|
September 29, 2006 |
B |
|
|
| Windows Movie Maker [195] |
|
September 29, 2006 |
B |
|
|
| Wratten number [196] |
|
September 29, 2006 |
B |
|
|
| Xenon arc lamp [197] |
|
October 14, 2006 |
B |
|
|
| Zeiss [198] |
|
September 29, 2006 |
B |
|
|
| Zone system [199] |
|
October 21, 2006 |
B |
|
|
| 007 Stage [200] |
|
December 8, 2006 |
Start |
|
|
| 28 mm film [201] |
|
September 27, 2006 |
Start |
|
|
| 30 degree rule [202] |
|
September 27, 2006 |
Start |
|
|
| 3D LUT [203] |
|
September 29, 2006 |
Start |
|
|
| 4-D film [204] |
|
October 21, 2006 |
Start |
|
|
| 70 mm Grandeur film [205] |
|
October 21, 2006 |
Start |
|
|
| 8 mm film [206] |
|
September 29, 2006 |
Start |
|
|
| 9.5 mm film [207] |
|
September 29, 2006 |
Start |
|
|
| A-list [208] |
|
October 5, 2006 |
Start |
|
|
| Aaton universal [209] |
|
September 27, 2006 |
Start |
|
|
| Academy ratio [210] |
|
October 2, 2006 |
Start |
|
|
| Adobe After Effects [211] |
|
October 2, 2006 |
Start |
|
|
| Adobe Premiere Elements [212] |
|
October 2, 2006 |
Start |
|
|
| Adobe Premiere Pro [213] |
|
October 2, 2006 |
Start |
|
|
| Agfa-Gevaert [214] |
|
October 2, 2006 |
Start |
|
|
| AgfaPhoto [215] |
|
October 2, 2006 |
Start |
|
|
| Alternate ending [216] |
|
October 2, 2006 |
Start |
|
|
| American Cinema Editors [217] |
|
October 2, 2006 |
Start |
|
|
| American Society of Cinematographers [218] |
|
October 2, 2006 |
Start |
|
|
| Animation [219] |
|
October 2, 2006 |
Start |
|
|
| Arri [220] |
|
October 2, 2006 |
Start |
|
|
| Arri PL [221] |
|
October 2, 2006 |
Start |
|
|
| Arri bayonet [222] |
|
October 2, 2006 |
Start |
|
|
| Arri standard [223] |
|
October 2, 2006 |
Start |
|
|
| Arriflex D-20 [224] |
|
October 2, 2006 |
Start |
|
|
| Art director [225] |
|
October 2, 2006 |
Start |
|
|
| Assistant director [226] |
|
October 2, 2006 |
Start |
|
|
| Associated British Picture Corporation [227] |
|
November 24, 2006 |
Start |
|
|
| Audio editing [228] |
|
October 2, 2006 |
Start |
|
|
| Autodesk Media and Entertainment [229] |
|
October 2, 2006 |
Start |
|
|
| Avid Free DV [230] |
|
October 15, 2006 |
Start |
|
|
| Avid Liquid [231] |
|
October 2, 2006 |
Start |
|
|
| Avid Matador [232] |
|
October 2, 2006 |
Start |
|
|
| Avid Media Illusion [233] |
|
October 2, 2006 |
Start |
|
|
| Axial cut [234] |
|
October 2, 2006 |
Start |
|
|
| BNCR mount [235] |
|
October 7, 2006 |
Start |
|
|
| Backlighting (lighting design) [236] |
|
October 7, 2006 |
Start |
|
|
| Backlot [237] |
|
October 7, 2006 |
Start |
|
|
| Bayer filter [238] |
|
October 21, 2006 |
Start |
|
|
| Beaulieu 5008 S [239] |
|
October 21, 2006 |
Start |
|
|
| Best boy [240] |
|
October 7, 2006 |
Start |
|
|
| Big Six (movie studio corporations) [241] |
|
October 7, 2006 |
Start |
|
|
| Billing (film) [242] |
|
October 7, 2006 |
Start |
|
|
| Body double [243] |
|
October 7, 2006 |
