Superstar (Delaney and Bonnie song)
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"Superstar" is a 1969 song written by Leon Russell and Bonnie Bramlett, that has been a hit for many artists in different genres and interpretations in the years since; the most known version is by The Carpenters in 1971.
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[edit] Original Delaney and Bonnie version
Accounts of the song's origin vary somewhat, but it grew out of the late 1969/early 1970 nexus of English and American musicians known as Delaney, Bonnie & Friends, that involved Delaney and Bonnie Bramlett, Leon Russell, Eric Clapton, and various others. The song's working title during portions of its development was "Groupie Song".
In its first recorded incarnation, the song was called "Groupie (Superstar)", and was recorded and released as a B-side to the Delaney & Bonnie single "Comin' Home" in December 1969. Released by Atlantic Records, the full credit on the single was to Delaney & Bonnie and Friends Featuring Eric Clapton.
Sung by Bonnie, the arrangement featured slow guitar and bass parts building up to an almost gospelish chorus using horns.
The song was about, as the title suggests, a groupie who holds a strong love for a rock star after a short sexual involvement. He has moved on to the next town, and despite his promises to see her again she can now only hear him on the radio. She is just left with the pure hopeless yearning of the chorus:
- Don't you remember! You told me you loved me, baby
- You said you'd be coming back this way again, baby
- Baby, baby, baby, baby, oh, baby, I love you! I really do ...
Delaney & Bonnie were not yet well known at the time, and "Comin' Home" only reached number 84 on the U.S. pop singles chart, although it achieved a peak of sixteen on the UK Singles Chart.
[edit] Mad Dogs and Englishmen version
During the first half of 1970, Joe Cocker's legendary Mad Dogs and Englishmen Revue toured in the United States. Rita Coolidge was a backup singer on this tour, and song co-writer Leon Russell was the bandleader. Some accounts have Coolidge suggesting or inspiring the song's creation in the first place, and working with Bonnie Bramlett on her portion of the writing. In any case, Coolidge was given a featured vocal on the song during the tour, with Russell's piano driving the arrangement.
In August 1970, the live album Mad Dogs and Englishmen was released, using performances recorded in March and June of that year. Now under the name "Superstar", the song appeared on it. The album became a huge hit, reaching number 2 on the Billboard pop albums chart and number 23 on the Billboard Black Albums chart. So it was on this album that people started becoming aware of the song. The performance helped vault Coolidge to greater visibility, especially when it was also included in the 1971 Mad Dogs and Englishmen film of the revue.
[edit] Bette Midler version
The unknown but very lively singer Bette Midler began making regular appearances on The Tonight Show starring Johnny Carson in August 1970. During one such appearance, she sang "Superstar".
Later, once The Carpenters' version had become a hit, she sang it again on The Tonight Show in October 1971. Her recording of it then appeared on her 1972 debut album The Divine Miss M.
[edit] Other early versions
Around September 1970, Cher recorded "Superstar" as her last single for Atco Records. Released in October or November of 1970, and in the gap between Sonny and Cher's heyday and the start of Cher's solo successes, it did not chart. After the song became better known, a concert performance of it was included in the 1973 Sonny & Cher In Las Vegas, Volume 2.
Next up was Australian singer Colleen Hewett's recording of "Superstar", which was released by May 1971 and became a moderate hit in Australia.
[edit] The Carpenters version
"Superstar" became its biggest hit version for The Carpenters. Richard Carpenter was unaware of the Bramlett or Mad Dogs originals, but as he later wrote in a compilation album's liner notes: "I came home from the studio one night and heard a then relatively unknown Bette Midler performing this song on the Tonight Show. I could barely wait to arrange and record it. (It remains one of my favorites)."
Carpenter's arrangement featured Karen Carpenter's clear contralto voice set against a quiet bass line in the verses, which then built up to up-tempo choruses with a quasi-orchestral use of horns and strings. Produced by Richard with Jack Daugherty, it was recorded with members of the famed Los Angeles session musicians The Wrecking Crew. It is said that Karen Carpenter recorded her vocal in just one take, using lyrics scribbled on a napkin. Since the song's subject was more risqué than usual for the clean-cut image of The Carpenters, Richard changed a lyric in the second verse from And I can hardly wait / To sleep with you again, to the far less explicit ... To be with you again.
