Talk:Tuba

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Can we please add a note about why it's called BBb? I got a decent explanation from my band teacher, but I figure I might want to let someone with more expertise handle it so that I don't confuse anybody. MToolen 03:31, 26 Apr 2005 (UTC)

Done, 12-20-05, Rick Denney 05:25, 21 December 2005 (UTC)

It may be good to also include pictures of some of the different keyed tubas-- BBb, CC,Eb and F. It would also be good to have pictures of both the upright valve type, as already pictured, and the front action type.

Also, The helicon may need to be mentioned with a picture as well.

Done, 12-20-05, Rick Denney 05:25, 21 December 2005 (UTC)

Contents

[edit] The Eb tuba becomes a C tuba when concert pitch music is read

This is not true, unless somehow the tuba grows extra length of tubes.

It is true to say that in concert pitch different notes will be written for the sound, but the instrument itself remains the same. The author has misunderstood what the phrase "Eb tuba" means.

A C tuba is a minor 3rd below an Eb tuba when they play their fundamental. This is compensated, in concert pitch writing, by the use of different fingering (a C is played open on a C tuba, but 1/2 on an Eb). NigelHorne 12:35, 8 November 2005 (UTC)

Perhaps this is supposed to refer to the idea that an Eb-pitched treble clef instrument can relatively easily play bass-clef concert pitch music as if it were treble-clef music, only adjusting the key signature? --Rschmertz 23:54, 8 September 2006 (UTC)

Let's examine this to expose the whole story. Remember that Eb tuba music that is written for real tuba players is written in bass clef and is written on concert pitch--just like F, CC, and BBb horns. However, Eb tuba music for converted trumpet players is written in G-clef, and is written a 13th higher than it sounds. It is like Baritone Saxophone music. So, if one were to see a "C" written on the first ledger line below the staff--middle C, one would play it open. What would sound would be the Eb on the first ledger line below the bass clef staff (I'll explore this more momentarily). Were one playing a CC horn and saw middle C written in G-clef, one would play it open as well, suggesting the equivalency. Unfortunately, the intended Eb would NOT come out; what would come out would be the C two ledger lines below the bass clef. The bottom line is that the stated equivalency is NOT true.

Getting back to parts written in G-clef for Eb horns, we can see that were one to read these parts as if they were in bass clef (and not transposing), one would play the intended pitches! One needs to remember to add three flats to the key signature, and there can be some tricky accidentals involving B, C, E, and F. I've had to play bari sax parts on tuba and alto sax parts on trombone, and it truly impresses those who don't realize how easy it is to do on the fly. --Weyandt 20:28, 12 December 2006 (UTC)

[edit] Bombardon

I think there's a problem in redirecting 'Bombardon' searches to the 'Tuba' article. I'm not saying that every esoteric and antique instrument should have an article, but uninformed readers might conclude that the bombardon was actually just a tuba. It might be right to write a few words about the ancestors of the tuba, or the use of the general name "tuba" for many instruments, and drop a word about the bombardon there. I'm just visiting from the hebrew wiki, working on musical articles there, so I don't want to push myself here. Udi Raz 17:34, 8 November 2005 (UTC)

put some susaphones in your site

I did :) [1]Udi Raz 21:53, 20 December 2005 (UTC)

[edit] Major changes to Types and Construction

I have significantly revised the Types and Construction section to address a range of issues. The effects of valve type and finish are the subject of endless debate without authoritative conclusion, and I've reworded them to reflect that fact. I've clarified the length of the bugles, the meaning of the valves, and the reason why the instrument is sharp when the valves are used in combination. I've added a touch of history, the origin of the doubled letters (BBb and CC), and a range of other details including a mention of the helicon category and the sousaphone subset of that category.

Mainly, I expanded the statements about what pitches of instruments are used in what applications. The previous article was heavily based on a American practice and was not accurate for other parts of the world, and I have provided additional description.

The authority for the changes I made can largely be supported by The Tuba Family by Clifford Bevan (I have both first and second editions), A Treatise on the Tuba by Donald Stauffer, and thousands of communications both in person with well-known professionals and collectors and in the Tubenet forum. Rick Denney 05:25, 21 December 2005 (UTC)

I've always understood that the double letters (in eg, BB♭ tuba) generally refer not to the pitch (an octave lower) but to the bore of the instrument (ie, BB has a wider bore, and hence a different tone). Is my understanding wrong? If so, to what extent? 195.217.52.130 19:48, 31 July 2006 (UTC)
My understanding comes from woodwinds, but I believe the octave interpretation is standard (i.e., B♭ bass clarinet, EE♭ contra-alto clarinet, BB♭ contrabass clarinet, EEE♭ octocontra-alto clarinet, and BBB♭ octocontrabass clarinet). Powers 12:36, 1 August 2006 (UTC)
Thanks. I've obviously had a mental aberration. I've long known that the same holds true of organ builders' names for organ pipes (eg, Middle C = 2' (because it's approx. 2 feet in length) = c'; Tenor C (the octave lower, despite what Wikipedia says) = 4' = c; Cello C (lowest string on the cello, two ledger lines below the bass clef) = 8' = C; 16-foot C = CC; and 32-foot C = CCC). Having now done a bit of research (OK, Googling), I've come across the following: http://oak.cats.ohiou.edu/~smithj10/Methods/week1b.html, which clearly explains the difference in pitch transpositions of the E-flat (octave and major 6th) and BB-flat (two octaves and a tone, or an octave and major 9th) tubas; in other words, the BB♭ is a fourth lower than the E♭, and explains the difference between bass and contrabass tubas. It now strikes me (somewhat belatedly, I admit) that all of these desciptors (ie, brass, woodwind and organ) are in line with Helmholtz's pitch notation method (under which the three octaves scale from Middle C downwards would be written c' b a g f e d C B A G F E D CC BB AA GG FF EE DD CCC). Perhaps this clarity could be included in the article? - it's sadly rather lacking at present IMHO. 195.217.52.130 19:45, 1 August 2006 (UTC)

