Stradivarius
From Wikipedia, the free encyclopedia
Stradivari is the surname of one of the most famous violin-making families in history.
The founder, Antonio Stradivari, was born in Italy in 1644. Antonio Stradivari may have been a disciple of Nicolo Amati, of the Amati family of violin-makers of Cremona. Antonio Stradivari set up business for himself in 1680, though his early violins are generally considered inferior to those made between 1698 and 1720. While many of his techniques are still not fully understood by modern science, it is known for sure that the wood used included spruce for the harmonic top and internal parts and maple for the back, strip and neck, and that the wood was treated with several types of minerals, including potassium borate (borax), sodium and potassium silicate, and bianca (a varnish composed of Arabic gum, honey and egg white).
A Stradivarius (or "Strad") is a stringed instrument built by members of the Stradivari family, especially by Antonio Stradivari.
The playable instruments are highly prized by world-class musicians and others who can afford them. Their individual qualities are considered worth distinguishing, and a Strad is often identified by the name of someone (often a famous musician) who formerly owned it or regularly performed on it.
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[edit] Instrument quality
A Stradivarius made in the 1680s or during Stradivari's Brescian period (1690-1700) could be worth several hundred thousand dollars or more at today's prices in auction. If it was made during Stradivari's "golden period" (1700 to 1720), depending on condition, the instrument can be worth several million. They rarely come up for sale and the highest price paid for a Stradivarius (or any musical instrument) at public auction was 'The Christian Hammer', made in 1707, which sold for US $3,544,000 on May 16, 2006. Private sales of Stradivari instruments have exceeded this price.[1] [2] The world's only complete set of Stradivarius instruments (string quintet) belongs to the Spanish Government and consists of two violins, two cellos, and a viola. They are exhibited in the Music Museum at the Royal Palace (Palacio Real) of Madrid. Another important collection is the collection of the Royal Academy of Music (York Gate Collections) in London.
Many people find violins labeled or branded as "Stradivarius," and believe them to be genuine. It is believed that there are fewer than 700 genuine Strads left in existence, very few of which are unaccounted for.
The fame of Stradivari's violins is not a modern phenomenon: the fictional detective Sherlock Holmes is supposed to have owned one; another famous story is about a Stradivarius Cello, known as the "Duport" which has the spur marks of Emperor Napoleon, who scratched the cello when he tried to play it. They also played an important role in the James Bond film The Living Daylights.
One aspect of Stradivari's approach, if the BBC TV series Lovejoy was as thoroughly researched as it is polished, is illustrated in the episode Second Fiddle, first broadcast in 1993, in which an instrument forger is engaged to camouflage a Stradivarius as a lesser instrument. As the options for just how to achieve this end are discussed it is noted that one would expect the 'f'-holes in the front of a violin to be symmetrical yet, in Stradivaria, they are often slightly offset. This is put down to him being less of a perfectionist than tradition would credit but, if true, may express a preference for an aural aesthetic over a visual.
The reputation of the Stradivarius is such that its name is frequently invoked as a standard of excellence in other unrelated fields (such as ships and cars); for example, the Bath Iron Works' unofficial motto is "A Bath boat is the Stradivarius of destroyers!".
[edit] Theories and reproduction attempts
These instruments are famous for the quality of their sound. There have been many failed attempts to explain and reproduce the sound quality, including these:
- That Stradivari used wood from an old cathedral to build his instruments, but tree-ring dating has shown this to be false.
- That the density of the wood grown during the little ice age and used to build the instruments is responsible. The theory is that this wood is denser and thus more ideal for making violins; this is because trees grow slower in colder climates and produce thinner or tighter rings. [3] [4] This has also called into question by simply examining Stradivari's instruments and noticing that many of them had very thick rings in the wood. [citation needed]
- That the glue Stradivari used had a great effect on the sound.
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- Modern research tools have not solved the mystery, but devices such as the scanning laser vibrometer are aiding researchers in testing the theory that the careful shaping of belly and back plate, in order to "tune" their resonant frequencies, may be an important factor.
- It was reported in late March 2001 that Joseph Nagyvary, a biochemist at Texas A&M University, succeeded in making a violin somewhere near the quality of a Stradivarius using these two processes:
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- Leave the wood in sea water for a while. Due to lack of land space in Venice, in former times imported wood was often stored in water in the Venice Lagoon, where a type of rotting affected it slightly. He managed to get hold of some wood shavings from a Stradivarius violin, and under a microscope he found that in that wood the natural filter plates in the pores between the tracheids had disappeared.
- Treat the wood with borax.
- See this news link.
