The Connells
From Wikipedia, the free encyclopedia
The Connells are an American band, from Raleigh, North Carolina. They play a guitar-oriented melodic power pop type of rock music with introspective lyrics that reflect the American South.
| The Connells | |
|---|---|
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| Origin | Raleigh, North Carolina |
| Country | United States |
| Years active | 1984–Present |
| Genres | Rock Alternative rock College rock Jangle pop Power pop indie rock Southern rock |
| Labels | TVT Records Black Park Records |
| Members | Mike Connell David Connell Doug MacMillan Steve Potak Mike Ayers Chris Stevenson |
| Past members | Peele Wimberley George Huntley Steve Ritter John Schultz |
Contents |
[edit] Origins
Guitarist Mike Connell formed the band in 1984, along with his brother David Connell on bass, Doug MacMillan on vocals, and future filmmaker John Schultz on drums. This initial four-person line-up was quickly supplemented by the addition of George Huntley on second guitar, keyboards, and vocals. Around the same time, former Johnny Quest drummer Peele Wimberley replaced Schultz, finalizing the classic line-up of the band.
[edit] Influences
From the beginning of the group, Mike Connell wrote both the music and the lyrics of the majority of the band’s songs, although he was not the band's primary lead singer. Connell’s influences included the 60s guitar pop of his childhood, including The Byrds and The Beatles (in an early interview, he stated that the first song he wrote as a teenager was titled “Psychedelic Butterfly”).
Connell and other members of the band were also influenced by then-contemporary British bands such as The Smiths and Echo and the Bunnymen. Another, more idiosyncratic, influence was the British progressive rock band Jethro Tull, whose song “Living in the Past” was covered by the Connells in 1995 as a b-side on the New Boy EP. Like Peter Buck of R.E.M. and Johnny Marr of The Smiths, Connell and Huntley played Rickenbacker guitars for the first several years of the band’s career, creating a jangly, folk-rock sound reminiscent of both The Byrds as well as of other Southern and North Carolina bands of the era such as the dBs and Let's Active.
Although the Connells were frequently dismissed as R.E.M. imitators, due to the Athens, Georgia band’s overwhelming popularity relative to that of all of their contemporaries, there were significant differences between the two bands. Connell and Huntley both played twelve-string Rickenbacker guitars, as opposed to the six-string models favored by R.E.M.’s Peter Buck, which producing an even janglier sound. Whereas Buck’s guitar style featured heavy use of arpeggios, Connell’s style was primarily based on strummed open chords in the keys of G and D, with a strong Celtic feel to songs such as “Scotty’s Lament” and “’74 – ’75.” Likewise, Connell’s lyrics were clearer and more direct than the often-unintelligible, stream-of-consciousness lyrics of Michael Stipe. The melancholy lyrics of early songs such as “Darker Days” drew comparisons to The Smiths, and an early feature on the band in the local Spectator music weekly dubbed them “Raleigh’s local depressants.”
[edit] History
An early version of “Darker Days,” recorded by the band’s initial four-piece lineup, appeared on the North Carolina indie compilation More Mondo in 1984. A re-recorded version of “Darker Days” provided the title track to the band’s debut album, which was produced by fellow North Carolinian Don Dixon and released in 1985 on Elvis Costello's Demon Records in the UK and the band’s own Black Park Records label in the U.S., with slightly different tracklistings for each country. In addition to the title track, one of the strongest songs on the album was “Hats Off,” an attack on then-President Ronald Reagan. After the release of the Darker Days album, the band re-recorded a more aggressive take of “Hats Off” for a 12” single, which was the second, and last, Connells release on Black Park Records until 2000. During this period, videos for the songs “Seven” and “Hats Off” were aired on MTV’s 120 Minutes.