Start |
|
|
| Bolex [244] |
|
October 7, 2006 |
Start |
|
|
| Breaking down the script [245] |
|
October 7, 2006 |
Start |
|
|
| Buena Vista Distribution [246] |
|
October 7, 2006 |
Start |
|
|
| Buena Vista Motion Pictures Group [247] |
|
October 7, 2006 |
Start |
|
|
| Burnt-in timecode [248] |
|
October 7, 2006 |
Start |
|
|
| Böwe Bell & Howell [249] |
|
October 7, 2006 |
Start |
|
|
| Cameo appearance [250] |
|
October 11, 2006 |
Start |
|
|
| Camera angle [251] |
|
October 11, 2006 |
Start |
|
|
| Camera magazine [252] |
|
October 11, 2006 |
Start |
|
|
| Camera operator [253] |
|
October 11, 2006 |
Start |
|
|
| Cartoon Network Studios [254] |
|
October 16, 2006 |
Start |
|
|
| Casting (performing arts) [255] |
|
October 11, 2006 |
Start |
|
|
| Cel [256] |
|
October 9, 2006 |
Start |
|
|
| Celtx [257] |
|
October 11, 2006 |
Start |
|
|
| Chroma key [258] |
|
October 11, 2006 |
Start |
|
|
| CineAlta [259] |
|
October 20, 2006 |
Start |
|
|
| CineMagic (film technique) [260] |
|
October 20, 2006 |
Start |
|
|
| Cinecittà [261] |
|
October 3, 2006 |
Start |
|
|
| Cinecolor [262] |
|
October 20, 2006 |
Start |
|
|
| Cinematic techniques [263] |
|
October 7, 2006 |
Start |
|
|
| Cinemiracle [264] |
|
October 20, 2006 |
Start |
|
|
| Cineon [265] |
|
October 20, 2006 |
Start |
|
|
| Cinématographe [266] |
|
October 29, 2006 |
Start |
|
|
| Circle-Vision 360° [267] |
|
October 20, 2006 |
Start |
|
|
| Clapper loader [268] |
|
October 20, 2006 |
Start |
|
|
| Clapperboard [269] |
|
October 20, 2006 |
Start |
|
|
| Close-up [270] |
|
October 20, 2006 |
Start |
|
|
| Cold open [271] |
|
October 20, 2006 |
Start |
|
|
| Color gel [272] |
|
October 19, 2006 |
Start |
|
|
| Color photography [273] |
|
October 19, 2006 |
Start |
|
|
| Color reversal internegative [274] |
|
October 19, 2006 |
Start |
|
|
| Compositing [275] |
|
October 19, 2006 |
Start |
|
|
| Composition (visual arts) [276] |
|
October 19, 2006 |
Start |
|
|
| Computer Animation Production System [277] |
|
October 19, 2006 |
Start |
|
|
| Consolidated Film Industries [278] |
|
November 10, 2006 |
Start |
|
|
| Contact print [279] |
|
October 16, 2006 |
Start |
|
|
| Continuity editing [280] |
|
October 19, 2006 |
Start |
|
|
| Cooke Optics [281] |
|
October 19, 2006 |
Start |
|
|
| Costume design [282] |
|
October 17, 2006 |
Start |
|
|
| Cross-cutting [283] |
|
October 17, 2006 |
Start |
|
|
| Cutout animation [284] |
|
October 14, 2006 |
Start |
|
|
| Cutting on action [285] |
|
October 14, 2006 |
Start |
|
|
| D1 (Sony) [286] |
|
November 19, 2006 |
Start |
|
|
| D2 (video format) [287] |
|
November 19, 2006 |
Start |
|
|
| D3 video [288] |
|
November 19, 2006 |
Start |
|
|
| D5 HD [289] |
|
November 19, 2006 |
Start |
|
|
| DPX [290] |
|
October 4, 2006 |
Start |
|
|
| Dailies [291] |
|
October 14, 2006 |
Start |
|
|
