The Edukators
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| The Edukators | |
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 The Edukators film poster |
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| Directed by | Hans Weingartner |
| Written by | Katharina Held Hans Weingartner |
| Starring | Daniel Brühl Julia Jentsch Stipe Erceg |
| Release date(s) | November 25, 2004 (Germany) |
| Running time | 127 min. |
| Language | German |
| IMDb profile | |
The Edukators (German: Die fetten Jahre sind vorbei; literally "the fat years are past", translated within the film as "the days of plenty are numbered") is a German-Austrian film made by the Austrian director Hans Weingartner and released in 2004. Nominated for the "Golden Palm Award" in 2004 Cannes Film Festival, it stars Daniel Brühl and Julia Jentsch.
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[edit] Plot
The story revolves around three anti-capitalist activists--Jule (Julia Jentsch), her boyfriend Peter (Stipe Erceg) and his best friend Jan (Daniel Brühl), along with a wealthy businessman named Hardenberg (Burghart Klaußner).
Jule is a waitress struggling to pay off the 100,000 euro debt she accumulated after crashing into Hardenberg's Mercedes-Benz on a highway. After she is evicted for paying her rent late, she moves in with Peter and Jan, who are often out all night. When Peter takes a trip to Barcelona, Jan reveals that he and Peter spend their nights "educating" upper-class people by breaking into their houses, moving furniture around, and leaving notes with messages that say "your days of plenty are over," or "you have too much money."
After learning this, Jule convinces the reluctant Jan to spontaneously break into the house of Hardenberg, who happens to be away on business. During the break-in, the two begin to kiss. Jan leaves Jule alone for a few minutes because he does not want to hurt his friendship with Peter. While wandering around, Jule accidentally sets off the houses floodlights after she goes outside and they leave in a hurry.
Peter returns the next day, but Jan and Jule do not tell him about their activities the night before. Jule soon realizes that she is missing her cell phone, so Jule and Jan go off later that night to look for it in the house. Just after finding it, Hardenberg walks in the door and he begins to struggle with Jule. Jan, who hears the struggle, comes downstairs and knocks Hardenberg out with a flashlight. Not knowing what to do, the two call Peter who shows up to help them.
The three cannot decide what to do with Hardenberg, so they to take him to a remote and rarely-used cabin that belongs to Jule's uncle. While trying to decide how to deal with their captive, they learn that Hardenberg was once a radical himself in the 1960s. He had been a leader of the Socialist German Student Union and was once good friends with Rudi Dutschke, before eventually marrying, getting a good job and abandoning his ideals.
As the story progresses, political ideologies, but more so the characters' relationships, become the deep issues. Peter and Jan have a temporary falling out over Jan's now blooming romance with Jule, while Hardenberg seems to regain some sense of his former self.
In the end, the three decide to take Hardenberg back to his house and let him go. As the three get ready to leave, Hardenberg hands Jule a letter, clearing all her debt, and telling them that they need not worry about the police. The film ends with Peter, Jan and Jule sleeping in bed whilst a group of Spezialeinsatzkommando police amass outside of Peter and Jan's apartment, and knock on the door. Jule then wakes up when she hears a knock on the door. The police force their way into the old apartment which they find nearly completely empty. The film then cuts to Jule, who turns down a hotel maid offering to clean their room, presumably in a hotel in Barcelona. In the apartment the police find a note that reads "some people never change". The German version shows the three edukators taking Hardenberg's boat into the Mediterranean to destroy the signal towers on an island that supply most of the television to Western Europe.
[edit] Trivia
- Translation for the writings on the wall at Jule's flat: "Every heart is a revolutionary cell"
[edit] The Soundtrack
The movie noticeably uses Jeff Buckley's rendition of Leonard Cohen's Hallelujah towards its end.
