The Jerk

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This article is about the American film. For other uses, see Jerk (disambiguation).

The Jerk

Directed by	Carl Reiner
Written by	Steve Martin
Starring	Steve Martin Bernadette Peters Mabel King Bill Macy M. Emmet Walsh Dick O'Neill Maurice Evans Jackie Mason
Release date(s)	December 14, 1979
Running time	94 min
Language	English
IMDb profile

The Jerk (1979) is Carl Reiner's rags-to-riches-to-rags film comedy of belated self-discovery. This was Steve Martin's first starring role in a feature film and was also written by him. The film also features Bernadette Peters, M. Emmet Walsh and Jackie Mason. Reiner has a cameo appearance and his son Rob Reiner has an uncredited bit part.

In 2000, readers of Total Film magazine voted The Jerk the 48th greatest comedy film of all time.

This film is number 20 on Bravo's "100 Funniest Movies".

[edit] Plot summary

Spoiler warning: Plot and/or ending details follow.

Navin Johnson (Martin) is the adopted white son of black sharecroppers, who grows to adulthood naïvely unaware of the fact of his adoption. He stands out in his family not just because of his skin color, but also because of his lack of rhythm. About the blues, he says, "There's something about those songs. They depress me!" However, one night while listening to a song by Lawrence Welk on the radio, his feet start moving and he feels the urge to dance. He shouts out that he wants to "be somebody!"

He decides to hitchhike to St. Louis, where the song was broadcast from. On the way, he stops at a motel. During the night, a dog wakes Navin up with his barking. Navin thinks the dog is trying to tell him there is a fire, and he wakes everyone up. When everyone realizes it was a false alarm, one man suggests he call the dog "Shithead" (changed to "Stupid" or "--Head" in the edited version of the film)- so he does. He goes to a gas station to use the bathroom, and is offered a job there. When he finds out that his name is in the new phone book, he celebrates and says, "things are going to start happening to me now." Sure enough, a gun-wielding lunatic randomly flips through the phone book and picks Navin R. Johnson as his next victim. As the lunatic aims his gun, Navin fixes the glasses of a customer by adding a handle and a nose brake. The customer offers to split the profits with Navin 50/50 if he can manage to market the invention.

The lunatic starts firing at Navin, and chases him into a carnival. Navin is taken away by a carnival truck and ends up getting a job as a weight guesser. He meets a daredevil biker woman and has a relationship with her, finding out the first time what his "special purpose" (his euphemism for penis) is for. He then meets a woman named Marie and gets a date with her. Patty, the biker, finds out, but luckily Marie is there to knock her out cold. While courting, Navin and Marie walk along the beach and sing "Tonight You Belong to Me", with Martin playing the ukulele and Peters playing the cornet. (Martin had learned to play the banjo while working at Disneyland.) Navin and Marie fall in love, but Marie decides to leave him. Navin finds out that his glasses invention, now called the Optigrab, is selling big, and he's entitled to half of the profits. His first check is for $250,000. He locates Marie, gets married, and hires a live-in butler and chambermaid. His next check is for $750,000, which he uses to buy an extravagant mansion.

Navin does not stay rich for long, as director Carl Reiner (playing himself) files a class-action lawsuit against Navin, claiming that the invention has made him cross-eyed. A million other people have the same complaint. Navin loses all of his money and leaves Marie, taking off for the streets, where he was when the movie began. In the beginning of the movie, he proclaimed, "I'm not a bum. I'm a jerk! I once had wealth, power, and the love of a beautiful woman. Now, I only have two things. My friends [three sleeping homeless men], and, uh, my thermos." But Navin's family, now rich from investing the money he sent to them, is contacted by Marie. They pick him up off the street and he lives with them and Marie in a "bigger house" (literally a larger version of the old shanty, complete with an 10 ft. tall front door) and they live happily ever after.

The characters include a variety of ethnic stereotypes: simple-minded rural blacks, redneck whites, Hispanic con artists, greedy Jews. However, the stereotypes are so blatant that their inclusion in the film should be considered as the filmmakers' ironic comment on the evils of stereotyping.