The Pencil of Nature

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The Pencil of Nature, published in six installments between 1844 and 1846, was the first book to be illustrated entirely with photographs and is regarded as an important and influential work in the history of photography. Written by William Henry Fox Talbot, the book detailed Talbot's development of the calotype process and included 24 calotype prints, each one pasted in by hand, illustrating some of the possible applications of the new technology. Since photography was still very much a novelty and many people remained unfamiliar with the concept, Talbot felt compelled to insert the following notice into his book:

The plates of the present work are impressed by the agency of Light alone, without any aid whatever from the artist's pencil. They are the sun-pictures themselves, and not, as some persons have imagined, engravings in imitation.

The Pencil of Nature was published and sold one section at a time, without any binding (as with many books of the time, purchasers were expected to have it bound themselves once all the installments had been released). Talbot planned a large number of installments; however, the book was not a commercial success and he was forced to terminate the project after completing only six.

[edit] Photographs

The 24 plates in the book were carefully selected to demonstrate the wide variety of uses to which photography could be put. They include a variety of architectural studies, scenes, still-lifes, and closeups, as well as facsimiles of prints, sketches, and text. Due to the long exposure times involved, however, Talbot included only one portrait, The Ladder (Plate XIV). Though he was no artist, Talbot also attempted to illustrate how photography could become a new form of art with images like The Open Door (Plate VI).

The complete list of plates is as follows:

[edit] Text

Each plate is accompanied by a short text which describes the scene and the photographic processes involved in obtaining it. Talbot emphasized the practical implications of his images (for instance, "The whole cabinet of a Virtuoso and collector of old China might be depicted on paper in little more time than it would take him to make a written inventory describing it in the usual way."), but he also recognized their artistic value ("The chief object of the present work is to place on record some of the early beginnings of a new art, before the period, which we trust is approaching, of its being brought to maturity by the aid of British talent.")

Due to the novelty of the subject, Talbot needed to point out some things that seem obvious today; for instance, "Groups of figures take no longer time to obtain than single figures would require, since the Camera depicts them all at once, however numerous they may be." He also speculated about such questions as (among others) whether photographs would stand up as evidence in court and whether a camera could be made to record ultraviolet light.

At the beginning of the book, Talbot included an incomplete history of his development of the calotype, titled "Brief Historical Sketch of the Invention of the Art." The history ends rather abruptly, and though Talbot expressed his intention to complete it at a later date, he never did.

[edit] Editions

Only about 15 complete copies of the original 1840 edition still exist. There have been a few reprints over the years, but all editions of the book are fairly difficult to come by.

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