The Doctor Dances

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Doctor	Christopher Eccleston (Ninth Doctor)
Writer	Steven Moffat
Director	James Hawes
Script Editor	Elwen Rowlands
Producer	Phil Collinson
Executive producer(s)	Russell T. Davies Julie Gardner Mal Young
Production code	Series 1, Episode 10
Series	Series 1 (2005)
Length	2 of 2 episodes, 45 mins
Transmission date	May 28, 2005
Preceded by	The Empty Child
Followed by	Boom Town

The Doctor Dances is an episode in the British science fiction television series Doctor Who, which was first broadcast on May 28, 2005. It is the second of a two-part story. The first part, The Empty Child, was broadcast on May 21. This episode, together with The Empty Child, won the 2006 Hugo Award for Best Dramatic Presentation, Short Form.^[1]

1 Synopsis
2 Plot
3 Cast
4 Continuity
5 Production
6 Outside references
7 Historical details
8 References
9 External links
- 9.1 Reviews

[edit] Synopsis

The Child's plague is spreading throughout wartime London, and its zombie army is on the march. The Ninth Doctor and Rose form an alliance with intergalactic con man Captain Jack, but find themselves trapped in the abandoned hospital. The answer lies at the crash site, but time is running out...

[edit] Plot

Spoiler warning: Plot and/or ending details follow.

"All that weapons tech in the hands of an hysterical four-year-old... looking for his mummy."

Following on from the end of The Empty Child, the gas-masked virus carriers each call out "Mummy?" while they back the Doctor, Rose and Jack up into a corner; meanwhile, in a house in another part of London, the Child himself is cornering Nancy. At the last moment, the Doctor forcefully steps forward and commands the zombies in a stern, parental voice, to go to their room. The zombies pause, uncertain, and simultaneously, so does the Child. The Doctor repeats his order, saying that he is very cross with them, and slowly, the zombies turn and return to their beds, and the Child turns away from Nancy, leaving the house and wandering away. The Doctor relaxes, glad that his ruse worked — it would have been a terrible set of last words.

Jack explains how his con was supposed to work: he would find some space junk, throw it through time, convince a Time Agent that it was worth something and get fifty percent of the payment before a German bomb would land and erase all evidence of the swindle before the buyer could claim it. He says the London Blitz is particularly good for this, as bombs fall all the time, and recommends Pompeii as another suitable location that can double as a "vacation". The Doctor does not approve, and points to the dormant zombies around the room as the consequences of what Jack did. Jack protests that the crashed ship was an empty, burnt-out medical transport and so could not have anything to do with this. As the Doctor heads for the door and upstairs, they hear the all-clear siren sounding.

Nancy hears the all-clear as well, but before she can leave the house, she is caught by the family that lives there, who grab and force her back inside until the authorities can deal with her. However, when alone with Mr Lloyd, Nancy adroitly points out that there was much more food on the table than should have been in a time of rationing. She says that half the street believes that Mrs Lloyd is "messing about" with the butcher, but she knows that it is actually Mr Lloyd who is doing so, leaving the implied threat of blackmail hanging. She demands wire cutters, a torch and food before she is allowed to leave.

Back at the hospital, the three time travellers reach Room 802, where the Child, the first victim of the "bomb", was taken. The Doctor gets Jack to use his sonic blaster, identifying the weapon as coming from the 51st century. The blaster digitises the lock, leaving a clean square hole where it used to be, and they enter. The room is in disarray, the glass separating the observation booth from the rest of the room smashed. The Doctor prompts Jack, who notes that whatever did this was powerful and angry. On the floor are toys, and on the walls are child's drawings in crayon. The Doctor turns on the tape recorder in the booth, and the voice of Dr Constantine issues from the speakers. Constantine had been questioning the Child, but all the Child kept asking was if he was his "mummy".

As the tape continues to play, the Doctor walks around the room, thinking out loud. The homeless children he encountered earlier were living around the bombsite. Suppose one of them wandered near the crashed ship and was somehow altered. The Child is incredibly powerful, and it will soon realise that. The Doctor realises as well that he sent the Child to its room: the very room they are in right now. He turns around and sees the Child standing there, asking its eternal question.

The Doctor uses Jack's blaster to digitise a wall of the room and they run out into the corridor. Jack reverses the settings and reintegrates the wall, sealing the Child in. However, their respite is short-lived as the Child begins to batter its way through the wall and the zombies start approaching them from both sides. The Child is not just controlling them — it is every living thing it has infected. Rose pulls Jack's blaster down to disintegrate the floor just as the zombies close in and they fall down to the ward below. The zombies in that ward wake up as well, and the trio run for a door, sealing it shut behind them with the Doctor's sonic screwdriver. Unfortunately, it is a storeroom, and a dead end. As the Doctor looks for a way out, Jack vanishes.

