The Blue Kite
From Wikipedia, the free encyclopedia
| The Blue Kite | |
|---|---|
 Movie Poster for The Blue Kite |
|
| Directed by | Tian Zhuangzhuang |
| Produced by | Beijing Film Studio |
| Written by | Mao Xiao |
| Starring | Lu Liping Pu Quanxin Chen Xiaoman Li Xuejian Guo Baochang |
| Music by | Yoshihide Otomo |
| Cinematography | Hou Yong |
| Editing by | Qian Lengleng |
| Distributed by | Kino International |
| Release date(s) | 1993 |
| Running time | 140 minutes |
| Country | People's Republic of China |
| Language | Mandarin |
| All Movie Guide profile | |
| IMDb profile | |
The Blue Kite (藍風箏 Lan feng zheng) was a film directed by Tian Zhuangzhuang in 1993. Though banned by the Chinese government upon its completion (along with a six year ban on filmmaking imposed on Tian), the film soon found a receptive international audience. Along with Chen Kaige's Farewell, My Concubine, The Blue Kite serves as one of the quintessential examples of China's Fifth Generation filmmaking, and in particular reveals the impact the Cultural Revolution had upon directors who grew up in the 1950s and 1960s.
The film won the the Grand Prix at the Tokyo International Film Festival, and Best Film at the Hawaii International Film Festival, both in 1993.
Contents |
[edit] Synopsis
The story is told from the perspective of a young boy (Tietou) growing up in the 1950s and 1960s in Beijing. Three episodes - Rectification Movement, the Great Leap Forward and the Cultural Revolution - show the family members evolving, e.g. from the real father, the "loving patriarch," to the protective but unemotional stepfather.
[edit] Characters
[edit] Father
The first episode begins with a wedding between the Lin Shaolong and Chen Shujuan in the early 1950s, shortly after the Communist victory. The wedding draws the whole neighborhood, a happy moment that will soon serve as a stark contrast with the years to come. The house and courtyard are shown in a warm bright light as children play happily together.
The couple soon give birth to a son, Tietou, meaning "iron head." In these early years Tietou's father creates for him a blue kite, a symbol that will remain throughout the film as a sign of better days. The father meanwhile, who works in a library has joined some of his friends in submitting "advice" to the Party as per the Hundred Flowers Campaign. This soon returns to haunt him as the Hundred Flowers movement is followed by the Anti-Rightist Movement. In one of the film's most chilling scenes, the father's workplace has convened a meeting on the issue of who they will have to report to the Communist Party as a "rightist" in order to meet Mao's quota. The father quickly leaves for the bathroom. When he returns, all eyes are on him, it is clear who his colleagues have selected. Realizing his terrible mistake of leaving, the father briefly mistreats his son. Tietou now a small boy, is still bitter when his father is sent to a work camp. The chapter ends when Tietou's mother receives a letter; his father has been killed by a falling tree.
[edit] Uncle
A group picture illustrates the wedding, the men wearing blue work uniforms. The courtyard and house are shown in cold blue. Uncle Li cares about the boy's material needs and desires (Firecracker). Li wants to become a party member, and is working feverishly at his job, even though he has some health problems - malnutrition during the Great Leap Forward, eventually causing his death.
[edit] Stepfather
No wedding ceremony, no feelings shown at all. This marriage is just to save the mother and son from poverty, and to give them protection. They move in with the stepfather (Lao Wu). The house is so big that everyone has his own room, no family life at all. However, the character, a prominent party member about to be disgraced, worries about saving his wife and stepson and does what he can to provide a safe life for them before it is too late. He is dragged away by Red Guards. At the end the boy is lying on the ground and looks up to see the broken kite hanging in the tree.
[edit] Theme
None of the fathers is against the party, but each fails to provide a happy life for his family. Many symbols are used to show that the party is usurping the father, the mother and the family itself. The more the party takes control, the less emotions are shown and the more depressed the characters are.
[edit] External links
- Internet Movie Database: Lan feng zheng (The Blue Kite)
- Essay on The Blue Kite and the Cultural Revolution
 |
This drama film-related article is a stub. You can help Wikipedia by expanding it. |