[edit] Links

Folks, please do not remove links for web pages unless they no longer exist. If there starts to be an issue where fans of specific pages start removing the links to other pages, I'll make it my mission in life to keep all the links off the page. You know who you are.Rick Denney 03:30, 16 January 2006 (UTC)

[edit] cleanup

This article could use some partitioning. There's a huge block of text for the one section, and that really needs to be divided into smaller sections by somebody who knows more than me about this insturment. --TexasDex 12:17, 18 May 2006 (UTC)

I took a stab at it. The information is pretty comprehensive and hard to subdivide further than I did. Powers 14:50, 18 May 2006 (UTC)
There still appears to be some duplication (eg, the bit about C being the standard US instrument, with different instruments in the UK and Europe, is repeated more, though mainly less, verbatim a couple of paras later in the long "Types and construction" section. Can someone who knows about these things sort this out, please? Good luck!195.217.52.130 19:48, 31 July 2006 (UTC)

[edit] Playing range

The playing range shown in the article does not state for which pitch of tuba it applies. For BBb tuba in the Brass Band repertoire it is quite often required to play below the concert Eb indicated in the article. A range down to the concert F two octaves below the bass clef stave is sometimes required (written as the G one and a half octaves below the treble clef stave in Brass Band notation). Eg The Night to Sing by Bramwell Tovey, published by Winwood Music, 2005. As the playing range is fundamental to an understanding of the instrument, perhaps a more extensive playing range should be indicated in the article or the playing range indicated for each pitch of tuba. —The preceding unsigned comment was added by Harrisoc (talk • contribs) .

Hey, it sounds like you know a lot about it, and have valid reference material to boot! Now would be a great time to try editing an article yourself. If you have any questions, feel free to ask! Powers T 14:50, 22 August 2006 (UTC)

Thank you for your comment. I have downloaded the image file of the playing range and modified it however I am not sure of etiquette. Should I upload the file to replace the original file or discuss first with the creator of that file. Harrisoc 10:16, 24 August 2006 (UTC)

Hmm. Well, the current file is over on Wikimedia Commons, so if you want to replace it, you'll need to go over there. That's not necessarily a bad thing; everything on Commons is released with a free-use license, and that includes the right to modify it. So no notification is necessary, assuming the new image is of similar quality. =) Just make sure that you update the description to say that you modified commons:User:Mezzofortist's image, what you changed in it, and maybe how you did it. Powers T 14:01, 24 August 2006 (UTC)

I have modified the playing range image file of commons:User:Mezzofortist's (Range_tuba.png)and called it Range_tuba_extended.png (the original Range_tuba.png still exists in commons). I extended the lower range to pedal F and have followed the convention of Mezzofortist and displayed the F as a smaller note to indicate the possible lower range depending on type of instrument (eg BBb tuba). Harrisoc 12:45, 25 August 2006 (UTC)

[edit] Discussion of valves

I'd like to suggest deleting most of the "valves" section; that more appropriately explained in Brass instruments (or a Valve (brass instrument) article, if it exists, haven't checked). I think discussion on valves in this article should be limited to discussion that relates specifically or primarily to tubas. --Rschmertz 01:30, 9 September 2006 (UTC)

[edit] Tuba in different languages

Is there a particular reason to list the names for Tuba in different languages? I don't see this done in WP articles on non-brass instruments (I've checked violin, viola, oboe) -- or of non-musical subjects, so why the brass instruments, particularly?

It is useful for classical musicians to know the names of the major instruments in a few languages: English, French, Italian and German -- that's probably it. That's the only possible justification I can think of for having this list at all. Adding any languages beyond that, and we're basically duplicating the "articles in other languages" list. Thoughts?--Rschmertz 04:21, 18 September 2006 (UTC)

[edit] Notable Tubists

Did some cleanup of the "notable tubists". This is by no means thorough, just an easy first step: Google search all the red-linked names (save the ones I already know) and eliminate the ones that return no results or only someone in some college ensemble.