After touring heavily behind Darker Days, the Connells re-entered the studio in 1986 with Dixon and R.E.M. producer Mitch Easter to record their second album, Boylan Heights, which was a great leap forward in every way from the debut. Although the decision to work with Easter continued to perpetuate the comparisons to R.E.M., Boylan Heights arguably surpasses R.E.M’s contemporary Reckoning and Easter’s own band's, Let's Active, Cypress, as the definitve American indie album of its era.
According to some music critics, Mike Connell’s songwriting reached a peak on Boylan Heights, as the songs from this album would provide most of the foundation for the band’s live show for the remainder of their career. The opener, “Scotty’s Lament” featured the most explicit Celtic influence in the band’s songbook, while the chorus lyric “I delight in my despair” satirized the band’s early image as doom and gloom merchants a la Morrissey and The Smiths. Although notable is that the lyrics for that song originally included the sardonic twist, "I delight in your despair."
Other songs from Boylan Heights illustrated strong songwriting such as “Choose a Side” which examined divorce from a conflicted child’s perspective. The second single -- and coincidentally a breakthrough video for the band -- “Over There” was another beautifully written and coded anti-Reagan, anti-war song: "Your game has a name, force and fury, fact and fiction, I'll decline when the sign says, over there."
Several tracks on Boylan Heights expanded the band’s musical palette, with “Choose a Side” incorporating 80s synths (played by Huntley) in a strong and subtle manner, and “Over There” featuring an ironic military trumpet counter-melody. “Try” and “Elegance” rocked harder than anything the band had recorded save “Hats Off,” and the closing ballad “I Suppose” was a haunting tribute to the Raleigh inner-city neighborhood of Boylan Heights. In this, and in many other songs of the era, Mike Connell’s lyrical persona is not dissimilar to that of the work of Southern author Walker Percy in his “Last Gentleman” – one who is bemused by the modern world’s encroachment on an older, idealized Southern world that was slowly vanishing during the Reagan 80s.
Although the band shopped Boylan Heights to various labels, the major record companies, including Columbia Records, which expressed some mild interest, passed on it, and the record was ultimately released in 1987 on mid-major TVT Records, which had made its name releasing a series of "Tee Vee Toons" television theme song compilation CDs. TVT Records would prove to be no commercial match for R.E.M.'s own mid-major label, I.R.S. Records, and over the next decade, The Connells would engage in a series of disputes with the label (on at least one occasion suing, unsuccessfully, to break their recording contract with TVT). These legal and promotion difficulties would hinder the ability of The Connells to reach a broader audience.
Despite the problems with TVT Records, Boylan Heights was a substantial college radio hit, and The Connells continued to tour relentlessly. During this period, both Connell and Huntley began to move away from their twelve-string Rickenbackers towards six-string Fender and Gibson guitars, leading to a heavier, less folky sound, although elements of the band's patented jangle were still audible on "Hey Wow," the lead single from Fun and Games, the 1989 follow-up to Boylan Heights. Other songs, such as "Something to Say" and "Upside Down" were heavier, featuring power chords, as well as the most self-lacerating lyrics to date from Connell. Fun and Games also saw Huntley's role as a songwriter grow; after contributing one song each to Darker Days and Boylan Heights, Huntley wrote or co-wrote four tracks on Fun and Games, with the anthemic "Sal" quickly becoming one of the most popular songs in the band's live set. In a relatively unusual move for the era, CD pressings of Fun and Games included a bonus track, "Fine Tuning," that was not available on vinyl pressings of the album.
Fun and Games was quickly followed in 1990 by One Simple Word, which was recorded in Wales with UK producer Hugh Jones. Jones had previously produced various British bands that the band had admired. Despite the high quality of the songs and improved playing by the band, notably on the Connell-MacMillan collaboration "Stone Cold Yesterday" and Connell's own "Get a Gun" which were both college radio hits with videos, the band struggled to reach a higher level of success. This album saw the band stretch their sound and playing further, as on Connell's debut as a lead vocalist, the plaintive ballad "Waiting My Turn," which featured a cor anglais, but also saw the reworking of two songs that dated back to the Darker Days era, "Too Gone" and "Take a Bow." Some critics have contended that the album/tour/album cycle was by this point outstripping Connell's ability to compose new material. This is why the increasing contribution of other songwriters in the band becomes important as lead vocalist, Doug MacMillan also contributed a song, "Another Souvenir," that he had written on his own.
