The Monkees
From Wikipedia, the free encyclopedia
| The Monkees | ||
|---|---|---|
 |
||
| Background information | ||
| Origin |  Los Angeles, California, United States |
|
| Genre(s) | Pop | |
| Years active | 1965–1970, 1986–1989, 1996–1997, 2001 | |
| Label(s) | Colgems, Rhino | |
| Website | http://www.monkees.net/ | |
| Members | ||
| Michael Nesmith Davy Jones Micky Dolenz Peter Tork |
||
The Monkees were a four-man musical band created for an American television series of the same name, which ran on NBC from 1966 to 1968. The Monkees were formed in 1965 in Los Angeles, California and disbanded in 1970. At their peak, they were one of the most popular musical acts of their time.
Several reunions of The Monkees have taken place. The first reunion lasted from 1986 to 1989 while another regrouping took place between 1996–1997. The Monkees last worked together in 2001.
Contents |
[edit] History of the series
The television show first aired on September 12, 1966 on the NBC television network and lasted for two seasons (58 episodes); its final primetime episode ran on September 9, 1968 (see List of The Monkees episodes). Modeled on The Beatles' theatrical films A Hard Day's Night and Help!, The Monkees featured the antics and music of a fictional pop-rock group which, due to the massive success of the records, and the public's expectations, became a real pop group. It was sponsored by Kellogg's Cereals and Yardley Cosmetics of London. The series would later be rerun on both the CBS and ABC television networks on weekend mornings.
The four young men who became The Monkees were British-born David Thomas ("Davy") Jones (percussion/vocals/guitar), Hollywood native George Michael ("Micky") Dolenz Jr. (drums/guitar/vocals), Texan Robert Michael ("Mike"/"Wool Hat") Nesmith (guitar/vocals/keyboards), and Peter Halsten ("Peter Tork") Thorkelson (bass/keyboards/vocals), who had lived with his family in both the eastern United States and Canada.
They were cast after ads were placed in trade publications like Variety calling for "folk & roll musicians" to play "4 insane boys" on a new television series. 437 hopeful actors and musicians auditioned for the parts; a then relatively unknown Stephen Stills was short-listed for a role, but lost out because producers Bob Rafelson and Bert Schneider felt he looked too old for the part, and because he did not want to assign his music publishing rights to Screen Gems. Stills referred friend and former roommate Tork to audition. (False rumors have circulated that Charles Manson also auditioned. He was incarcerated at the time.)
Nesmith (releasing pre-Monkees singles as "Michael Blessing") and Tork (part of the folk music scene in Greenwich Village) were both already professional musicians. Dolenz (who starred in the 1950s series Circus Boy) and Jones (who appeared with the cast of Oliver! on The Ed Sullivan Show the night of The Beatles' debut on live American TV) were better known as actors but also had musical and recording experience, with Jones performing in musical theatre in England and in Broadway theatre in New York, and releasing a solo album, and Dolenz singing and playing guitar in Los Angeles area bar bands.
All four Monkees were trained in both improvisational comedy and stage presence as a group before the pilot episode was filmed, so that they could look and act like a cohesive band even though it was only their voices being used on the initial recordings. Each was given a different personality to portray: Dolenz the funny one, Nesmith the smart and serious one, Tork the naive one, and Jones the cute one. Their characters were loosely based on their real selves, with the exception of Tork, who was actually a quiet intellectual. Choosing someone to play the drummer proved tough; Nesmith and Tork did not want to give up their guitars, and the five-foot, three-inch Jones nearly vanished behind the drums. Dolenz ultimately took the job, and began drum lessons. (According to Rhino Records liner notes, by the time of their first solo tour, Dolenz had had only a crash-course in drums, and to this day, he still sets up his drum kit as if he were left-handed, as his drum teacher had been, when he is actually right-handed.)
The series was filmed at Columbia Pictures, the studio that made The Three Stooges short films from 1934 to 1958. Many of the same sets from the Three Stooges were used on the Monkees, and even some of the same props, most notably the pajamas with a bunny design on the front. This was worn by Peter Tork in several episodes, as well as Curly Howard in several of their 1940s films. [citation needed]
As a television show, The Monkees used techniques rarely seen on television— [citation needed] characters breaking the fourth wall and talking to the camera and sometimes even to people off-camera in the studio, fantasy sequences, jump cuts, and at least once a week a musical romp which might have nothing to do with the story line. In fact, many of the episodes included what now look very much like music videos: short, self-contained films of songs that were later collected and released as albums.