This list probably needs to be pared down a lot more. The hard part will be figuring out who is truly notable. --Rschmertz 04:22, 20 September 2006 (UTC)

I was just thinking the same thing. I've browsed through other instruments (Trumpet, Piano) and I've not seen any which include such a list on their page. I'm thinking it should be reduced and wrote in a paragraph form explaining what makes them notable (influential) and potentially make the list into another page (as in a List_of_et cetera page). akuyumeTC 02:41, 28 September 2006 (UTC)

[edit] Vote: Proposed changes to the Notable Tubists section

I've created a draft of the notable tubists section, and I would like to submit it to a vote before making such a major change. The current draft is Talk:Tuba/proposedNotableTubists. Also, please add any tubists you feel are truly worthy and remove any you might feel are not. Mostly I've only removed redlinks and people whose bios barely mention the tuba. akuyumeTC 02:36, 18 October 2006 (UTC)

Support akuyumeTC 02:36, 18 October 2006 (UTC)
Support, and require some sort of documentation for further additions once implemented. Powers T 23:53, 18 October 2006 (UTC)
Seeing as no one rejected this, I've made the change with Rschmertz (talk • contribs)'s addition [2].

akuyumeTC 01:00, 23 October 2006 (UTC)

The notable Tubists section seems to me to be very US-centric. With the exceptions of Chuck and Walter Hilgers (and of course, Fletch) there are no non-US tubists on the list. Surely some mention should be made of e.g. Patrick Harrild (Principal for the LSO and arguably the best living British tubist)?
I'll take you at your word about the lack of non-US. Maybe we need a better clearinghouse. There is a List of classical trombonists; maybe we could have a similar list of tubists from which we could make a better selection. Just as a note, I wouldn't want to see the list get beyond 25 (10 might even be a better number), so we might have to cull out some of the Americans on the basis of "notable, but not quite notable enough", which is difficult. --Rschmertz 16:20, 25 October 2006 (UTC)
Good point. Well, if people use appropiate categories, I was thinking that cat page could serve as a general list of tuba players in general, and then maybe another list of "somewhat notable" tuba players could exist, and then the most notable of them could be listed on this page. akuyumeTC 01:41, 26 October 2006 (UTC)

[edit] Compensating system

I think something about the compensating system for some tubas should be included, but past additions i have made have apparently not made sense so ill leave it to you..

Im not sure whether this just applies to EEb tubas but a compensating system means a better tone and pitching tool for the Tuba by adding extra tubing. This may be similar to 4th valve scenario but may be worth putting in, unsure.

-- —The preceding unsigned comment was added by TubaEEb (talk • contribs) .

Compensating systems are already mentioned in the article; do a search for "compensat" in the article. Does that answer your question? --Rschmertz 18:29, 1 November 2006 (UTC)

Thats fantastic, sorry, must of missed it.. TubaEEb 21:08, 13 November 2006 (UTC)

[edit] Types and Constructions

What's your opinion on rewriting and seperating the section Types and Constructions? It really looks too long and should probably be split and written more concisely. akuyumeTC 02:14, 2 November 2006 (UTC)

I agree it is very long and not so great. I need some time (like maybe a wikibreak) to think about what exactly should be done (but if you go ahead and do something, you probably won't hear me screaming (unless you are in the tri-state area ;-))) --Rschmertz 05:42, 2 November 2006 (UTC)
Well to take some of the pressure off, I've reached the conclusion of making a draft page so the community (read: you, me, and who ever else cares) can work on it. Here's what I've done. akuyumeTC 00:16, 8 November 2006 (UTC)

Things to do: write a new Types section, consolidate Valves and Finish subsections to the Construction section

[edit] Justin Williamson

I noticed that this man's name had been added. While he was known for his new style of tuba playing (arko playing)i'm not quite sure how good of a concer tubist he was. Still he should be kept.—The preceding unsigned comment was added by 70.152.38.185 (talk • contribs) .

[edit] Tuba Eating

A person at BVSD continues vandalizing this page. They add in a bunch of false information about eating tubas, with a recipie and names of certain famous people, and the links are linked to pages such as homosexuality and Bob the Builder. This person uses different IP addresses from the school. —The preceding unsigned comment was added by Ockenbock (talk • contribs).

I have requested that this page be semi-protected. Nationalparks 02:31, 4 December 2006 (UTC)
Which was denied. Nationalparks 04:39, 4 December 2006 (UTC)

[edit] Cimbasso

Should the Cimbasso article be related to this one? The Cimbasso article in Wikipedia is very short, and should be beefed up in any event.--Weyandt 20:28, 12 December 2006 (UTC)

Were you thinking in the "See Also" section, or in the "Related Instruments section of the sidebar?
Good question, anyway. I'd be more open to it being in the "See Also" section than in the "Related Instruments" box, but I'm not even sure about that. It does make me realize, though, that the article is pretty short on history. Ideally, there would be something in the article itself like "In many parts of Europe, the cimbasso was used in preference to the tuba for many years before the tuba became established blah blah blah". --Rschmertz 20:43, 4 December 2006 (UTC)

I was referring to the "Related Instruments." I'm not a historian, and wasn't aware that cimbassos were more popular than tubas. This is surprising as well, given how "abrasive" a sound comes out a cimbasso (in my humble opinion).--Weyandt 20:28, 12 December 2006 (UTC)

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