[edit] European success
After a three-year recording hiatus, which included more legal jousting with TVT Records, a rejuvenated Connells released Ring in 1993, which was easily the band's strongest effort since Boylan Heights. The lead single, "Slackjawed," was another college radio hit in America, but the follow-up single, "'74-'75," another Celtic-influenced ballad, took off in Europe, and became a top-20 hit across the continent, leading to the band touring extensively in Europe and opening stadium shows for the likes of Def Leppard.
"'74-'75," won numerous European music awards in the mid-1990s, leading to greater financial and radio success than the band had known to that point. However, while European music fans made Ring a platinum record outside the United States, such high level success in America remained elusive.
Ring also marked the debut of David Connell stepping up as a songwriter by co-writing a song for the record, "Hey You." MacMillan also wrote additional songs for the record as well.
[edit] Post Ring
In a pattern all too familiar by this point, the follow-up to Ring, 1996's Weird Food and Devastation, failed to build on the momentum established by its predecessor. "Weird Food," as fans call it, was a much starker record than the much more melodic Ring. Weird Food and Devastation was produced by the band's long-time soundman, Tim Harper, most known for his production work for Whiskeytown. The title of the album reportedly alluded to the band's impressions of Europe during their seemingly endless tours there in support of "'74-'75," and Connell's songwriting took a quirkier turn, with the lyrics to "Adjective Song" beginning: "Bigger. Better. Smarter. Cleaner. Nicer. Younger. These are the words we use to describe." "Friendly Time" abandoned coded attacks on Ronald Reagan for coded attacks on rock critics of the day such as Robert Christgau and J.D. Considine. The lead single "Maybe" showed that Connell hadn't lost his ability to compose anthemic pop songs, but his remaining songs on the album were often odd and dissonant compared to his previous work, and he contributed only six out of the fourteen songs on the album, in what in hindsight was a perhaps misguided effort to establish a greater band democracy.
The band did record a Music Video for "Maybe" as a parody of the Burt Reynolds film Deliverance with video maker Norwood Cheek, as well as a video for "Fifth Fret".
In 1998 the band released Still Life, which marked the band's final album for TVT Records. Still Life marked a departure from the harder sound of Weird Food and Devastation with an overall softer feeling. Mike Connell's contributions to the record included a long standing song with the band that was originally known as "Brown," which was re-titled "Dull, Brown, and Grey." The album included contributions from Peele Wimberley "It's Gonna Take a Lie" and "Bruise."
The band marked the new millennium by coming full circle to their indie roots with the release of Old School Dropouts on the revived Black Park Records label in 2000. The band recorded the record themselves and promoted it sparingly in the American South.
[edit] Line up changes
Since then, Peele Wimberley and George Huntley have left the band. Peele briefly played with another band called Parklife, and then moved to Los Angeles to pursue interests in Hollywood and in electronic music. Wimberley is currently a member of the Los Angeles band, The Lamps. David, who lost his first wife to cancer, has a side interest in painting and art shows, and brother Mike is practicing law in Raleigh. George is now practicing real estate and working part time at the University of North Carolina music department. Peele Wimberley was replaced on drums by Steve Ritter; after several years Ritter was himself replaced by Chris Stevenson as the new drummer, and Mike Ayers took George's place on lead guitar. The new lineup recorded their latest album, "Old School Dropouts". They will release their 10th album in late 2006 or early 2007.