[edit] Named Strads and their Namesakes
[edit] Violins
- A.J. Fletcher Stradivarius 1728 - on long-term loan to Nicholas Kitchen of the Borromeo String Quartet by the A.J. Fletcher Foundation of Raleigh, NC; the instrument was made by Omobono Stradivarius.
- Aranyi 1667 - named for collector Francis Aranyi; sold Sotheby's London, 12 November 1986.[5]
- ex Captain Saville 1667 - belonged to Jean Baptiste Vuillaume (Paris), before it was owned by Capt. Saville (1901-07);
- Amatese 1668 - Though listed in many reference books as one of Stradivari's earliest instruments, the modern consensus is that it is not by Stradivari; it was sold Sotheby's New York 3 February 1982 as "an interesting violin". [6]
- Oistrakh 1671 - David Oistrakh. Stolen in 1996, it is still missing. [7]
- Spanish 1677
- Paganini-Desaint (Paganini Quartet) 1680 - currently owned by the Nippon Music Foundation, on extended loan to Kikuei Ikeda of the Tokyo String Quartet
- Fleming 1681 - currently owned by the Stradivari Society, on extended loan to Cecily Ward [8]
- Bucher 1683
- Cipriani Potter 1683
- Cobbett ex Holloway 1683
- ex Arma Senkrah 1685
- ex Castelbarco 1685
- "Mercur-Avery" 1687 - since 2002 played by Jonathan Carney, concertmaster of the Baltimore Symphony Orchestra.
- Auer 1689 - currently owned by the Stradivari Society, on extended loan to Vadim Gluzman [8]
- Arditi 1689
- Baumgartner 1689 - currently loaned to Alaxandre Da Costa courtesy of The Canada Council for the Arts
- Bingham 1690
- Bennet 1692
- Falmouth 1692 - currently played by Leonidas Kavakos
- Baillot-Pommerau 1694
- Fetzer 1694 - currently owned by the Stradivari Society, on extended loan to Ruggero Allifranchini. [8]
- Cabriac 1698
- ex Baron Knoop 1698
- Joachim 1698 Currently owned by the Royal Academy of Music
- The Lady Tennant 1699 Sold for over $2m in April 2005. [9] Currently played by Yang Liu.
- Longuet 1699
- Countess Polignac 1699 - Currently played by Gil Shaham.
- Castelbarco 1699
- Cristiani 1700
- Dragonetti 1700 - currently owned by the Nippon Music Foundation
- Taft ex Emil Heermann 1700 currently played by Jessica Linnebach
- Dushkin 1701 - currently owned by the Stradivari Society, on extended loan to Frank Almond. [8]
- The Irish 1702 - currently owned by the Finnish OKO Bank, currently on loan to Réka Szilvay.
- Conte di Fontana 1702 - David Oistrakh's first violin. Currently owned by Massimo Quarta.
- King Maximilian Joseph c. 1702 - currently owned by the Stradivari Society, on extended loan to Berent Korfker.Extended load from the Stradivari society to
- Lord Newlands 1702 - currently owned by the Nippon Music Foundation. On loan to Toru Yasunaga.
- Lyall 1702 - currently owned by the Stradivari Society, on extended loan to Stefan Milenkovich [1]
- La Rouse Boughton 1703 – currently owned by the Austrian National Bank, on loan to Boris Kuschnir of the Kopelman Quartet
- Allegretti 1703
- Alsager 1703
- Emiliani 1703 - currently owned by Anne-Sophie Mutter
- Betts 1704 - part of the collection of the Library of Congress
- ex Brüstlein 1707 – currently owned by the Austrian National Bank [10]
- La Cathédrale 1707 - currently owned by the Stradivari Society, on extended loan to Tamaki Kawakubo. [8]
- Hammer 1707 - owned in the nineteenth century by the Swedish collector Christian Hammer; taken to the US in 1911 and passed through several collections; bought anonymously from an estate in 1992 and on extended loan to Kyoko Takezawa; sold at Christie's New York 16 May 2006 for a world-record US$3,544,000 (€2,765,080), after five minutes of bidding. At $3.54 million the auction room broke spontaneously into applause; it was hinted at the time of sale that The Hammer would continue to be heard in public concerts. [1][2]
- Burstein, Bagshawe 1708 - currently owned by the Stradivari Society, on extended loan to Janice Martin. [8]
- Duc de Camposelice 1708
- Huggins 1708 - currently owned by the Nippon Music Foundation; on loan to Sergey Khachatryan.
- Ruby 1708 - currently owned by the Stradivari Society, occasionally used by Leila Josefowicz and currently played by Vadim Repin [8]
- Berlin Hochschule 1709
- Engleman 1709 - currently owned by the Nippon Music Foundation; on loan to Lisa Batiashvili
- Ernst 1709
- Viotti 1709 Currently owned by the Royal Academy of Music
- Marie Hall 1709 Currently owned by The Chi-Mei Collection]
- Ex-Adler 1709
- Camposelice 1710 - currently owned by the Nippon Music Foundation. On loan to Kyoko Takezawa.
