Tintinnabuli

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Tintinnabuli (from the Latin for ‘'bells'’) is a compositional style created by the Estonian composer Arvo Pärt. Pärt first introduced this new style in two 1970 works: Für Alina and Spiegel Im Spiegel. This simple style was influenced by the composer's mystical experiences with chant music. Musically, Pärt's tintinnabular music is characterized by two types of voices, the first of which (dubbed the "tintinnabular voice") arpeggiates the tonic triad, and the second of which moves diatonically in stepwise motion. The works often have a slow and meditative tempo, and a minimalist approach to both notation and performance. Pärt's compositional approach has expanded somewhat in the years since 1970, but the overall affect remains largely the same.

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[edit] Pärt on his style

  • "Tintinnabulation is an area I sometimes wander into when I am searching for answers - in my life, my music, my work. In my dark hours, I have the certain feeling that everything outside this one thing has no meaning. The complex and many-faceted only confuses me, and I must search for unity. What is it, this one thing, and how do I find my way to it? Traces of this perfect thing appear in many guises - and everything that is unimportant falls away. Tintinnabulation is like this. . . . The three notes of a triad are like bells. And that is why I call it tintinnabulation." arvopart.org
  • "I could compare my music to white light which contains all colours. Only a prism can divide the colours and make them appear; this prism could be the spirit of the listener." - from the essay White Light by Hermann Conen, as translated into English by Eileen Walliser-Schwarzbart (found in the liner notes of the ECM release of Alina).

[edit] Etymology

  • "Tintinnabuli" comes from the word "tintinnabulation," a derivative of the Latin "tinnabulae," meaning "of bells."

[edit] External links/Sources

  • An article on tintinnabuli at arvopart.org
  • The first Pärt quote can be found from the website above, itself quoting Richard E. Rodda's liner notes for Arvo Pärt's Fratres, I Fiamminghi, The Orchestra of Flanders, Rudolf Werthen, (Telarc CD-80387).

[edit] Recommended Reading

  • Paul Hillier. Arvo Pärt (Oxford Studies of Composers). Oxford: Oxford University Press, 1997. ISBN 0-19-816616-8