The Cradle Will Rock

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For the 1999 film about the musical, see Cradle Will Rock.

The 1937 musical The Cradle Will Rock by Marc Blitzstein was originally a part of the Federal Theatre Project. It was directed by Orson Welles, and produced by John Houseman.

Contents

[edit] The story

The musical is a Brechtian allegory of corruption and corporate greed. Set in "Steeltown, USA", it follows the efforts of Larry Foreman to unionize and otherwise combat wicked businessman Mr. Mister. Blitzstein portrays a whole panoply of societal figures: Mr. Mister's vicious, outwardly genteel philanthropic wife, sell-out artists, poor shopkeepers, immigrant families, a faithless priest, and an endearing prostitute named Moll. The piece is almost entirely sung-through, giving it many operatic qualities, although Blitzstein (as he often did, even in his full-blown operas) included popular song styles of the time.

[edit] The original production

Originally set to open at the Maxine Elliott Theatre with elaborate sets and a full orchestra, the production was shut down due to "budget cuts" within the Federal Theatre Project—though it was widely believed that this was instead due to censorship on the part of the government. The theatre was padlocked and surrounded by armed servicemen, ostensibly to prevent anyone from stealing props or costumes. They even impounded leading man Howard Da Silva's toupee. On the spur of the moment, Welles, Housman, and Blitzstein rented the Venice Theatre and a piano, and planned for Blitzstein to sing/play/read the entire musical to the sold out house. Just after beginning the first number, Blitzstein realized that he was being joined by Olive Stanton, the actor playing Moll, who joined in from the audience, since she (along with the rest of the cast) was forbidden by the Actor's Union to perform the piece "onstage". During the rest of the performance various actors joined in with Blitzstein and performed the entire musical from the house. Many who attended the performance, including poet Archibald MacLeish, thought it to be one of the most moving theatrical experiences of their life. Performances to this day rarely use elaborate sets or an orchestra, instead preferring a spare set and single piano in homage to this event (the details of which were recounted by John Houseman in an introductory speech to a 1983 production by The Acting Company, which was recorded along with the entire show by Jay Records, and also recounted in Houseman's memoirs.

The success of the production led Welles and Houseman to form the Mercury Theatre.

[edit] Later productions

The Cradle Will Rock was performed shortly after its initial New York production by students at Harvard, with a young Leonard Bernstein at the piano. It was revived on Broadway in 1964 and Off-Broadway in 1983 with The Acting Company. In 1986 the show was revived once again featuring alumni members of The Acting Company this time in London's West End. In this production Patti LuPone played Moll and was honored with an Olivier Award for Best Actress in a Musical.

The play was produced in 2005 at UCSB by Shrunken Head Productions (a student run production company). The production included a reenactment of the lock out and performers joining in from the audience.

[edit] The Tim Robbins film

In 1999 writer/director Tim Robbins wrote a semi-fictional film recounting the original production of The Cradle Will Rock. The film, entitled Cradle Will Rock (without the "The") blended the true history of Blitzstein's show with the creation (and subsequent destruction) of the original Diego Rivera mural in the lobby of Rockefeller Center (actually the Rivera mural was destroyed in 1933). Several of the original actors from the 1937 production were included as characters in the film, notably Olive Stanton, John Adair, and Will Geer, while others were replaced by fictional characters. Leading man Howard Da Silva was replaced by the fictional "Aldo Silvano".

The film's climax recreates scenes from the original, legendary performance of the show, performed by veteran Broadway performers Victoria Clark, Gregg Edelman, Audra McDonald, Daniel Jenkins, Erin Hill, and Chris McKinney.

Robbins wrote a book (Cradle Will Rock: The Movie and the Moment, published by Newmarket Press) about the original show, his adaptation, and the filming of the motion picture.

[edit] Songs

Almost the entire show is sung or underscored by music. Not listed below are rhythmic dialogue and dialogue over music.

  • "Moll's Song" -- Moll
  • "Moll and Gent" -- Moll and Gent
  • "I'll Show You Guys" -- Dick and Moll
  • "Solicitin'" -- Moll and Druggist
  • "Oh What A Filthy Night Court" -- Liberty Committee
  • "Hard Times/The Sermon" -- Mrs. Mister, Reverend Salvation, Ensemble
  • "Croon Spoon"
  • "The Freedom of the Press" -- Mr. Mister and Editor Daily
  • "Let's Do Something"
  • "Honolulu"
  • "Drugstore/Summer Weather" -- Harry Druggist, Stevie, Bugs
  • "Love Duet" -- Gus and Sadie
  • "Don't Let Me Keep You" -- Dauber and Yasha
  • "Ask Us Again" -- Dauber, Yasha, and Mrs. Mister
  • "Art For Art's Sake" -- Dauber and Yasha
  • "Nickel Under Your Foot" -- Moll
  • "The Cradle Will Rock" -- Larry Foreman
  • "Facultyroom Scene" -- President Prexy, Mr. Mister, Professors Mamie, Scoot and Trixie
  • "Ella's Entrance" -- Ella Hammer and Dr. Specialist
  • "Joe Worker" -- Ella Hammer
  • "Finale" -- Full Cast
    • This is a reprise of "The Cradle Will Rock"

[edit] Characters

  • Moll, a prostitute
  • Gent
  • Dick, a police officer
  • Virgil, a police officer
  • Harry Druggist
    • A former drugstore owner, Harry Druggist claims to have "sold out too", like the Liberty Committee members.
    • Having lost the Drugstore, he is arrested for vagrancy weekly.
    • In the Night Court, he serves as a narrator.
  • Mr. Mister, de facto owner of Steeltown
    • He created the Liberty Committee, a group of high class citizens in influential positions, to help him destroy the steelworkers' unions.
  • Clerk, clerk in nightcourt
  • Reverend Salvation, a member of the Liberty Committee
    • Tailors his sermons to Mr. Mister's wishes
  • Mrs. Mister, wife of Mr. Mister
  • Editor Daily, a member of the Liberty Committee
    • Mr. Mister determines what he writes
  • Junior Mister
  • Sister Mister
  • Stevie, Harry Druggist's son
  • Bugs, works for Mr. Mister
  • Gus, a Polish steelworker
  • Sadie, Gus's wife
  • Dauber, an artist and member of the Liberty Committee
  • Yasha, a musician and member of the Liberty Committee
  • Larry Foreman
    • Foreman of the Steelworkers' Union
    • Played in the original performance by Howard Da Silva
  • President Prexy of College University, a member of the Liberty Committee
  • Professor Trixie, a member of the Liberty Committee
  • Professor Mamie, a member of the Liberty Committee
  • Professor Scoot
    • A Tolstoyan who is rejected for the Liberty Committee
  • Doctor Specialist, chairman of the Liberty Committee
    • Mr. Mister's private doctor
  • Ella Hammer
    • Sister of Joe Worker, a steelworker who was pushed into a ladle (See Steel mill) because he spoke up for his rights

[edit] External links

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