The 1965 pilot episode was co-written by Paul Mazursky and Larry Tucker, who later co-wrote the movie Bob & Carol & Ted & Alice, which Mazursky directed; he went on to direct such films as Harry and Tonto and Down and Out in Beverly Hills. Series producers Schneider and Rafelson also went on to make movies, commencing with 1969's Easy Rider (co-produced with star Dennis Hopper). Rafelson went on to direct such films as Five Easy Pieces and The King of Marvin Gardens.
The Monkees won two Emmy Awards in 1967: Outstanding Comedy Series and Outstanding Directorial Achievement in Comedy (James Frawley). The series was a forerunner to such similar gag-based comedies as Airplane!, Scrubs, and Moonlighting.
[edit] Beyond television
During the filming of the second season, the band tired of scripts and storylines they deemed monotonous and stale. Various band members proposed switching the format of the series to become more like a variety show, with musical guests and live performances. This desire was partially fulfilled within some second season episodes, with guest stars like musicians Frank Zappa, Tim Buckley and Charlie Smalls (composer of The Wiz), performing on the show. However, NBC was not interested in changing the existing format, and the group expressed little desire to continue for a third season.
After the television show was cancelled, Rafelson directed the four Monkees in a feature film, Head, originally titled "Untitled." The film was executive-produced by Schneider and co-written and co-produced by Rafelson with a then relatively unknown actor named Jack Nicholson.
Nicholson also assembled the film's soundtrack album. The film, created and edited in a stream of consciousness style, featured cameo appearances by movie stars Victor Mature, Annette Funicello, a young Teri Garr, boxer Sonny Liston, famous stripper Carol Doda, and musician Frank Zappa. It was filmed in Screen Gems Studios and on location in California, Utah, and The Bahamas between February 19 and May 17, 1968 and premiered in New York City on November 6 of that year. (The film later debuted in Hollywood on November 20.)
Head was not a commercial success, in part because it was the antithesis of The Monkees television show, intended to comprehensively demolish the group's carefully-groomed public image. Rafelson and Nicholson's "Ditty Diego-War Chant" (recited at the start of the film by The Monkees), ruthlessly parodies Boyce and Hart's "Monkees Theme." Sparse advertising (with no mention of The Monkees whatsoever) squelched any chances of the film doing well, and it played briefly in nearly-empty cinemas.
Over the intervening years Head has developed a cult following for its innovative style and anarchic humor, and the soundtrack album (long out of print but now available in an expanded CD version) is counted among their best recordings. Members of The Monkees, Nesmith in particular, cite Head as one of the crowning achievements of the band. [citation needed]
[edit] From TV to stage
Critics of the Monkees complained that they were simply a made-for-TV knockoff of the Beatles, but they didn't seem to mind. John Lennon was a fan of the show, comparing its humor to The Marx Brothers. George Harrison praised their self-produced musical efforts, saying "When they get it all sorted out, they might turn out to be the best." (Peter Tork was later one of the musicians on Harrison's Wonderwall Music, playing Paul McCartney's five-string banjo.) Longtime Beatles confidant Peter Shotton commented in his book The Beatles, Lennon and Me, "The Monkees are what the Beatles pretend to be."
The massive success of the series and its spin-off records had created intense pressure to mount a touring version of the group by late 1966. Against the initial wishes of the producers, Dolenz, Jones, Nesmith and Tork went out on the road. The results were far better than anyone had a right to expect, and wherever they went they were greeted by scenes of fan hysteria not seen since The Beatles. This gave the four stars increased confidence in their battle for creative control over the music used in the series.
The Monkees had complained that the producers would not allow them to play their own instruments on their records. This campaign eventually forced the series' musical coordinator Don Kirshner to let them have more participation in the recording process (against his strong objections), which included Nesmith producing his own songs and band members making some instrumental contributions. Led by Nesmith, the band eventually rebelled against Kirshner, who was later fired. Beginning with their third album, Headquarters (which was produced by Chip Douglas), the four Monkees wrote and played on much of their own material. However, they continued to employ session musicians (reputable players like Louie Shelton, members of The Byrds and The Association, and newcomers, like Neil Young) throughout their recording career.