| Daily call sheet [292] |
|
October 14, 2006 |
Start |
|
|
| Daily editor log [293] |
|
October 14, 2006 |
Start |
|
|
| Dalsa Origin [294] |
|
October 14, 2006 |
Start |
|
|
| Darkroom [295] |
|
October 20, 2006 |
Start |
|
|
| DePatie-Freleng Enterprises [296] |
|
October 17, 2006 |
Start |
|
|
| Deep focus [297] |
|
October 14, 2006 |
Start |
|
|
| Deleted scene [298] |
|
October 14, 2006 |
Start |
|
|
| Denham Film Studios [299] |
|
October 14, 2006 |
Start |
|
|
| Development hell [300] |
|
October 5, 2006 |
Start |
|
|
| Digital Cinema Initiatives [301] |
|
October 14, 2006 |
Start |
|
|
| Digital compositing [302] |
|
October 14, 2006 |
Start |
|
|
| Digital film [303] |
|
October 14, 2006 |
Start |
|
|
| Digital intermediate [304] |
|
October 14, 2006 |
Start |
|
|
| Dimension Films [305] |
|
October 3, 2006 |
Start |
|
|
| Director of audiography [306] |
|
October 14, 2006 |
Start |
|
|
| Director's cut [307] |
|
October 14, 2006 |
Start |
|
|
| Directors Guild of America [308] |
|
October 14, 2006 |
Start |
|
|
| Disney Digital 3-D [309] |
|
October 21, 2006 |
Start |
|
|
| Dissolve (film) [310] |
|
October 14, 2006 |
Start |
|
|
| Distribution (film) [311] |
|
October 14, 2006 |
Start |
|
|
| Dolby Stereo [312] |
|
October 14, 2006 |
Start |
|
|
| Double exposure [313] |
|
October 14, 2006 |
Start |
|
|
| Drawn on film animation [314] |
|
October 2, 2006 |
Start |
|
|
| DreamWorks Animation [315] |
|
October 16, 2006 |
Start |
|
|
| Dufaycolor [316] |
|
December 3, 2006 |
Start |
|
|
| Dutch angle [317] |
|
October 14, 2006 |
Start |
|
|
| E-6 process [318] |
|
October 2, 2006 |
Start |
|
|
| Eastman Kodak [319] |
|
October 2, 2006 |
Start |
|
|
| Edit decision list [320] |
|
October 6, 2006 |
Start |
|
|
| Eidoloscope [321] |
|
October 2, 2006 |
Start |
|
|
| Ektachrome [322] |
|
October 2, 2006 |
Start |
|
|
| Electronic viewfinder [323] |
|
October 21, 2006 |
Start |
|
|
| Elstree Studios [324] |
|
October 2, 2006 |
Start |
|
|
| Ensemble cast [325] |
|
October 2, 2006 |
Start |
|
|
| Entrance pupil [326] |
|
October 21, 2006 |
Start |
|
|
| Establishing shot [327] |
|
October 2, 2006 |
Start |
|
|
| Evangelion shot [328] |
|
October 2, 2006 |
Start |
|
|
| Executive producer [329] |
|
October 2, 2006 |
Start |
|
|
| Exposure (photography) [330] |
|
October 2, 2006 |
Start |
|
|
| Exposure latitude [331] |
|
October 2, 2006 |
Start |
|
|
| Exposure range [332] |
|
December 7, 2006 |
Start |
|
|
| Extra (actor) [333] |
|
October 2, 2006 |
Start |
|
|
| Eyeline match [334] |
|
October 2, 2006 |
Start |
|
|
| Eyemo [335] |
|
October 21, 2006 |
Start |
|
|
| F-64D [336] |
|
October 21, 2006 |
Start |
|
|
| Facial expression capture [337] |
|
October 14, 2006 |
Start |
|
|
| Fantasound [338] |
|
October 14, 2006 |
Start |
|
|
| Film adaptation [339] |
|
October 14, 2006 |
Start |
|
|
| Film base [340] |
