The Howling (film)
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The Howling | |
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The Howling movie poster |
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Directed by | Joe Dante |
Produced by | Daniel H. Blatt Jack Conrad Michael Finnell Steven A. Lane |
Written by | Novel: Gary Brandner Screenplay: John Sayles Terence H. Winkless |
Starring | Dee Wallace-Stone Patrick Macnee Dennis Dugan Belinda Balaski Christopher Stone |
Music by | Pino Donaggio |
Cinematography | John Hora |
Editing by | Joe Dante, Mark Goldblatt |
Distributed by | Embassy Pictures |
Release date(s) | March 13, 1981 |
Running time | 91 min. |
Language | English |
Budget | $1,000,000 (estimated) |
Followed by | Howling II: Stirba - Werewolf Bitch |
IMDb profile |
The Howling is a 1981 horror-comedy film directed by Joe Dante. Based on the novel by Gary Brandner, the film is written by John Sayles and Terence H. Winkless. The original music score is composed by Pino Donaggio. The film is marketed with the tagline Imagine your worst fear a reality.
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[edit] Plot summary
Karen White is a television news anchor who is being stalked by a serial murderer named Eddie Quist. In cooperation with the police, she takes part in a scheme to capture Eddie by agreeing to meet him in a sleazy porno theater. Eddie forces Karen to watch a video of a young woman being raped, and when Karen turns around to see Eddie she screams. The police enter and shoot Eddie, and although Karen is safe, she suffers amnesia. Her therapist, Dr. Waggner (Patrick Macnee), decides to send her and her husband, Bill (Christopher Stone), to "The Colony", a secluded resort in the countryside where he sends patients for treatment. The Colony is filled with strange characters, and one, a nymphomaniac named Marsha (Elisabeth Brooks), tries to seduce Bill. When he resists, he is attacked and bitten by a wolf-like creature. He later returns to Marsha and the two have sex. During the encounter, both shapeshift into werewolves.
After Bill's wolf bite, Karen summons her friend Terri (Belinda Balaski) to The Colony, and Terri connects the resort to Eddie Quist through a sketch he left behind. While investigating, Terri is attacked by werewolves, and one corners her in Waggner's office. Before it can murder her, she places a phone call to her boyfriend, Chris (Dennis Dugan), who has been let in on the werewolf angle and sets off for The Colony armed with silver bullets.
Karen is confronted by the resurrected Eddie Quist once again (the policemen who shot him were obviously not using silver bullets), and Eddie transforms himself into a werewolf while she watches. She escapes, and Eddie is later shot by Chris with a silver bullet. As it turns out, however, everyone in The Colony is a werewolf. These werewolves can shapeshift at will; they do not require a full moon. Karen and Chris survive their attacks and burn The Colony to the ground. Karen resolves to warn the world about the existence of werewolves, and surprises her employers by launching into her warnings while on television. Then, to prove her story, she herself shapeshifts into a werewolf, having become one after being attacked at The Colony. She is shot by Chris on live television, and the world is left to wonder whether the transformation and shooting really happened or was the work of special effects. It is also revealed that Marsha escaped The Colony alive and well.
[edit] Main cast
- Dee Wallace-Stone - Karen White
- Patrick Macnee - Dr. George Waggner
- Dennis Dugan - Chris Dugan
- Belinda Balaski - Terry Fisher
- Christopher Stone - R. William "Bill" Neill
- Kevin McCarthy - Fred Francis
- John Carradine - Erle Kenton
- Slim Pickens - Sam Newfield
- Robert Picardo - Eddie Quist
- Dick Miller - Walter Paisley
- Elisabeth Brooks - Marsha Quist
- Noble Willingham - Charlie Barton
- Kenneth Tobey - Older Cop
- Jim McKrell - Lew Landers
[edit] Production
Though the film has been noted for its witty screenplay, it began life as a more straight forward 1977 novel by Gary Brandner. After drafts by Jack Conrad (the original director who left following difficulties with the studio) and Terence H. Winkless proved unsatisfactory, director Joe Dante hired John Sayles to completely rewrite the script. The two had collaborated before on Dante's 1978 film Piranha. Sayles rewrote the script with the same self-aware, satirical tone that he gave Piranha, and his finished draft bears very little resemblance to Brandner's book.
The tongue-in-cheek approach to the film was bolstered by a cast that featured a number of recognizable character actors like John Carradine and Slim Pickens, many of whom appeared in genre films themselves. Additionally, the film was full of in-joke references to other films, with many of the characters bearing the names of directors who made classic werewolf films (such as Freddie Francis and George Waggner). Roger Corman makes a cameo appearance as a man standing outside a phone booth.
The Howling was also notable for its special effects, which were considered to be extremely convincing at the time. The transformation scenes were created by Rob Bottin, who had also worked with Dante on Piranha. Rick Baker was the original effects artist for the film, but left the production to work on the John Landis film An American Werewolf in London, handing over the effects work to Rob Bottin.[1] Bottin's most celebrated effect was the on-screen transformation of Eddie Quist, which involved air bladders under latex facial applications to give the illusion of transformation. In fact, Variety notes that The Howling's biggest flaw is that the impact of this initial transformation is never topped during the climax of the film.[2] The Howling also features stop-motion animation by notable stop-motion animator David W. Allen and puppetry intended to give the werewolves an even more non-human look to them.[3]
Due to their work in The Howling, Dante and producer Michael Finnell received the opportunity to make the film Gremlins (1984). That film references The Howling with a smiley face image on a refrigerator door. Eddie Quist leaves yellow smiley face stickers as his calling card in several places throughout The Howling.
Actors Robert Picardo, Dick Miller, Noble Willingham and Kenneth Tobey all later appeared in the Star Trek spin-offs.
[edit] Reception
Critical response to The Howling varied. Writing in 1981, Roger Ebert dismissed the film as the "Silliest film seen in some time..." [4] Conversely, Leonard Maltin wrote in his book 2002 Movie & Video Guide that The Howling is a "hip, well-made horror film" and noted the humorous references to classic werewolf cinema.[5] Variety praised both the film's sense of humor and its traditional approach to horror.[6]
The film won the 1980 Saturn Award for Best Horror Film.
[edit] Sequels
- Howling II: Stirba - Werewolf Bitch
- Howling III
- Howling IV: The Original Nightmare
- Howling V: The Rebirth
- Howling VI: The Freaks
- Howling: New Moon Rising