Theatre of ancient Rome
From Wikipedia, the free encyclopedia
This article is about theatrical performance in ancient Rome. For the building, see Roman theatre (structure).
The theatre of ancient Rome refers to dramatic performances performed in Rome and the its dominions during classical antiquity.
Ancient Roman theatre was heavily influenced by the Greek tradition, and as with many other literary genres Roman dramatists tended to adapt and translate from the Greek. For example, Seneca's Phaedra was based on that of Euripides, and many of the comedies of Plautus were direct translations of works by Menander.
When comparing and contrasting ancient Roman theatre to that of Greek theatre it can easily be said that Roman theatre was less influenced by religion. Also, Roman theatre was more for aesthetic appeal. In Roman theatre war was a more common thing to appear on stage as opposed to the Greek theatre where wars were more commonly spoken about in Greek plays. This was no doubt a reflection of Roman culture and habits.
The audience was often loud and rude, rarely applauding the actors, but always shouting insults and booing. Because the audience was so loud, much of the plays were mimed and repetitive. The actors developed a kind of code that would tell the audience about the characters just by looking at them.
- A black wig meant the character was a young man.
- A gray wig meant the character was an old man.
- A red wig meant the character was a slave.
- A white robe meant the character was an old man.
- A purple robe meant the character was a young man.
- A yellow robe meant the character was a woman. (Needed in early Roman theatre, as originally female characters were played by men, however as the Roman theatre progressed, women slaves took the roles of women in plays.)
- A yellow tassel meant the character was a god.
Roman costumes mirrored traditional greek garments. Actors commonly wore a long robe, called a Chiton (costume). Chitons were often colored to denote character and rank.
Plays lasted for two hours, and were usually comedies. Most comedies involved mistaken identity (such as gods disguised as humans).