|
October 14, 2006 |
Start |
|
|
| Film distributor [341] |
|
October 14, 2006 |
Start |
|
|
| Film format [342] |
|
October 14, 2006 |
Start |
|
|
| Film frame [343] |
|
October 4, 2006 |
Start |
|
|
| Film gate [344] |
|
October 7, 2006 |
Start |
|
|
| Film gauge [345] |
|
October 14, 2006 |
Start |
|
|
| Film perforations [346] |
|
October 17, 2006 |
Start |
|
|
| Film producer [347] |
|
October 17, 2006 |
Start |
|
|
| Film production [348] |
|
October 17, 2006 |
Start |
|
|
| Film recorder [349] |
|
October 17, 2006 |
Start |
|
|
| Film rights [350] |
|
October 17, 2006 |
Start |
|
|
| Film set [351] |
|
October 19, 2006 |
Start |
|
|
| Film splicer [352] |
|
October 19, 2006 |
Start |
|
|
| Film studio [353] |
|
October 19, 2006 |
Start |
|
|
| Film-out [354] |
|
November 28, 2006 |
Start |
|
|
| Filmizing [355] |
|
October 19, 2006 |
Start |
|
|
| Filter (optics) [356] |
|
October 21, 2006 |
Start |
|
|
| Filter factor [357] |
|
October 19, 2006 |
Start |
|
|
| Final Cut Express [358] |
|
October 19, 2006 |
Start |
|
|
| Final Draft [359] |
|
October 19, 2006 |
Start |
|
|
| Final cut privilege [360] |
|
October 19, 2006 |
Start |
|
|
| Flange focal distance [361] |
|
October 19, 2006 |
Start |
|
|
| Flash animation [362] |
|
October 16, 2006 |
Start |
|
|
| Fog machine [363] |
|
October 14, 2006 |
Start |
|
|
| Fogging (photography) [364] |
|
October 21, 2006 |
Start |
|
|
| Foley artist [365] |
|
October 14, 2006 |
Start |
|
|
| Followspot [366] |
|
October 3, 2006 |
Start |
|
|
| Footage [367] |
|
October 14, 2006 |
Start |
|
|
| Found footage [368] |
|
October 14, 2006 |
Start |
|
|
| Fox Film [369] |
|
October 14, 2006 |
Start |
|
|
| Frame rate [370] |
|
October 14, 2006 |
Start |
|
|
| Framestore CFC [371] |
|
October 7, 2006 |
Start |
|
|
| Fresnel lantern [372] |
|
October 14, 2006 |
Start |
|
|
| Front projection effect [373] |
|
October 14, 2006 |
Start |
|
|
| Fujifilm [374] |
|
October 14, 2006 |
Start |
|
|
| Full frame [375] |
|
October 7, 2006 |
Start |
|
|
| Gaffer [376] |
|
October 3, 2006 |
Start |
|
|
| Gaffer tape [377] |
|
October 3, 2006 |
Start |
|
|
| Genesis (Panavision) [378] |
|
October 3, 2006 |
Start |
|
|
| Goof [379] |
|
November 18, 2006 |
Start |
|
|
| Grip (job) [380] |
|
October 3, 2006 |
Start |
|
|
| Guerrilla filmmaking [381] |
|
October 23, 2006 |
Start |
|
|
| Hand-held camera [382] |
|
October 3, 2006 |
Start |
|
|
| High speed camera [383] |
|
October 3, 2006 |
Start |
|
|
| High-key lighting [384] |
|
October 3, 2006 |
Start |
|
|
| Hollywood Pictures [385] |
|
October 3, 2006 |
Start |
|
|
| Hydraulx [386] |
|
October 3, 2006 |
Start |
|
|
| IMAX Corporation [387] |
|
October 8, 2006 |
Start |
|
|
| Image noise [388] |
|
October 20, 2006 |
Start |
|
|
| Image sensor [389] |
|
October 20, 2006 |
Start |
|
|
| Image stabilization [390] |
|
