The Naked Runner
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The Naked Runner was the last film Frank Sinatra made with Warner Bros and is largely viewed as being a fairly disastrous end to his association with the studio. Made in 1967, Sinatra was desperately in need of a hit - Marriage on the Rocks and Assault on a Queen having flopped badly in the two previous years. He put trusted aide Brad Dexter in charge of finding a suitable vehicle and after negotiations for him to star in Harper fell through, The Naked Runner was plan B. Sinatra had been impressed with 1965's The Ipcress File and recruited its director Sidney J Furie to give a similar feel to proceedings. Among the films co-stars were the sterling Peter Vaughan, Derren Nesbitt and Edward Fox. Sinatra's character was Samuel Laker and his fee was an at the time massive $1 million plus box-office participation.
Reports are of a troubled shoot with Sinatra playing the spoiled superstar. Two weeks into filming he temporarily closed down the shoot and flew to Las Vegas to marry Mia Farrow. He returned with the intention of combining their honeymoon with his filming and took regular weekend trips to the south of France. This restless approach annoyed Dexter who had been looking to arrest what he saw as increasing laziness in Sinatra's on-screen performances. After one incident where Sinatra's helicopter (the star demanded a helicopter for all but the shortest journeys) got lost in the London fog and he arrived late, Sinatra threw a tantrum and demanded production be shut down and moved to Palm Springs. Furie threatened to quit the picture rather than put up with Sinatra's behavior and had to be persuaded by Dexter to return. Sinatra was placated for the time being and shooting went without incident. However in Copenhagen Sinatra left to perform at a rally for California's Democrat governor Pat Brown (running against Republican Ronald Reagan). Word arrived from the States that Sinatra was not going to return to Europe and wanted his outstanding scenes to be filmed at a soundstage in Los Angeles.
Dexter and Furie decided to take the maverick action of finishing the film with a stand-in for Sinatra's remaining scenes, editing in close-ups from earlier shots in postproduction and over-dubbing the dialogue. However, the main problems were a lifeless depiction of spy-games, listless - if at times stylised - execution, heavy-handed plotting and little real characterisation. There are however some interesting locations - among them a still blitzed Leipzig and a rare view inside Centre Point. These were not enough to stop it becoming the third box-office disaster in a row for Sinatra.
