The Confessions of Nat Turner (1967)
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| Author | William Styron |
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| Country | United States |
| Language | English |
| Genre(s) | Novel |
| Publisher | Random House |
| Released | 1967 |
| Media Type | Print (Hardback & Paperback) |
| ISBN | ISBN 0679601015 (1st ed) |
| Preceded by | Set This House on Fire |
| Followed by | Sophie's Choice |
The Confessions of Nat Turner is a 1967 Pulitzer Prize-winning novel by U.S. writer William Styron. Presented as a first-person narrative by Nat Turner, the novel is a fictionalized account of a historical event, a slave revolt in Virginia in 1831.
[edit] Plot
The novel is based on an extant document, the "confession" of Turner to the white lawyer Thomas Gray. In the historical confessions, Turner claims to have been divinely inspired, charged with a mission from God to lead a slave uprising and destroy the white race.
Styron's ambitious novel attempts to recreate the character of Nat Turner from Gray's account and does not purport to describe accurately or authoritatively the events as they occurred. Indeed, most historians consider Gray's "confessions" to be largely fictitious. Styron takes further liberties with the historical Nat Turner, such as removing his wife from the story. The "Confessions" is largely sympathetic to Turner, if not to his actions.
[edit] Criticisms of the novel
Despite defenses by notable African-American authors Ralph Ellison and James Baldwin, the novel was strongly criticised by some black Americans for its treatment of Turner as a brooding and sexually disturbed figure. Turner and one of his supporters are shown fantasising about sexually assaulting white women. The "myth of the black rapist", painting black men as prone to sexual violence (particularly against white women), represented a longstanding racist stereotype that was sometimes used as an excuse for lynching black men. Consequently, this aspect of the book was understandably controversial.
Despite these criticisms, Styron's novel won critical acclaim for its beautiful (if tragic) writing. Perhaps its greatest accomplishment is its portrayal of the ways in which slavery corrupted and twisted ideals such as Christianity and innocence. It won the Pulitzer Prize for Fiction in 1968.
| Preceded by: The Fixer by Bernard Malamud |
Pulitzer Prize for Fiction 1968 |
Succeeded by: House Made of Dawn by N. Scott Momaday |
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