Kirshner was reported to have been incensed by the group's rebellion and swore never to repeat his mistake. [citation needed] This experience led directly to his later venture The Archies, which was an animated series — the "stars" existed only on an animation cel and obviously could not demand creative control over the records issued under their name.
When the group toured Britain in 1967, there was a major controversy over the revelation that the group did not play on their own records. The story made the front pages of several UK and international music papers, with the group derisively dubbed "The Pre-Fab Four." Nevertheless, they were warmly welcomed by many top British stars, who knew the group included some skilled musicians and sympathised with their wish to have more control over their music. [citation needed]
Many Monkees fans now feel that the controversy unfairly targeted The Monkees and conveniently ignored the fact that a number of the leading British and American groups (including critical favorites such as The Byrds and The Beach Boys) habitually used session players on their recordings, and that this practice had always (until then) passed without comment. However, The Beatles had led a wave of groups who played their own instruments and wrote their own songs, and The Monkees' output paled by comparison in the eyes of many.
Supporters and critics of the group agree that the producers and Kirshner had the good taste to use some of the best songwriters of the period, including Neil Diamond, Tommy Boyce and Bobby Hart, Gerry Goffin and Carole King, Harry Nilsson, Barry Mann and Cynthia Weil, as well as using top-ranking Los Angeles session musicians on the records. The Monkees had several international hits — which are still heard on pop and oldies stations — including "I'm a Believer," "(I'm Not Your) Steppin' Stone," "Daydream Believer," "Last Train to Clarksville" — and even a number of social criticism songs, the best known of which is probably "Pleasant Valley Sunday." Screen Gems held the publishing rights to a wealth of great material, with the Monkees given first crack at many new songs (including "Sugar, Sugar" which they turned down), and they never had to record a song they really disliked, as Dolenz affirmed on The Larry King Show in 1987. (They would sometimes lampoon songs during takes, though, as with "Gonna Buy Me a Dog", with those takes sometimes being the ones picked).
The Monkees also deserve credit for helping bring America's attention to the Jimi Hendrix Experience, who they took on as an opening act during their Summer 1967 concert tour, even though Hendrix quit after only a few shows. Reports circulated at the time that he had been removed from the tour after complaints from the conservative women's group Daughters of the American Revolution. This was later proved false, and it has since been revealed that the story was concocted for publicity purposes by the late Australian journalist and music writer Lillian Roxon, [citation needed] who had been accompanying the tour with her friend, the Australian singer Lynne Randell, who was one of the supporting acts and who was romantically involved with Jones at the time. Most likely, Hendrix and his group were frustrated at appearing before audiences largely populated by youngsters, who had no interest or appreciation of their brand of musical innovation. During the performance of "Foxy Lady" for example, although the crowd appeared to be singing along with Hendrix, they were in fact impatiently singing "Foxy Davy".
[edit] The end
Six albums were produced with the original lineup (four of which went to Number 1 on the Billboard chart), which was supplemented by a series of successful world concert tours. But tensions within the group were increasing, and Tork quit shortly after the band's Far East tour in December 1968, but not before completing work on their 1969 NBC television special, 33⅓ Revolutions Per Monkee. Reduced to a trio, the remaining members went on to record Instant Replay and The Monkees Present. In March 1970, Nesmith left the group, leaving only Dolenz and Jones to record Changes as The Monkees. Eventually, Jones too departed, leaving Dolenz as the sole remaining recording Monkee, and so marked the end of the first phase of The Monkees' recording career.
At the same time, The Monkees TV series enjoyed a resurgence on Saturday afternoon television for four seasons on CBS (September 1969–September 1972) and on ABC (September 1972 - August 1973), after which its 58 episodes were sold to local markets for syndication in September 1975. The show appeared on independent television stations on weekday afternoons.
A new collection, The Monkees Greatest Hits, charted in 1976 due to a new generation of young fans viewing the show for the first time during the syndicated repeats. Dolenz and Jones subsequently took advantage of this exposure. They joined ex-Monkees songwriters Tommy Boyce and Bobby Hart to tour the United States. As the "Golden Hits of the Monkees" show ("The Guys who Wrote 'Em and the Guys who Sang 'Em!"), they had success in smaller venues, including state fairs and amusement parks, and also overseas, making stops in Japan, Thailand and Singapore. Adopting the name Dolenz, Jones, Boyce and Hart, they also released an album on Capitol Records (they could not use the Monkees name due to legal reasons). [citation needed] A possible reunion of the full group at that time failed to materialize, with Nesmith not interested and Tork saying later he had not been asked, although a Christmas single with Dolenz, Jones and Tork was released in 1976.