Nancy reaches her makeshift living space at the abandoned rail yard, and finds the other children there. She chides them, saying that they should have looked for somewhere else to stay, but they say they are safe with her. Nancy disclaims this, saying that it is not that the Child keeps coming after them; the Child keeps coming after her. As if to prove her point, a typewriter in the hovel starts typing on its own, tapping out the Child's question. Nancy leaves, heading for the bombsite.

In the storeroom, Jack's voice comes over a disconnected radio. He had used his ship's teleporter, but could not take the others along because it was keyed to his molecular structure. He is trying to override the navigational computer's security, but it will take some time. Jack is able to communicate over the disconnected radio because of his ship's Om-Com technology — an ability the Child also has. The Child's voice comes over the radio, tauntingly saying that it is going to find them, and Jack jams the signal by playing Glenn Miller's "Moonlight Serenade", the same music he and Rose danced to on his spaceship.

As the Doctor works on breaking through the concrete by setting up a resonance pattern with the sonic screwdriver, he asks Rose why she seems to trust Jack. Rose says Jack reminds her of the Doctor, except with "dating and dancing." The Doctor is mildly offended that Rose assumes he cannot dance, and Rose, amused, asks him to prove it. As they start to dance, however, they are teleported up to Jack's ship. There, the nanogenes heal the Doctor's hand that he burnt on the TARDIS console when it sparked during the pursuit of the cylinder. The Doctor identifies Jack's "borrowed" ship as being of Chula design like the crashed ship. Jack works on getting the nav-com back online, and in answer to Rose's questions, he explains that his confidence trickster activities are not wholly mercenary. He had left the Time Agents when he discovered that they had stolen two years of his memory. Jack observes that the Doctor does not trust him, and he may be right not to.

Meanwhile, Nancy has reached the crash site, and uses the wire cutters to get past the barbed wire. However, as she reaches the tarpaulin-covered ship, she is discovered by the soldiers guarding the site and placed under arrest. She is brought to a hut where Jenkins, a sick soldier bearing the mark of the Child's plague, is resting. Despite pleading with the commanding officer (the same Army officer Jack was talking to the previous episode) not to leave her there, he handcuffs her to the table. Once left alone, Nancy can do nothing but watch helplessly as Jenkins painfully transforms into another gas-masked zombie.

The Doctor, Jack and Rose reach the crash site as well. Rose offers to distract the guards' commander, but Jack points out that he knows Algy, and Rose is not his type. Jack goes ahead instead, leaving Rose slightly shocked. The Doctor points out that in the 51st century, people are more flexible in who they "dance" with. However, when Jack tries to talk to Algy, the British officer transforms into a zombie and collapses. The Doctor hears singing from a nearby hut and finds Nancy, who is keeping Jenkins asleep with a lullaby. The Doctor frees her from her bonds and they all head to the Chula transport.

As Jack tries to open the coded lock on the transport, he sets off an alarm which awakens the zombies in Albion Hospital, who then start to move toward the site. The Doctor orders Jack to secure the gates and tells Rose and Nancy to reconnect the barbed wire with the sonic screwdriver. Nancy asks Rose who they are, and Rose tells her that they are from the future. When Nancy is sceptical that there will even be a future, given all the carnage of war around them, Rose confidentially tells her that the British will win the war.

Jack manages to open the transport and reveals that it is empty. However, the Doctor asks Rose what they should expect in a Chula medical transport, and Rose hits on the right answer: nanogenes. The ship was full of them, and when it crashed, billions and billions of nanogenes escaped, programmed to heal everything they came across. However, the first thing the nanogenes found was a dead child wearing a gas mask, and never having seen a "normal" living human before, they used that as their only pattern. They then started to transform everything they encountered to fit that baseline. The nanogenes have given unimaginable power to a little boy searching for his mother, one who is both willing and able to tear apart the world to do it.

Cries of "mummy" fill the air as the zombie army, led by the Child, approach the site. When Jack triggered the alarm, the ship thought it was under attack and so summoned the zombies as troops to protect it. The transport was a battlefield medical unit, built to heal Chula warriors and send them back to the front lines; that was why the Child was so strong and could transmit its voice using the same technology as Jack's ship. Nancy begins to cry, saying that it is all her fault. The Doctor starts to comfort her, but then realises that the Child — Jamie — is not her brother, but her son, whose maternity she kept a secret even from him.

