The City in the Sea
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The City in the Sea is a poem that was written by Edgar Allan Poe in 1831. The poem combines the feel of both Atlantis and R'lyeh.
[edit] Analysis
The city is one in the west ruled by death who is revered above all. This is another classic Poe poem in that it deals with death and presents it in a non-conventional way. It is seen as a god that rules over a glorious peaceful city in the west. That the city is in the west is ironic in itself fore the west has always been associated with good and life and the east with evil and death. At the end of the poem a or a wave moves the towers so that they create, Poe speaks in the last part of the poem of the end of days when The waves turning red is a sign of hells coming since red is the color of fire and hence the color of hell and the devil. ‘And when, amid no earthly moans, Down, down the town shall settle hence, Hell rising from a thousand thrones, shall do it reverence.’ The last lines of the poem speak of the devils gratitude to death in allowing him to come forth and rule over Earth.
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| Edgar Allan Poe |
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| Poems |
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1820's |
| Tales |
| Metzengerstein (1832) • The Duc De L'Omelette (1832) • A Tale of Jerusalem (1832) • Loss of Breath (1832) • Bon-Bon (1832) • MS. Found in a Bottle (1833) • The Assignation (1834) • Berenice (1835) • Morella (1835) • Lionizing (1835) • Hans Phaall (1835) • King Pest (1835) • Shadow - A Parable (1835) • Four Beasts in One - The Homo-Cameleopard (1836) • The Narrative of Arthur Gordon Pym of Nantucket (1837) • Mystification (1837) • Silence - A Fable (1837) • Ligeia (1838) • How to Write a Blackwood Article (1838) • A Predicament (1838) • The Devil in the Belfry (1839) • The Man That Was Used Up (1839) • The Fall of the House of Usher (1839) • William Wilson (1839) • The Conversation of Eiros and Charmion (1839) • Why the Little Frenchman Wears His Hand in a Sling (1840) • The Business Man (1840) • The Man of the Crowd (1840) • The Murders in the Rue Morgue (1841) • A Descent into the Maelstrom (1841) • The Island of the Fay (1841) • The Colloquy of Monos and Una (1841) • Never Bet the Devil Your Head (1841) • Eleonora (1841) • Three Sundays in a Week (1841) • The Oval Portrait (1842) • The Masque of the Red Death (1842) • The Landscape Garden (1842) • The Mystery of Marie Roget (1842) • The Pit and the Pendulum (1842) • The Tell-Tale Heart (1843) • The Gold-Bug (1843) • The Black Cat (1843) • Diddling (1843) • Morning on the Wissahiccon (1844) • The Spectacles (1844) • A Tale of the Ragged Mountains (1844) • The Balloon-Hoax (1844) • The Premature Burial (1844) • Mesmeric Revelation (1844) • The Oblong Box (1844) • The Angel of the Odd (1844) • Thou Art the Man (1844) • The Literary Life of Thingum Bob, Esq. (1844) • The Purloined Letter (1845) • The Thousand-and-Second Tale of Scheherazade (1845) • Some Words with a Mummy (1845) • The Power of Words (1845) • The Imp of the Perverse (1845) • The System of Dr. Tar and Prof. Fether (1845) • The Facts in the Case of M. Valdemar (1845) • The Sphinx (1846) • The Cask of Amontillado (1846) • The Domain of Arnheim (1847) • Mellonta Tauta (1849) • Hop-Frog (1849) • Von Kempelen and His Discovery (1849) • X-ing a Paragrab (1849) • Landor's Cottage (1849) |
