Uvedale Price
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Sir Uvedale Price (baptized April 14, 1747 – September 14, 1829), author of the Essay on the Picturesque, As Compared With The Sublime and The Beautiful (1794), was a Herefordshire landowner who was at the heart of the 'Picturesque debate' of the 1790s. Apart from the landscape and garden design debates described below, Price's theory resurfaced in architectural and urban design concepts of the mid-twentieth century, being a source of inspiration for the Townscape Movement conceived by Hugh de Cronin Hastings (aka Ivor de Wolfe), editor of the Architectural Review (UK), and his colleagues in 1949. As much as The Picturesque was meant to be a middle ground or synthesis of the Beautiful and the Sublime for Price, for Townscape theorists, the Townscape movement was meant to be a middle ground or alternative approach to what were perceived by Hastings as two branches of Functionalism, the Rational (i.e. Le Corbusier) and the Organic (i.e. Frank Lloyd Wright) approaches to architecture and urban design.
[edit] His life
Educated at Eton and Oxford, Price inherited the family estate (Foxley) when he came of age in 1768, a few years after the death of his father (Robert Price) in 1761 and of his grandfather (Uvedale Tompkins Price) in 1764. As a young man Price was a figure on London's social scene, and was once described as the 'Macaroni of his age', but with his inheritance and his marriage to Lady Caroline Carpenter he settled down at Foxley to tend to the estate and develop his theories on landscape, as well as equally controversial work on the pronunciation of the Classical languages.
During his life, Price was befriended by Sir George Beaumont and his wife Margaret Beaumont, with whom he corresponded extensively. He was also a lifetime friend of Charles James Fox, an associate of William Wordsworth, and in later life, a correspondent of Elizabeth Barrett Browning. He died in 1829 having accepted a knighthood, and having finally printed his work on Greek and Latin pronunciation.
[edit] The Picturesque and Landscape Theory
Price developed his ideas with his close neighbour Richard Payne Knight, whose poem 'The Landscape' was published the same year as Price's Essay delineating his theories on "The Picturesque" as a mode of landscape.
Well before Price's Essay or Knight's poem, however, the term 'pictoresque' was used in early 18th century France to refer to a property of being 'in the style of a painter.' Pope, in his "Letter to Caryll", brought the word into English as 'picturesque' in 1712. The term was used by various English authors throughout the 18th century (cf. Oxford English Dictionary 'picturesque') before being described by Bagehot in Literary Studies (1879) as "a quality distinct from that of beauty, or sublimity, or grandeur."
For Price, the Picturesque was more specifically defined as being located between the Beautiful and the Sublime. In practical application this meant that his preferred mode of landscaping was to retain old trees, rutted paths, and textured slopes, rather than to sweep all these away in the style that had been practised by Capability Brown. Price contested, for example, the obsession of "The Beautiful" with Classical and natural symmetry, arguing instead for a less formal and more asymmetrical interpretation of nature.
Price's ideas caught fire and led to much debate in artistic and literary circles: they were parodied, for example, by Jane Austen in Northanger Abbey. Price republished the Essay several times, with additional material, and entered into a public debate with Humphry Repton over the latter's approach to landscape design. He similarly fell out with Payne Knight, whose theories of landscape betrayed a more esoteric attitude.
