The Gospel According to St. Matthew (film)

From Wikipedia, the free encyclopedia

Il Vangelo secondo Matteo
Directed by Pier Paolo Pasolini
Produced by Alfredo Bini
Written by Pier Paolo Pasolini
Starring Enrique Irazoqui
Music by Luis Enríquez Bacalov
Carlo Rustichelli (uncredited)
Cinematography Tonino Delli Colli
Editing by Nino Baragli
Distributed by Titanus Distribuzione S.p.a.
Release date(s) 1964
Running time 133 min.
Country Italy
Language Italian
IMDb profile

Il Vangelo secondo Matteo is a 1964 Italian film directed by Pier Paolo Pasolini. It proved to be one of his most popular with both critics and the public.

The film depicts the life of Jesus through the Marxist-Catholic perspective of the director (though he himself was an atheist.) It remains one of the more faithful cinematic adaptations of any biblical book, as Pasolini felt that "images could never reach the poetic heights of the text." He reportedly chose Matthew over the other gospels because he had decided that "John was too mystical, Mark too vulgar, and Luke too sentimental."

The film was widely touted in Italy, which was ironic since Pasolini had previously been sentenced to jail for the allegedly blasphemous and obscene content of his contribution to the anthology film RoGoPaG. Pasolini was also an atheist and Communist, which made his reverential film more surprising. Matthew was released in the United States in 1966 and was nominated for three Academy Awards: Art Direction, Costume Design, and Score.

Unlike many biblical films, Matthew is noted for its sense of authenticity. All of the actors are amateurs: Enrique Irazoqui in the role of Jesus was a 19 year old student from Spain, and the rest mainly locals from Matera, Italy, where the film was shot (though Pasolini had originally intended to shoot in Israel.) The score (selected by Pasolini himself) is quite eclectic, ranging from Johann Sebastian Bach to Odetta.

[edit] Source

  • Bart Testa, "To Film a Gospel ... and Advent of the Theoretical Stranger," in Patrick Rumble and Bart Testa (eds.), Pier Paolo Pasolini: Contemporary Perspectives. University of Toronto Press, Inc., 1994, pp. 180-209. ISBN 0-8020-7737-4.

[edit] External links

---Sidenote START---
Movies by Pier Paolo Pasolini

Accattone | Mamma Roma | La ricotta (RoGoPaG) | The Gospel According to St. Matthew | Love Meetings | The Hawks and the Sparrows | The Witches | Oedipus Rex | Theorem | Love and Anger | Pigpen | Medea | The Decameron | The Canterbury Tales | Il fiore delle mille e una notte | Salò

This 1960s drama film-related article is a stub. You can help Wikipedia by expanding it.
This article related to Italian film is a stub. You can help Wikipedia by expanding it.