October 21, 2006 |
Start |
|
|
| Industrial Light & Magic [391] |
|
October 15, 2006 |
Start |
|
|
| Insert (film) [392] |
|
October 8, 2006 |
Start |
|
|
| Intelligent Creatures [393] |
|
October 8, 2006 |
Start |
|
|
| International Alliance of Theatrical Stage Employes [394] |
|
October 8, 2006 |
Start |
|
|
| Interruptible foldback [395] |
|
October 8, 2006 |
Start |
|
|
| Jib (camera) [396] |
|
September 29, 2006 |
Start |
|
|
| Jones diagram [397] |
|
October 21, 2006 |
Start |
|
|
| Jump cut [398] |
|
September 29, 2006 |
Start |
|
|
| Kemps Film and TV Production Services Handbook [399] |
|
December 1, 2006 |
Start |
|
|
| Key frame [400] |
|
September 29, 2006 |
Start |
|
|
| Key light [401] |
|
September 29, 2006 |
Start |
|
|
| Kinemacolor [402] |
|
September 29, 2006 |
Start |
|
|
| Kinopanorama [403] |
|
September 29, 2006 |
Start |
|
|
| Klieg light [404] |
|
September 29, 2006 |
Start |
|
|
| Lens flare [405] |
|
October 11, 2006 |
Start |
|
|
| Lens speed [406] |
|
October 20, 2006 |
Start |
|
|
| Lighting technician [407] |
|
October 11, 2006 |
Start |
|
|
| Limited animation [408] |
|
October 11, 2006 |
Start |
|
|
| Linear video editing [409] |
|
October 11, 2006 |
Start |
|
|
| Location manager [410] |
|
October 11, 2006 |
Start |
|
|
| Location scouting [411] |
|
October 6, 2006 |
Start |
|
|
| Long take [412] |
|
October 3, 2006 |
Start |
|
|
| Lorimar Productions [413] |
|
October 11, 2006 |
Start |
|
|
| Low-key lighting [414] |
|
October 4, 2006 |
Start |
|
|
| Lucasfilm [415] |
|
October 11, 2006 |
Start |
|
|
| MXF [416] |
|
October 7, 2006 |
Start |
|
|
| Major film studios [417] |
|
October 14, 2006 |
Start |
|
|
| Massive (animation) [418] |
|
October 14, 2006 |
Start |
|
|
| Master shot [419] |
|
October 14, 2006 |
Start |
|
|
| Match cut [420] |
|
October 3, 2006 |
Start |
|
|
| Matte (filmmaking) [421] |
|
October 14, 2006 |
Start |
|
|
| Media 100 [422] |
|
October 14, 2006 |
Start |
|
|
| Miramax Films [423] |
|
October 20, 2006 |
Start |
|
|
| Monogram Pictures [424] |
|
October 20, 2006 |
Start |
|
|
| Montage (film) [425] |
|
October 7, 2006 |
Start |
|
|
| Morphing [426] |
|
October 20, 2006 |
Start |
|
|
| Motion blur [427] |
|
October 20, 2006 |
Start |
|
|
| Movie Magic Screenwriter [428] |
|
October 20, 2006 |
Start |
|
|
| Multiplane camera [429] |
|
October 3, 2006 |
Start |
|
|
| Multiple-camera setup [430] |
|
October 7, 2006 |
Start |
|
|
| Nagra [431] |
|
December 11, 2006 |
Start |
|
|
| Negative (photography) [432] |
|
October 3, 2006 |
Start |
|
|
| Negative cutting [433] |
|
October 3, 2006 |
Start |
|
|
| Nestor Studios [434] |
|
November 19, 2006 |
Start |
|
|
| Neutral density filter [435] |
|
October 3, 2006 |
Start |
|
|
| New Line Cinema [436] |
|
October 3, 2006 |
Start |
|
|
| See also: assessed article categories. |
Last update: December 14, 2006 |
