Talk:The Voyage of the Dawn Treader

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Contents

[edit] Discussion

"There are also symbolic references to Holy Communion (pictured as a feast hosted by a living star) and other Christian themes, but chiefly it works on the level of an exciting children's adventure story, and a re-working on the themes of the great sea-voyages of classical mythology, particularly the story of Jason and the Argonautica."

Could someone write a bit more about the "other Christian themes" alluded to in the passage above?

Well, I'm not certain I understand exactly what you mean. The last part of it should really be a different sentence, and I did just now break it apart. I haven't read the book in over a year, and I don't have it before me, so the following is from memory. A very long table was set out, each plate full of food, each cup full of wine. Whatever remained uneated at dawn (or perhaps dusk) was eaten by a flock of birds that flew in (as memory serves, from the west) and ate all the food so that nothing was left behind, and then flew away (in the same direction, so as memory serves, to the east). And just now, I understand what you mean by your question.
Other Christian themes: Well, the "other Christian themes" doesn't refer to the table, that I can tell, other than all that goes with the Holy Communion. And as well, all by memory, I can't think of any other specific Christian themes, but I do remember that there were some. Sorry I can't help you with that. You just have to read the book. :-) It is the most adventuresome and is very exciting. I read it for the first time when I was 22 or 23, and I enjoyed it immensely. Sorry I can't help you more than that. --D. F. Schmidt (talk) 18:04, 30 July 2005 (UTC)
Couldn't this be an example of an immram? The title of the novel follows that typical pattern "Voyage of..." and immrams are intrinsically Christian. IrisWings 05:48, 20 October 2006 (UTC)

Personally I think the use of John 3:16 should either not be linked or replaced by the word "thesis" only because it creates some confusion in its usage. DeathscytheH64 04:33, 13 December 2005 (UTC)

[edit] Time

I deleted "The year is 1942." from the synopsis. Lewis is inconsistent: In Chapter 1, he says the events of LWW were "long ago, in the war years". In Chapter 2, Edmund says one year has passed since the events of Prince Caspian. Arrgh. —wwoods 05:11, 29 April 2006 (UTC)

[edit] Alternate markup for the edition comparison table

British Edition Pre-1994 American Edition
¶¶1-2 In a few moments [...] warm, blue world again. And all at once everybody realized that there was nothing to be afraid of and never had been. They blinked their eyes and looked about them. The brightness of [...] grime and sum. And then first one, and then another, began laughing.

‘I reckon we’ve made pretty good fools of ourselves,’ said Rynelf.

¶1 In a few moments [...] warm, blue world again. And just as there are moments when simply to lie in bed and see the daylight pouring through your window and to hear the cheerful voice of an early postman or milkman down below and to realise that it was only a dream: it wasn’t real, is so heavenly that it was very nearly worth having the nightmare in order to have the joy of waking; so they all felt when they came out of the dark. The brightness of [...] grime and scum.
¶¶3–6 Lucy lost no time [...] Grant me a boon.’ ¶¶2–5 Lucy lost no time [...] Grant me a boon.”
¶7 ‘What is it?’ asked Caspian. ¶6 “What is it?” asked Caspian.
¶8 ‘Never to bring me back there,’ he said. He pointed astern. They all looked. But they saw only bright blue sea and bright blue sky. The Dark Island and the darkness had vanished for ever. ¶7 “Never to ask me, nor to let any other ask me, what I have seen during my years on the Dark Island.”
¶¶9–10 ‘Why!’ cried Lord Rhoop. ‘You have destroyed it!’ ‘I don’t think it was us,’ said Lucy. ¶8 “An easy boon, my Lord,” answered Caspian, and added with a shudder. “Ask you: I should think not. I would give all my treasure not to hear it.”
¶11–12 ‘Sire,’ said Drinian, [...] the clock round myself’ ¶¶9–10 “Sire,” said Drinian, [...] the clock round myself.”
¶13 So all afternoon with great joy they said south-east with a fair wind. But nobody noticed when the albatross had disappeared. ¶11 So all afternoon with great joy they sailed south-east with a fair wind, and the hump of darkness grew smaller and smaller astern. But nobody noticed when the albatross had disappeared.

—The preceding unsigned comment was added by Lsommerer (talkcontribs).

I like it. Much clearer. I added one teensy paragraph marking for 3-6 in the left column. --Fbv65edel / ☑t / ☛c || 02:52, 28 July 2006 (UTC)

Huh, I did this one first and didn't like it as much. But I put it here because I wasn't sure about not liking it as much. I just now edited it so that the paragraphs line up better. Looking at it now, I think you're right. I'll wait to see if there's more feedback then change it.LloydSommerer 03:10, 28 July 2006 (UTC)

Putting other version here just in case we want it later... LloydSommerer 13:19, 30 July 2006 (UTC)

British Edition Pre-1994 American Edition
In a few moments [...] warm, blue world again. And all at once everybody realized that there was nothing to be afraid of and never had been. They blinked their eyes and looked about them. The brightness of [...] grime and sum. And then first one, and then another, began laughing.

“I reckon we’ve made pretty good fools of ourselves,” said Rynelf.

Lucy lost no time [...] Grant me a boon.”

“What is it?” asked Caspian.