Jack notes the bomb is seconds away from dropping, but the nav-com is back on-line and the teleporter is only working for him again. The Doctor tells him to do what he has to, and Jack teleports away, making Rose think he has abandoned them. The Doctor asks Nancy to tell Jamie the answer to the question he has been asking all along. Jamie steps up to Nancy, asking once again whether she is his mummy. Nancy answers yes, she is, and she will always be. They embrace, and the nanogenes swell up around them in a cloud of glowing particles. To the Doctor's delight, the nanogenes scan Nancy and Jamie, matching their DNA. Because she is Jamie's mother, Nancy's genetic code provides them the information they lacked with Jamie. The nanogenes recognise Nancy's living form as the correct pattern and, using this as their new baseline, restore Jamie back to full health. With a laugh of joy, the Doctor unmasks the restored Jamie and lifts him in his arms.

Rose suddenly remembers the bomb, but the Doctor says it has been taken care of. As it streaks down towards them, so does Jack's ship, capturing the bomb in its tractor beam. The Doctor had judged Jack's psychology right and the former Time Agent has returned for the rescue. Jack is riding the bomb itself in the beam, and tells the Doctor that the bomb has commenced detonation. Jack is keeping it in stasis, but it will not last. The Doctor asks him to get rid of it as safely as he can. Jack tells Rose good-bye, and teleports with the bomb back to his ship, which flies away. The Doctor waves his fingers, summoning the nanogenes around them and applying a patch to their programming. He hurls the nanogenes towards the zombies, crying out triumphantly, "Everybody lives, Rose! Just this once — everybody lives!"

The former zombies rise; all of them restored to their normal selves and with their ailments cured by the nanogenes, even to the extent of Mrs Harcourt regrowing her missing leg. The Doctor leaves Dr Constantine to tend to his patients, bidding them farewell with an exhortation to beat the Germans, save the world, and not forget the welfare state. He sets the Chula transport to self-destruct once they leave, to fulfil history's requirement of an explosion. As Rose and the Doctor enter the TARDIS, the Doctor is almost insufferably pleased with himself — the reprogrammed nanogenes will fix all the earlier damage they did before they deactivate and Nancy and Jamie will get the help they need from Dr Constantine. Rose then asks about Jack and the unexploded bomb, and his smile fades.

In space, Jack discovers that there is no way to eject the bomb or even himself, and his situation seems hopeless. With an air of resignation, he orders "emergency protocol 417", a large martini (with too much vermouth) and begins to drink as the strains of Glenn Miller start to play… from the open doors of the TARDIS appearing at the back of his ship. He enters the console room and the Doctor tells him to shut the doors, welcoming him to his ship. The Doctor switches the music to "In the Mood" and starts to dance with Rose, who points out that Jack may want that dance. The Doctor agrees, but mischievously asks, "But who with?" As Jack watches, smiling, the Doctor and Rose dance around the console.

[edit] Cast

Doctor Who — Christopher Eccleston
Rose Tyler — Billie Piper
Dr Constantine — Richard Wilson
Nancy — Florence Hoath
Jack Harkness — John Barrowman
Timothy Lloyd — Luke Perry
The Child — Albert Valentine
Mrs Lloyd — Cheryl Fergison
Mr Lloyd — Damian Samuels
Algy — Robert Hands
Jim — Joseph Tremain
Ernie — Jordan Murphy
Jenkins — Martin Hodgson
Mrs Harcourt — Vilma Hollingbery
Voice of the Empty Child — Noah Johnson
Computer voice — Dian Perry