- Lord Dunn-Raven 1710 - currently owned by Anne-Sophie Mutter
- ex Roederer 1710 - currently played by David Grimal
- ex Vieuxtemps 1710 - currently played by Samuel Magad, Concertmaster, Chicago Symphony Orchestra
- Liegnitz 1711
- Boissier 1713
- Gibson ex Huberman 1713 - currently owned and played by classical violinist Joshua Bell and whose sound can be heard in two recordings, "Romance of the Violin" and "Tchaikovsky" violin concertos both on the Sony Classical label.
- Cremonese ex Joachim 1714 currently owned by the Royal Academy of Music
- Dolphin 1714 - currently owned by the Nippon Music Foundation; formerly owned by Jascha Heifetz; on loan to Akiko Suwanai
- Soil 1714 - currently owned by Itzhak Perlman
- ex Berou ex Thibaud 1714
- Le Maurien 1714 - Stolen in 2002, it is still missing. [7]
- Leonora Jackson 1714
- Lipinski 1715 - Missing since 1962.
- Titian 1715
- Alard 1715
- ex Bazzini 1715
- Cessole 1715
- Joachim 1715 - currently owned by the Nippon Music Foundation. On loan to Sayaka Shoji.
- ex Marsick 1715 - currently played by James Ehnes
- Berthier 1716
- Booth 1716 - currently owned by the Nippon Music Foundation, formerly played by Julia Fischer and currently on loan to Shunsuke Sato.
- Colossus 1716 - Stolen in 1998, it is still missing. [7]
- Monasterio 1719
- Provigny 1716
- Messiah 1716
- Windsor-Weinstein 1716 - on loan to Jean-Sébastien Roy, courtesy of the Canada Council for the Arts Musical Instrument Bank
- ex Wieniawski 1717
- Gariel 1717
- Sasserno 1717 - currently owned by the Nippon Music Foundation; on loan to Viviane Hagner
- Firebird ex Saint-Exupéry 1718 - currently owned by Salvatore Accardo
- Madrileño 1720
- ex Beckerath 1720
- Red Mendelssohn 1720 - currently played by Elizabeth Pitcairn and inspired the Red Violin movie.
- Lady Blunt 1721 - Originally owned by Antonio's son, Paolo. Later acquired by Lady Anne Blunt, daughter of Ada Lovelace and granddaughter of Lord Byron.
- Artot 1722
- Cádiz 1722 - named after the Spanish city where it resided for eighty years, until in 1946 when acquired by American violinist Joseph Fuchs. Currently owned by a private American Foundation on loan to Jennifer Frautschi.
- Jupiter 1722 - currently owned by the Nippon Music Foundation, formerly used by Midori Goto. On loan to Daishin Kashimoto.
- Laub-Petschnikoff 1722
- Jules Falk 1723 - currently owned by Viktoria Mullova
- Kiesewetter 1723 - currently owned by the Stradivari Society, currently on loan to Stefan Jackiw[2]
- The Sarasate 1724 - bequeathed by Pablo de Sarasate to the Real Conservatorio Superior de Música in Madrid. Currently used by Chen Xi.
- Earl Spencer 1723 - formerly played by Emmy Verhey
- Brancaccio 1725
- Wilhelmj 1725 - currently owned by the Nippon Music Foundation. On loan to Baiba Skride.
- Barrere 1727 - currently owned by the Stradivari Society, on extended loan to Janine Jansen. [3]
- Davidov-Morini 1727 - Stolen in 1995, it is still missing. [11]
- ex General Dupont 1727 - currently played by Jennifer Koh
- Holroyd 1727
- Kreutzer 1727 - currently played by Maxim Vengerov
- Hart ex Francescatti 1727 – currently owned by Salvatore Accardo
- Paganini-Comte Cozio di Salabue (Paganini Quartet) 1727 - currently owned by the Nippon Music Foundation, on extended loan to Martin Beaver of the Tokyo String Quartet
- Benny 1729 - Jack Benny, bequeathed to the Los Angeles Philharmonic
- Lady Jeanne 1731 - Currently owned by the Donald Kahn Foundation, on extended loan to Benjamin Schmid.
- Herkules 1732 - belonged to Eugène Ysaÿe. Stolen in 1908, it is still missing. [7]
- Des Rosiers 1733 currently owned by Angèle Dubeau
- Khevenhüller 1733 - belonged to Yehudi Menuhin.