[edit] Revival
Brushed off by critics during their heyday as manufactured and lacking talent, The Monkees experienced a critical and commercial rehabilitation in 1986. A Monkees TV show marathon ("Pleasant Valley Sunday", airing on February 23) on the video music channel MTV re-launched the group, sparking worldwide interest by both original fans and their children, who flocked to see Dolenz, Jones and Tork on their "20th Anniversary Tour." The marathon effectively resurrected Monkeemania, and the tour was forced to move from smaller venues to larger stadiums.
Spurred on by massive MTV promotion, the reunited trio quickly became one of the hottest acts of 1986 and 1987, [citation needed] with their original albums selling in the millions and a new greatest hits collection reaching platinum status. To show his support, Nesmith appeared onstage with Dolenz, Jones and Tork twice, both times in Los Angeles, in 1986 and 1989. Nesmith was forced to sit out most of these reunion projects because of prior commitments to his bustling Pacific Arts video production company. However, he did appear with the band in a 1986 Christmas medley music video for MTV, and took part in a dedication ceremony at the Hollywood Walk of Fame, when The Monkees received a star there in 1989. (Independently wealthy through his mother Bette Nesmith Graham, the inventor of Liquid Paper, Nesmith had little financial need to join in Monkees-related projects.)
The sudden revival of The Monkees in 1986 helped move the first official Monkees single since 1970, "That Was Then, This Is Now," into the American Top 20. A new album by the touring trio, Pool It! (The Monkees' 10th), appeared the following year and met with moderate success. From 1986 to 1989, The Monkees would conduct major concert tours in the United States, Australia, Japan, the United Kingdom and Europe.
In 1986, Raybert Productions (now known as Straybert Productions) capitalized on the revival by creating a new television series called The New Monkees. Four young musicians were placed in a similar series based on the original show, this time "updated" for the 1980s. The show and its accompanying album sank quickly without a trace.
In the 1990s, The Monkees continued to create new musical material, eventually recording an album (their 11th) which all four members performed and produced, Justus, in 1996. The trio of Dolenz, Jones and Tork reunited again for a successful 30th anniversary tour of American amphitheaters in 1996, while Nesmith joined them onstage in Los Angeles to promote the new songs from Justus. For the first time since the initial reunion in 1986, Nesmith returned to the concert stage for a tour of the United Kingdom in 1997, and two concerts at Wembley Arena in London highlighted the success of the band in the 1990s. The full quartet also appeared in an ABC television special (written and directed by Nesmith) that year, spoofing the original series that had made them famous.
Although the reasons vary from different parties, differences within the group meant that they chose not to mark their 40th anniversary in 2006.
[edit] Impact
The Monkees, selected specifically to appeal to the youth market with their manufactured personae and carefully produced singles, are sometimes popularly seen as the original precursor to the modern proliferation of studio and corporation-created bands. The Monkees however were not the first manufactured group. The Monkees also frequently contributed their own songwriting efforts on their albums and while some group members might have been inexpert musicians at first, their skills improved and they ultimately became a self-directed group, playing their own instruments and writing their own songs.
The critical appeal of The Monkees has only increased in the decades since their original inception. [citation needed] The Monkees found unlikely fans among musicians of the punk rock period of the mid-1970s. Many of these punk performers had grown up on TV reruns of the series, and in keeping with the prevailing anti-industry, anti-Establishment trend of their music, they adopted The Monkees as symbols of rebellion against the mainstream music industry, citing the group's insistence on breaking out of their manufactured TV image and proving that they could write and perform as a real band. The Sex Pistols and Minor Threat went as far as recording a version of The Monkees' "(I'm Not Your) Steppin' Stone" (though in Michael Azzerad's Our Band Could Be Your Life Minor Threat singer Ian MacKaye notes that when he first performed the song, he knew only the Sex Pistols' version).
