The Deep South (Futurama)

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This article is about the Futurama episode. For the U.S. geographic region, see Deep South.
Futurama episode
"The Deep South"
Episode no. 25
Prod. code 2ACV12
Airdate April 16, 2000
Where Flag of United States United States
Writer(s) J. Stewart Burns
Director Bret Haaland
Opening subtitle A Stern Warning of Things To Come
Opening cartoon "Scrap Happy Daffy"
Guest star(s) Donovan Leitch
Parker Posey
Season 2
November 1999 – December 2000
  1. I Second That Emotion
  2. Brannigan Begin Again
  3. A Head in the Polls
  4. Xmas Story
  5. Why Must I Be a Crustacean in Love?
  6. Lesser of Two Evils
  7. Put Your Head on My Shoulders
  8. Raging Bender
  9. A Bicyclops Built for Two
  10. A Clone of My Own
  11. How Hermes Requisitioned His Groove Back
  12. The Deep South
  13. Bender Gets Made
  14. Mother's Day
  15. The Problem with Popplers
  16. Anthology of Interest I
  17. War is the H-Word
  18. The Honking
  19. The Cryonic Woman
List of all Futurama episodes...

"The Deep South" is episode 12 in season 2 of Futurama. It originally aired in North America on April 16, 2000.

Contents

[edit] Plot

A bureaucratic mixup results in Hermes receiving a mandatory fishing license. The crew takes the Planet Express Ship to the center of the Atlantic Ocean, and starts fishing. After failing to catch anything, a bored Bender fashions a large fish hook made from Amy's beach umbrella, with Hermes' Manwich on it, and attaches it to the ship's unbreakable diamond filament tether.

Sunset comes, and the crew is ready to head back to New New York. Bender begins to haul in his line, but he has caught a colossal-mouth bass. The bass dives, dragging the ship to the bottom of the ocean before the hook slips loose. The Planet Express Ship survives its trek to the bottom, but its engines will not work underwater.

Professor Farnsworth conveniently has an anti-pressure suppository which Fry uses to go foraging for food with Bender and Dr. Zoidberg. Separated from them, Fry glimpses a mermaid, but when he returns to the ship no one believes him. That night, the mermaid Umbriel lures Fry out of the ship, and they leave to explore the wonders of the ocean bottom. Meanwhile, Zoidberg finds a new home, a large conch shell.

The next morning, the crew finishes modifying the ship to return to the surface, but finds Fry missing. They set off following Zoidberg's sense of smell, and find the legendary lost city of Atlanta. There they find a civilization of merpeople with southern accents. A documentary (narrated by Donovan) explains that Atlanta moved offshore in an effort to boost tourism and become a bigger Delta hub. The city overdeveloped and its excess weight caused it to sink to the bottom. Everyone that stayed with the city evolved into merpeople, with the assistance of leaking caffeine from Atlanta's Coca-Cola plant.

Ready to leave, the crew heads back to the ship (including Zoidberg, whose house burned down from Bender's cigar), but Fry wants to stay with Umbriel. Fry settles in to enjoy his life with Umbriel, but when he discovers that the Atlantans' evolution has made them unable to have sexual intercourse with humans, he runs to try to catch his friends. The ship leaves without him, but Bender's hook is still attached to the tether. Fry grabs hold and is dragged behind the ship. The colossal-mouth bass returns, and is hooked when it swallows Fry whole. The bass stays caught, and Fry returns to the surface with the rest of the crew. But at the same time the bass set a world record until Fry fell out of him. At that point Bender began choking him as Dr. Zoidberg reveals he now lives inside the bass.

[edit] Censorship

A line of dialog was edited for an airing on Cartoon Network's Adult Swim. Professor Farnsworth's exclamation of "Sweet Zombie Jesus!" when the giant fish leaps out of the water had the word "Jesus" muted from the audio track, although the animation for the dialog is left intact. In contrast, airings on TBS's "Too Funny To Sleep" marathon cut the entire scene containing the line.

[edit] Cultural references

The lost city of Atlanta.
Enlarge
The lost city of Atlanta.
  • The concept of this episode is a play on the idea of the Lost City of Atlantis.
  • Umbriel's name is a reference to Ariel, the main character in Disney's animated motion picture The Little Mermaid. Ariel and Umbriel are both moons orbiting Uranus, named for two of the sylphs in Alexander Pope's The Rape of the Lock.
  • The unbreakable diamond filament is a reference to Arthur C. Clarke's The Fountains of Paradise, where diamond is used as a building material for a space elevator.
  • Umbriel's father "The Colonel" is likely a reference to Colonel Sanders, as is his suit.
  • There is a reference to the 1972 film Deliverance when Bender hums the opening notes to "Dueling Banjos" upon arriving in Atlanta.
  • The song Atlantis by episode guest star Donovan is played early in the episode during the montage sequence of Fry and Umbriel's date and the later narration of the history of Atlanta is a parody of this song.[1]
  • In the story of Atlanta a Ted Turner statue is shown being mounted above a SeaNN sign, a parody of CNN.
  • When the camera zooms in on Fry and Bender's bunks before Fry first talks to Umbriel, we see several things propped up against the wall. In the lower right corner is a Rebel Alliance fighter helmet from Star Wars, the same helmet he wore during "When Aliens Attack", a banner from Mars University and also the sword Bender stole in the earlier episode "A Bicyclops Built for Two".
  • The concept of mermaids not having the same reproductive functions as humans is a reference to the mermaid problem. When Fry wishes that Umbriel could've been a mermaid with "the fish part on top and the lady part on the bottom", this is a jab at an episode of Night Gallery[2] called "Lindermann's Catch"[3], about a fisherman who wants to give a mermaid he's fallen in love with legs, but his wish backfires when her fish half becomes her human half and her human half (her head) becomes the fish part. Also possibly a reference to the Red Dwarf episode "Better Than Life" where the Cat's virtual reality girlfriend is a mermaid with a fish upper body and human legs. Conventional mermaids, he claims, are built "The stupid way around."
  • Umbriel and Fry watch a whale and a giant squid wrestle, a reference to the Squid and Sperm Whale panoramic at the American Museum of Natural History and also exactly resembles the "Apollo 18" album cover by the band They Might Be Giants.
  • While underwater, Bender is seen reading The Atlantic Monthly
  • Bender's announcement that "in the event of an emergency, my ass can be used as a flotation device" is a reference to Star Trek: Insurrection. In Insurrection, Data says that "in the event of a water landing, I have been designed to serve as a flotation device" upon resurfacing in a lake.
  • After Fry announces his intentions to stay underwater with Umbriel, Zoidberg invites him to come and visit his little house outside of town but "The Colonel" shakes his head and Fry says that he can't because he is trying to join the country club. This is a reference to the anti-Semitism that once ran rampant in the Deep South. This is one of many references to Zoidberg's Jewish-inspired origins, which is itself a joke because he is a shellfish, a food that Jews are forbidden to eat.

[edit] Goofs

[edit] Trivia

  • A northern England heavy metal band adopted Professor Farnsworth's exclamation of "Sweet zombie Jesus!" to be their name. They often abbreviate it to SZJ.

[edit] External links

Wikiquote has a collection of quotations related to:


Preceded by:
" How Hermes Requisitioned His Groove Back "
Futurama episodes Followed by:
" Bender Gets Made "