The "5" Royales
From Wikipedia, the free encyclopedia
The "5" Royales was a rhythm and blues (R&B) band from Winston-Salem, North Carolina, that combined gospel, jump blues and doo wop, marking an early and influential step in the evolution of soul music. Most of their big R&B hits were recorded from 1952 to 1953 and written by guitarist Lowman "Pete" Pauling; later cover versions of the band's songs hit the Top 40, including "Dedicated to the One I Love" (The Shirelles, the Mamas & the Papas), "Tell the Truth" (Ray Charles), and "Think" (James Brown). Brown modeled his first band after the "5" Royales, and both Eric Clapton and legendary Stax guitarist Steve Cropper cite Pauling as a key influence. Clapton also covered "Tell the Truth" on his 1970 album with Derek and the Dominoes, Layla, while Rolling Stones singer Mick Jagger covered "Think" on his 1991 solo album Wandering Spirit.
Originally the Royal Sons Quintet, the group began recording for Apollo Records in the early 1950s, changing its name to the Royals after abandoning gospel for secular music. The group paired Pauling with vocalists Jimmy Moore, Obadiah Carter, and Otto Jeffries, with Johnny Tanner singing lead. Later Tanner's younger brother, Eugene, would replace Jeffries. The robust Johnny Tanner sang lead on most of the group's hits, including "Think," although the sweeter-voiced Eugene Tanner stepped to the microphone for the group's best-known song, "Dedicated to the One I Love." "Baby Don't Do It" and "Help Me Somebody" became hits in 1953, but the group soon signed to Cincinnati's King Records. In addition to heartfelt odes like "Dedicated to the One I Love," Pauling also wrote comic and risque tunes, including "Monkey Hips and Rice," later the title of a two-CD anthology of the group's music released by Rhino Records in 1994. Pauling used an extra-long strap for his guitar, sometimes playing it down around his knees for comic effect. The group shared stages with all the major R&B artists of the 1950s, including Sam Cooke and Ray Charles, once substituting for the latter's Raelettes at a show in Durham, North Carolina.
Confusion arose when two groups of Royals began touring, the other led by Detroit R&B legend Hank Ballard. According to members of the "5" Royales, the confusion peaked in 1953 when an unscrupulous promoter booked Ballard's group in Winston-Salem, trying to pass the Detroit band off as its native-son namesakes, much to the chagrin of a local audience. Shortly thereafter, the air cleared when Winston-Salem's Royals became the "5" Royales and Detroit's Royals became the Midnighters. Ironically, both artists would have hits at King working with Rock & Roll Hall of Fame producer Ralph Bass, becoming good friends and routinely competing in battles of the bands at clubs like Atlanta's Royal Peacock in that city's Sweet Auburn section. Ballard's group gained fame for originating "The Twist", later a monster dance craze and hit for Rock & Roll Hall of Fame excludee Chubby Checker, and for its risque series of "Annie" songs, including "Work With Me Annie" and "Annie Had a Baby."
With King, "Think" and "Tears of Joy" became hits for the "5" Royales in 1957, while some of their lesser-known tracks from this period are now critically acclaimed as innovative. Veteran rock critic Dave Marsh chose the 1958 "5" Royales hit "The Slummer the Slum" as one of the top 1001 singles of all time in his book The Heart of Rock and Soul, crediting Pauling with capturing the first intentional use of guitar feedback on record, years before better-known squawks from the Beatles, Yardbirds, and Velvet Underground. In the 1960s, R&B gradually gave way to more polished soul music and the Royales' career waned rapidly.
The "5" Royales broke up in 1965, though various combinations of musicians would tour under the group's name into the 1970s. For a time Pauling continued recording with pianist and frequent Royales collaborator Royal Abbitt as El Pauling and the Royalton. Pauling's brother, Clarence Paul, a former member of the Royal Sons Quintet, found success as a producer and songwriter at Motown Records in the 1960s. Most of the group's members survived well into the 1990s, but not Pauling. After years of struggle with alcohol dependency, he ended up working as a night watchman at a Manhattan church and died of an apparent seizure on December 26, 1973.
[edit] Quotation
- "We grew up on their music. 'Think' had some great funky licks. I used the same licks in the Mar-Keys. Pauling's sound was funky, gutsy. He would alternate lead and rhythm, which is something I always did." - Steve Cropper