In 1988 Run DMC recorded "Mary, Mary" on their album Tougher Than Leather. The Monkees were and continue to be a major influence on indie-rock and indie-pop bands in Australia and elsewhere with Australian indie-rock bands of the 1980s such as Grooveyard ("All The King's Horses"), Prince Vlad & the Gargoyle Impalers ("Mary Mary", "For Pete's Sake" and "Circle Sky") and The Upbeat and The Mexican Spitfires ("Mary Mary") performing songs written by Nesmith and Tork live. Modern day bands continue to play songs that they wrote or performed, with the alternative rock group Smash Mouth most recently having a hit with "I'm a Believer" in 2001 (which was featured in the blockbuster computer-animated movie Shrek, released that same year). International covers include a Shonen Knife version of "Daydream Believer".
Millions of people still listen to their music. In fact, their legacy has been further strengthened by Rhino Entertainment's acquisition of The Monkees' franchise from Columbia Pictures in the early 1990s, with remastered editions of both the original television series and their music library having now surfaced in stores on DVD and compact disc collections.
In the 1990's the members of The Monkees, except Nesmith, held minor roles in the family sitcom Boy Meets World. Tork played Topanga's father Jedidiah, Jones played Reginald, an old friend from Europe, and Dolenz played Gordy, Mr. Matthews' best friend. In the one episode that the three were in together, they performed "My Girl."
[edit] Notable achievements
- Had the top-selling American single of 1967 ("I'm a Believer").
- First rock band to extensively use the Moog Synthesizer on a pop album.
- First rock band to extensively use the pedal steel guitar on a pop album.
- One of the first pioneers of country-rock music.
- Outsold The Beatles and Elvis Presley combined in 1967.
- Hold the record for most #1 albums in one year. Four of their albums (The Monkees, More of the Monkees, Headquarters, and Pisces, Aquarius, Capricorn & Jones Ltd.) hit #1 in 1967.
- First TV sitcom to make political and social comments defending the youth of America.
- First use of solarisation in a major motion picture.
- First television series to show teenagers living on their own.
- First rock band to use a multimedia live concert show.
- Gave the Jimi Hendrix Experience their first US concert appearances.
- First "manufactured" rock band (The Original Post-Fab Four).
- First American band to play in Thailand.
- First rock band to win two Emmy awards.
- First male leads in a television series to have long hair.
- The Monkees reunion tour was the largest grossing tour of 1986.
- Re-charting various albums simultaneously during 1986 is an accomplishment shared only with The Beatles, Pink Floyd and Led Zeppelin.
- Last music artist to win the MTV Friday Night Video Fights by defeating Bon Jovi 51% to 49%.
- First marriage of television and music industry.
- Introduced Tim Buckley to a national audience, via his appearance in the series finale, "The Frodis Caper".
- Featured the only appearance by a villian from the "Batman" series in another sitcom when The Penguin (Burgess Meredith) made a cameo appearance in "The Monkees Blow Their Minds."
[edit] Discography
Unless noted, all releases listed are American releases.
[edit] Studio albums
- The Monkees -- Colgems COM-101/COS-101 (1966) (#1)
- More of the Monkees -- Colgems COM-102/COS-102 (1967) (#1)
- Headquarters -- Colgems COM-103/COS-103 (1967) (#1)
- Pisces, Aquarius, Capricorn & Jones Ltd. -- Colgems COM-104/COS-104 (1967) (#1)
- The Birds, The Bees & the Monkees -- Colgems COM-109/COS-109 (1968) (#3)
- Head -- Colgems COSO-5008 (1968) (#45)
Without Peter Tork
- Instant Replay -- Colgems COS-113 (1969) (#32)
- The Monkees Present -- Colgems COS-117 (1969) (#100)
Without Peter Tork and Mike Nesmith
- Changes -- Colgems COS-119 (1970) (Original release did not chart, 1986 reissue charted at #152)
Reunion without Mike Nesmith
- Pool It! (1987) (#72)
Reunion of all four Monkees
- Justus (1996) (#200)