[edit] Current activities
The band is also in negotiations for a re-release of out-of-print albums, as well as a release of the band's first official compilation, which will likely come from Rykodisc or Rhino Records. Currently, due to family and career commitments, the band plays only a handful of shows each year, normally in the southern part of the United States, usually playing 1-hour plus sets at benefits concerts and music festivals.
[edit] Discography
- Hats Off [EP] (1985)
- Darker Days (1986)
- Boylan Heights (1987)
- Fun & Games (1989)
- One Simple Word (1990)
- Ring (1993)
- New Boy [EP] (1994)
- Weird Food & Devastation (1996)
- George Huntley solo record - Brain Junk (1996)
- Still Life (1998)
- Old School Dropouts (2000)
- Ring Re-Release (2006)
- Another Souvenir: The Connells Collection (Title tentative; release date TBD)
[edit] Music Videos
- Hats Off (1986; directed by Frank Thompson)
- Seven (1986; directed by Frank Thompson)
- Scotty's Lament (1988; directed by John Schultz)
- Over There (1988; directed by Peyton Reed)
- Something to Say (1989)
- Stone Cold Yesterday (1990; directed by Mark Pellington)
- Get a Gun (1990; directed by John Schultz)
- Slackjawed (1993; directed by Peyton Reed)
- '74 - '75 (1993; directed by Mark Pellington)
- New Boy (1993; directed by Peyton Reed)
- Maybe (1996; directed by Grady Cooper and Norwood Cheek)
- Fifth Fret (1996; directed by Phil Harder and Rick Fuller - Harder/Fuller Films, Inc.)
[edit] Side and solo projects
In 1996, George Huntley released a solo record of additional material that he had written over the years he spent with The Connells. Huntley called his record Brain Junk, referring to all of the musical ideas that reflected various ideas and experiences that the songs represented. The record was released on The Connells' record label -- TVT Records. Brain Junk featured Huntley's honesty and the trademark jangly guitar work which was evident on early Connells recordings.
However, this effort was quite different than Huntley's contributions to The Connells (such as "Sal," "Doin' You," and "Motel") and featured a much more stripped down effort as well as some songs which sound as if they could have come right off of a Connells release. Through this record Huntley was able to explore various styles that did not fit in with The Connells: singer-songwriter, folk, country, and Americana.
Fellow Connells bandmate Peele Wimberley played drums and percussion on several songs. In fact, the closing song on the album, "Catch Fire," was originally considered for an earlier Connells album. "Ever Want Me To" was the first single from the record and TVT Records had a video made of the song starring Huntley. The second single, "Catch Fire," was used in a Sandra Bullock and Dennis Leary film, "Two if by Sea."
Doug MacMillan has a side project in the band, "Mommy" which records lyrics and music written by MacMillan and his children. The most notable song is "Dumptruck" which has been played live by The Connells. Prior to that MacMillan was involved in a project called "The Clifmen." This group, comprised of musicians from various Raleigh, North Carolina independent bands, made one record.
David Connell is an active painter in the Raleigh, North Carolina art community. His works have been on display in art galleries in Raleigh, New York, and elsewhere.
Steve Potak has played keyboards with numerous Raleigh bands, most notably the band Stream.
[edit] Trivia
First band to headline a concert at Raleigh's Walnut Creek amphitheater.
When the band recorded Jethro Tull's "Living in the Past" Ian Anderson of Jethro Tull offered to play flute on the recording. The Connells declined his offer.
John Schultz's first film Bandwagon was based on experiences in the early days of The Connells career.
Recorded a cover version of Cypress Hill's "Insane in the Brain" for When Pigs Fly: Songs You Never Thought You'd Hear.
Doug MacMillan has acted in almost every John Schultz film. He played one of the main characters in Schult's first film Bandwagon where he was the zen-like band manager, Linus Tate. MacMillan has also performed in several other Schultz films: he had the role of the science teacher in Drive Me Crazy, briefly played a valet in Like Mike, and had a role as a Health Inspector in the recent remake of The Honeymooners.