[edit] Continuity

Jack mentions Pompeii as another ideal place for a con, although he jokingly says that one has to set the alarm clock for "volcano day". The Seventh Doctor and Mel visited the ill-fated city in the Big Finish Productions audio drama The Fires of Vulcan. Jack implies that he has gone back to Pompeii several times, but does not explain how he avoids his other selves on one particular day in history.
It is established that Jack comes from the 51st century. This is a particularly significant period in the Doctor Who fictional universe, being the time of the Great Breakout, an expansionistic period where mankind headed for the stars (The Invisible Enemy) as well as the home era of K-9. Other historical events of the 51st century include a new ice age, a near world war, early experiments in time travel, the establishment of the Time Agents and the rise and fall of the villanous Magnus Greel (The Talons of Weng-Chiang). Parts of the 2006 series episode The Girl in the Fireplace take place in this era as well.
The Empty Child and The Doctor Dances are the only Doctor Who stories strongly connected with an alien race in which none of its members or representatives are actually seen.
The Doctor identifies Jack's sonic blaster as coming from the Weapon Factories of Villengard and implies that he blew them up. He also notes that there is a banana grove where the factories were, and that "bananas are good" as a source of potassium. The Tenth Doctor repeats this sentiment in The Girl in the Fireplace (also scripted by Steven Moffat) and claims that he invented the banana daiquiri in 17th century France.
The Om-Com technology works on "anything with a speaker grille". However, the Child could use the ability (including telekinetically operating a typewriter) from anywhere while Jack needed to be inside his ship, suggesting it is part of Jamie's Chula-augmented makeup.
As mentioned in Doctor Who Confidential, in this episode "dancing" is used as a metaphor for sex. In this light, lines like "The world doesn't end if the Doctor dances," the Doctor being offended that Rose assumes that he does not dance, and the Doctor saying at the end that he remembers that he can, are references to the long-standing controversy regarding the Doctor's sexuality, and whether or not the series should address it. Moffat also alludes to this metaphor in The Girl in the Fireplace.
Rose offering to distract the guards using her femininity echoes a tactic used successfully by Ace in 1989's The Curse of Fenric (a story also set during World War II).
As the Doctor notes, "Just this once, everybody lives!" Earlier stories where nobody died include The Edge of Destruction (1964) and Fury from the Deep (1968); as well as the 2006 episode Fear Her. The Celestial Toymaker (1966) and Castrovalva (1982) involved the destruction of (technically) non-living beings. A typical "everyone dies" story is Horror of Fang Rock (1977). Whether Jack's ship "dies" depends on whether it was artificially intelligent (and then, also depends on how one views the relationship between AI and "life").
Continuing the "bad wolf" references, the German bomb that Jack sits on has the words "Schlechter Wolf" stencilled on its shell which, literally translated from German, means "Bad Wolf", although the concept of "bad wolf" would normally be translated as "Böser Wolf" into German. See Bad Wolf references in Doctor Who.
Mickey's website, "Who is Doctor Who?" and the UNIT website both carry reports about unexploded "Schlechter Wolf" bombs in the present day, implying they may be something more sinister than just a German terror weapon.^[2]^[3] The bomb as pictured is unusual, with thick fins and a non-aerodynamic nose. Also, the stencilling would be expected not to spiral round the casing.
Rose teases the Doctor about the fact that he is grinning like he was Father Christmas. The Doctor then retorts, "Who says I'm not, 'red bicycle when you were twelve'?", and Rose's reaction implies that this is something she did not tell the Doctor. Whether or not the Doctor was just being prescient, making a lucky guess, or whether he really did (or will) leave Rose a red bicycle for Christmas when she was twelve has as yet not been expanded on.
According to a police officer in Torchwood episode Everthing Changes, Captain Jack went missing on 21 January 1941. This would suggest that this story took place in January 1941.

[edit] Production

The working title for this story was Captain Jax.^[4] On the back of the packaging for the basic DVD it was released on, this episode is erroneously called The Doctor Dance's.
The climatic scene of the episode at the alien crash site was filmed on Barry Island, Wales, which was also the primary location for the shooting of the Seventh Doctor serial Delta and the Bannermen (1987).
In the DVD commentary for this episode, writer Steven Moffatt reveals that up until a very late stage, the nanogenes in this story were called "nanites". However, script editor Helen Raynor decided this name sounded too much like similar nanotechnological devices in Star Trek: The Next Generation.
Features a guest appearance by Richard Wilson. See also Celebrity appearances in Doctor Who.
Several scenes of this story were filmed at the Vale of Glamorgan Railway sites at Plymouth Road on Barry Island in January 2005. Barry Island was used for location filming for the 1987 Doctor Who serial Delta and the Bannermen.
The scene where the Child surprises the Doctor, Rose, and Jack in Room 802 was voted television's "Golden Moment of 2005" by viewers, as part of the BBC's 2005 TV Moments programme.^[5]

[edit] Outside references

The Chula ships are named after Chula, an Indian/Bangladeshi fusion restaurant in Hammersmith, London where the writers celebrated and discussed their briefs on the scripts they were to write for the season after being commissioned by Russell T. Davies.^[6]
The manner in which Jack rides the bomb near the end of the episode looks similar in appearance to Slim Pickens' final scene riding a hydrogen bomb in the film Dr Strangelove. Whether this was intentional or not is not known.

[edit] Historical details

Anachronistically, Jamie's voice is recorded on tape. While compact magnetic tape recorders were developed in Germany in the 1930s, the technology did not make its way to the rest of the world until after World War II. Wire recording was used by the BBC during this period, but recording gramaphones, using wax discs as a medium, were more common. Steven Moffatt acknowledges this mistake in the DVD commentary for The Doctor Dances, but jokily suggests that an ancestor of Brigadier Lethbridge-Stewart stole the machine from Germany to help with the war effort.