The duo's rendition was included on their May 1971 album Carpenters, and then released as a single in September 1971. It rose to number 2 on the Billboard Hot 100 pop singles chart that autumn and earned gold record status. It also reached number 18 on the UK pop singles chart and did well in Australia and New Zealand as well.
Richard Carpenter would be nominated for a Grammy Award for Best Arrangement Accompanying Vocalist for his efforts. "Superstar" would go on to appear on two mid-1970s Carpenters live albums as well as innumerable compilation albums.
Opinion is divided as to whether The Carpenters' treatment of the song lost the meaning of the original, or subversively kept that meaning under the cover of their image, or found a more broader meaning that established the song as a standard for years to come, or some combination of these.
[edit] Back to Bonnie
The original Delaney and Bonnie version would finally surface on an album in 1972 when The Best of Delaney & Bonnie was released, around the time that their marriage and collaboration ended. It also was included as a bonus track on a 2006 reissue of the 1970 album Eric Clapton.
Bonnie Bramlett would later re-record the song on her 2002 solo album I'm Still the Same. Now using just the "Superstar" title, she did it as a very slow, piano-based torch song.
[edit] Luther Vandross version
In the early 1980s American R&B singer Luther Vandross had "Superstar" in his stage act, sometimes in a rendition that stretched out at nearly six minutes, with vocal interpolations, an interpretive dancer, and plenty of swaying and swooning females in the audience.
Vandross then recorded "Superstar" in 1983 in a slower, more soulful fashion, as part of a medley with "Until You Come Back to Me (That's What I'm Gonna Do)" on his album Busy Body. Released as a single the following year, it became an R&B hit, reaching number 5 on the Billboard Top R&B Singles chart. It did not have much pop crossover effect, however, only reaching number 87 on the Billboard Hot 100.
This was the first prominent version by a male singer, and by now the original "groupie" association was far gone. Instead, the song was presented as a tale of universal longing.
[edit] Ruben Studdard version
Second-season American Idol contestant Ruben Studdard found his melismatic, R&B groove early in the Final 12 rounds when he performed a Vandross-influenced "Superstar". It got rave reviews from the judges and established Studdard as one of the early leaders in the competition, a position he held until winning the title in May 2003 in a close battle against Clay Aiken.
By now his signature song, Studdard recorded "Superstar" as the B-side of his June 2003 first single, "Flying Without Wings". Studdard would earn a Grammy Award nomination for Best Male R&B Vocal Performance for "Superstar", but lose out to his idol Vandross. Studdard's treatment was also included on his December 2003 debut album Soulful.
[edit] Other later versions
In addition to those mentioned earlier, "Superstar" has been recorded by:
- Distortion masters Sonic Youth, who always had a Carpenters fixation, on the 1994 tribute album If I Were a Carpenter
- English trance singer Jan Johnston in the early 2000s
- Punk cover specialists Me First and the Gimme Gimmes, in 2004
- Usher's homage to the now-late Vandross' version, on the 2005 So Amazing: An All-Star Tribute to Luther Vandross album, for which he received a Grammy nomination for Best Male R&B Vocal Performance
- various other contestants on 2000s singing contest shows such as New Zealand Idol, Philippine Idol, and The X Factor; the song's licensing is clearly favorable, and the chance for singers to emote on the chorus seems irresistable.
[edit] Confused with ...
Because the song's title does not appear in its lyric, people sometimes do not associate the two, and get confused. The song's first line, Long ago and oh so far away, lends itself to a mixup with two other songs of the same era, James Taylor's "Long Ago and Far Away" (from his 1971 album Mud Slide Slim and the Blue Horizon) and Carole King's "So Far Away" (from her 1971 album Tapestry). In the opposite direction, the title is sometimes confused with "Superstar", an unrelated song from the late 1970 rock opera Jesus Christ Superstar.