- Rode 1733
- Ames 1734 - Stolen and still missing [7]
- ex Baron von Feilitzsch 1734
- Habeneck 1734 currently owned by the Royal Academy of Music
- Lamoureux 1735 - Stolen, still missing. [7]
- Muntz 1736 - currently owned by the Nippon Music Foundation. On loan to Arabella Steinbacher.
- Comte D'Armaille 1737
- Lord Norton 1737
- Chant du Cygne - Swansong 1737
- Milanollo- played, among others, by Christian Ferras, Giovanni Battista Viotti, and Nicolò Paganini. Currently played by Corey Cerovsek- 1728
[edit] Violas
There are 13 extant Antonio Stradivari violas. [12]
- Cassavetti Viola 1727 - Currently owned by the Library of Congress
- Tuscan-Medici Viola 1690 - Commissioned by Cosimo III de' Medici, Grand Duke of Tuscany. Currently on loan to the Library of Congress
- Archinto 1696 Currently owned by the Royal Academy of Music
- Paganini-Mendelssohn (Paganini Quartet) 1731 - owned by the Nippon Music Foundation, on extended loan to Kazuhide Isomura of the Tokyo String Quartet
[edit] Cellos
Antonio Stradivari built between 70 and 80 cellos in his lifetime, of which 63 are extant. [13][12]
- General Kyd ex Leo Stern 1684- Owned by the Los Angeles Philharmonic Orchestra, left on driveway, once stolen [4]
- Barjansky 1690 - currently played by Julian Lloyd Webber [5]
- Lord Aylesford 1696 - owned by the Nippon Music Foundation. Played by János Starker from 1950-1965. On loan to Danjulo Ishizaka.
- Castelbarco 1697
- Servais 1701 - Owned by National Museum of American History
- Paganini-Countess of Stanlein 1707 - owned by Bernard Greenhouse. Not to be confused with the Paganini-Ladenburg cello of the Paganini Quartet.
- Gore-Booth 1710
- Duport 1711 - currently owned by Mstislav Rostropovich
- Davidov 1712 - Karl Davidov, Russian "Czar of Cellists" (as described by Tchaikovsky). Formerly owned by Jacqueline du Pré. Currently played by Yo-Yo Ma.
- Batta 1709 - Currently owned by the Royal Academy of Music
- Batta 1714 - formerly owned by Gregor Piatigorsky
- Becker 1719
- Piatti 1720, Chelo Prieto. Owned and played by Carlos Prieto
- Baudiot 1725 - formerly owned by Gregor Piatigorsky
- Marquis 1726 - owned by the Royal Academy of Music
- De Munck ex Feuermann 1730 - Emmanuel Feuermann. Owned by the Nippon Music Foundation, on extended loan to Steven Isserlis.
- Braga 1731
- Paganini-Ladenburg (Paganini Quartet) 1736 - owned by the Nippon Music Foundation, on extended loan to Clive Greensmith of the Tokyo String Quartet
- Boniour- Owned by the Canada Council for the Arts, on loan to Denise Djokic
[edit] Harp
Antonio Stradivari made a single harp during his lifetime. [14]
[edit] Mandolins
There are two known surviving mandolins made by Stradivari.
- The Cutler-Challen Choral Mandolino, 1680, in the collection of the National Music Museum at the University of South Dakota in Vermillion, South Dakota, United States of America.
- As of 2006 the other was privately owned in London.
[edit] References
- ^ a b Stradivarius tops auction record. Retrieved on 2006-06-07.
- ^ a b Successful $3,544,000 bid of "Hammer", AP. Retrieved on 2006-10-18.
- ^ CNN's "Little ice age" theory to Stradivarius' quality
- ^ National Geographic magazine article on the "little ice age" theory
- ^ Aranyi Stradivarius
- ^ Amatese sold as "an interesting violin"
- ^ a b c d e f Stolen and still missing
- ^ a b c d e f g Extended loans from the Stradivari Society
- ^ "The Lady Tennant" sold for more than $2 million
- ^ "ex Brüstlein" owned the Austrian National Bank
- ^ "Davidov-Morini" stolen and still missing
- ^ a b Extant Stradivari works
- ^ 63 extant Stradivari cellos
- ^ Stradivarius made one harp
[edit] External links
- What makes a Stradivarius so Great?
- Cozio.com Online database of instruments by Antonio Stradivari.
- National Music Museum
- Cheniston K. Roland, Discography (incomplete) of Stradivarius recordings
- Mark Levine, "Medici of the Meadowlands", New York Times 3 August 2003 Herbert R. Axelrod's Stravarius collection.
- Online version of 1902 book about Stradivari by the Hill brothers.
- Why do Stradivarius's violins sound sublime?
- Scientific research on the sound of the great violins
- Chladni patterns for visualizing violin plate resonance patterns
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