[edit] Live albums and compilations
- The Monkees Greatest Hits -- Colgems COS-115 (1969)
- Barrel Full of Monkees -- Colgems SCOS-1001 (1971)
- Re-Focus (1972)
- The Monkees Greatest Hits (1976)
- More Greatest Hits of the Monkees (1982)
- Monkee Business (1983, picture disc)
- Monkee Flips (1984)
- Hit Factory (1985)
- Then and Now... the Best of The Monkees (1986)
- Live 1967 (1987)
- 20th Anniversary Tour Live (1987)
- Missing Links (1987)
- Missing Links, Volume II (1990)
- Listen to the Band (25th Anniversary boxed set) (1991)
- Greatest Hits (1995)
- A Barrelful of Monkees (1996, children's compilation)
- Missing Links, Volume III (1996)
- Anthology (1998)
- Music Box (35th Anniversary boxed set) (2001)
- Live Summer Tour (2002)
- The Best of The Monkees (2003)
- Extended Versions (2003) (additional tracks recorded for Live Summer Tour)
- Headquarters Sessions (2003) (3-CD set)
- Summer 1967: The Complete U.S. Concert Recordings (2004)
[edit] Hit singles
| Release date | Title | Chart Positions | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| US Charts | UK Singles Chart | ||||||||||
| 1966 | "Last Train to Clarksville" | #1 | #23 | ||||||||
| 1966 | "I'm a Believer"/ | #1 | #1 | ||||||||
| 1966 | "I'm Not Your Steppin' Stone" | #20 | - | ||||||||
| 1967 | "A Little Bit Me, A Little Bit You"/ | #2 | #3 | ||||||||
| 1967 | "The Girl I Knew Somewhere" | #20 | - | ||||||||
| 1967 | "Alternative Title" | - | #2 | ||||||||
| 1967 | "Pleasant Valley Sunday"/ | #3 | #11 | ||||||||
| 1967 | "Words" | #11 | - | ||||||||
| 1967 | "Daydream Believer"/ | #1 | #5 | ||||||||
| 1967 | "Goin' Down" | #104 | - | ||||||||
| 1968 | "Valleri"/ | #3 | #12 | ||||||||
| 1968 | "Tapioca Tundra" | #34 | - | ||||||||
| 1968 | "D.W. Washburn"/ | #19 | #17 | ||||||||
| 1968 | "It's Nice To Be With You" | #51 | - | ||||||||
| 1968 | "Porpoise Song"/ | #62 | - | ||||||||
| 1968 | "As We Go Along" | #106 | - | ||||||||
| 1969 | "Tear Drop City"1 | #56 | #46 | ||||||||
| 1969 | "Listen to the Band"/1 | #63 | - | ||||||||
| 1969 | "Someday Man"1 | #81 | #47 | ||||||||
| 1969 | "Good Clean Fun"/1 | #82 | - | ||||||||
| 1969 | "Mommy and Daddy"1 | #109 | - | ||||||||
| 1970 | "Oh My My"2 | #98 | - | ||||||||
| 1971 | "Do It In The Name Of Love"/"Lady Jane"2 3 | - | - | ||||||||
| 1986 | "That Was Then, This is Now"4 | #20 | #68 | ||||||||
| 1986 | "Daydream Believer (remix)" | #79 | - | ||||||||
| 1987 | "Heart and Soul"4 | #87 | - | ||||||||
| 1987 | "Every Step of the Way"4 | #92 | - | ||||||||
| 1996 | "Circle Sky"/"You and I"5 | #87 | - | ||||||||
Notes:
|
|||||||||||
[edit] See also
- List of best-selling music artists
- List of The Monkees episodes
- Category:The Monkees episodes
- Category:The Monkees albums
- The New Monkees
- The Monkeemobile
[edit] External links
- Official websites
- The Monkees Home Page
- Micky Dolenz Official Website
- Official Davy Jones Website
- Peter Tork Official Website
- Michael Nesmith Official Website
- IMDb
- The Monkees at the Internet Movie Database
- Head at the Internet Movie Database
- Resource sites
- The Monkees Film & TV Vault
- The Monkees: The Complete Internet Guide
- Monkees Concert Tour Set Lists & History
- Rhino Records Monkees CDs and DVDs
- Monkees 101: An Introductory Guide to The Monkees
- The Monkees Collector's Home Page
- Monkeesrule43 Online: Your Monkees News and Information Source
- Misc sites
| The Monkees |
|---|
| Micky Dolenz | Davy Jones | Michael Nesmith | Peter Tork |
Categories: Articles with unsourced statements | Musical groups established in 1965 | 1960s music groups | 1960s TV shows in the United States | American musical groups | American television actors | American television personalities | Emmy Award winners | Hollywood Squares panelists | Hollywood Walk of Fame | Los Angeles musical groups | NBC network shows | Rock music groups | Television series by Sony Pictures Television | The Monkees | California musical groups | Bands with American and British members | American comedy television series | 1966 television program debuts