“Never to bring me back there,” he said. He pointed astern. They all looked. But they saw only bright blue sea and bright blue sky. The Dark Island and the darkness had vanished for ever.

“Why!” cried Lord Rhoop. “You have destroyed it!”

“I don’t think it was us,” said Lucy.

“Sire,” said Drinian, [...] the clock round myself.”

So all afternoon with great joy they sailed south-east with a fair wind, and the hump of darkness grew smaller and smaller astern. But nobody noticed when the albatross had disappeared.

In a few moments [...] warm, blue world again. And just as there are moments when simply to lie in bed and see the daylight pouring through your window and to hear the cheerful voice of an early postman or milkman down below and to realise that it was only a dream: it wasn’t real, is so heavenly that it was very nearly worth having the nightmare in order to have the joy of waking; so they all felt when they came out of the dark. The brightness of [...] grime and scum.

Lucy lost no time [...] Grant me a boon.”

“What is it?” asked Caspian.

“Never to ask me, nor to let any other ask me, what I have seen during my years on the Dark Island.”

“An easy boon, my Lord,” answered Caspian, and added with a shudder. “Ask you: I should think not. I would give all my treasure not to hear it.”

“Sire,” said Drinian, [...] the clock round myself”

So all afternoon with great joy they said south-east with a fair wind. But nobody noticed when the albatross had disappeared.


Can someone clarify the significance of these differences. In all but a couple of cases, the difference is simply the replacing of double-quotes with single-quotes... is that correct? Is such a differece worth mentioning at such length? Why not a description of the substantive difference, plus a note that the American version uses single-quotes to denote speech? WI think that that miught be less confusing. Leeborkman 12:55, 24 September 2006 (UTC)

[edit] Italics in title

The article currently states:

By English grammatical rules, both book titles and ship names are italicized when written. Since "Dawn Treader" is part of both, it is put in Roman text to signify this.

In agreement with this, I reverted an edit to The Chronicles of Narnia the other day that extended the italics to the full title. This was then changed back to a fully italicised title, but with quotes around 'Dawn Treader'; the edit comment (from Myopic Bookworm) stated, "you can't deitalicize if there's then no distinction from the context". It's a fair point, but we really ought to be consistent on how we present the title. Ideas? -- Perey 08:37, 15 September 2006 (UTC)

This is not a grammatical rule, and the statement is therefore incorrect (though I have not yet altered it, pending discussion here). It is a useful but optional convention of typography. Even the cover image in this article illustrates the point that it is optional. If the book title is marked off by quotation marks as ‘The Voyage of the Dawn Treader’ then it is possible to use the italic convention for the ship's name; but Wikipedia style (and common practice) is to italicize book titles, and reverse typeface is then not a practical option, since The Voyage of the Dawn Treader runs into the following text. (You can get away with it at the head of this article because the book title is also in bold face as the subject of the article.) If you insist that the name of the ship must be distinct in some way (which is by no means obligatory), then the best option, in my opinion, is to retain the italic convention for the book title, and to use the alternative quotation mark convention for the ship's name: The Voyage of the ‘Dawn Treader’. And this really is far too trivial a matter to be placed in the head of this article: if it's worth mentioning at all, it should be in a note tucked away nearer the bottom. Myopic Bookworm 11:37, 15 September 2006 (UTC)
Sorry, that was I who put the note at the top of the page, because I also reverted an edit on The Chronicles of Narnia, like Perey. If we do decide to keep it, I agree it should be moved to the bottom. However, I don't believe you can rely on the cover art for technical rules (this particular cover has italicized "of the," solely because they are minor words which they decided to make a bit more fancy, while "Voyage" is definitely not in italics). I'm looking at the HarperTrophy edition of the book, which differs from the current one we have, because it clearly has set Dawn Treader in italics. Throughout the book, Dawn Treader is italicized as well. I don't believe that it matters whether the Roman text of the book title collides with the remaining text on the page, it is technically correct. Also, according to the MOS, ships and books are to be italicized. --Fbv65edel / ☑t / ☛c || 14:58, 15 September 2006 (UTC)
Ahhh, I just went and italicised "the Dawn Treader" (making it the same font as "The Voyage of" on the Susan page, because when double-italicised, it is in the same font as the surrounding text. This formatting suggests that "the Dawn Treader" is neither part of the title nor a ship's name, so the effect is counter-productive. Let rules serve the meaning, not obscure it. btw, I'll change it back if you like ;-) Leeborkman 12:52, 24 September 2006 (UTC)
In the interests of clarity, if The Voyage of the Dawn Treader appears in a sentence which doesn't indicate where the title ends, then italicizing the whole thing is the way to go. But if the title is set off, e.g. by bolding or a wikilink, then the partial italicization is a nice touch, IMO. And often it's easy to rephrase a sentence, e.g. by putting the title at the end, or adding the publication date: The Voyage of the Dawn Treader (1952) to the same effect.

[edit] Dragon

The part about Eustace being turned into a dragon should probably be in the plot summary. I haven't read the book in a while so I'll let someone else handle it.--roger6106 22:51, 5 October 2006 (UTC)

[edit] Chapters

I think the chapter listings for the Chronicles of Narnia books should be removed. I started a discussion at Talk:The Lion, the Witch and the Wardrobe#Chapters--roger6106 03:49, 6 October 2006 (UTC)