This is Tomorrow
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"This is Tomorrow" was a seminal art exhibition in August 1956 at the Whitechapel Art Gallery. The core of the exhibition was the Independent Group. It was conceived by architectural critic Theo Crosby who had attended a congress in Paris in 1954 on the drawing together of fine and applied arts. The exhibition included artists, architects, musicians and graphic designers working together in 12 teams, an example of multi-disciplinary collaboration that was still unusual. Each group took as their starting point the human senses and the theme of habitation. The exhibitions most remembered exhibit was the room by Richard Hamilton, John Voelcker and John McHale. It included a film advertising billboard of the Forbidden Planet, Robby the Robot and a Jukeboxl. The catalogue also featured essays by Reyner Banham and Lawrence Alloway. Colin St John Wilson designed the exhibition guide; Edward Wright designed the catalogue for This Is Tomorrow, and it was printed by Lund Humphries.
The TIT show is now considered a watershed in post-war British Art and in some respects kick started the development of the British arm of Pop Art.
Parts of This is Tomorrow were recreated in 1990 for an exhibition at the Institute of Contemporary Arts.
[edit] Artist Teams in Exhibition
- Group One: Theo Crosby, Germano Facetti, William Turnbull, Edward Wright
- Group Two: Richard Hamilton, John McHale, John Voelcker
- Group Three: J.D.H.Catleugh, James Hull, Leslie Thornton
- Group Four: Anthony Jackson, Sarah Johnson, Emilio Scanavino
- Group Five: John Ernest, Anthony Hill, Denis Williams
- Group Six: Eduardo Paolozzi, Alison and Peter Smithson, Nigel Henderson
- Group Seven: Victor Pasmore, Erno Goldfinger, Helen Phillips
- Group Eight: James Stirling, Michael Pine (CMHC Ottawa architect), Richard Matthews
- Group Nine: Kenneth Martin, Mary Martin and John Weeks
- Group Ten: Robert Adams, Frank Newby, Peter Carter, Colin St. John Wilson
- Group Eleven: Adrian Heath, John Weeks
- Group Twelve: Lawrence Alloway, Geoffrey Holroyd, Toni del Renzio
