Stan Getz

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Stan Getz on an album cover
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Stan Getz on an album cover

Stanley Gayetzky (February 2, 1927 in Philadelphia – June 6, 1991 in Malibu, California) was an American jazz musician. He is considered one of the greatest tenor saxophone players of all time. Known as "The Sound" because of his warm, lyrical tone, Getz's prime influence was the wispy, mellow tone of his idol, Lester Young. In 1986, however, Getz said: "I never consciously tried to conceive of what my sound should be..."

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[edit] Life and work

Born to Russian-Jewish parents and raised in New York City, Getz played a number of instruments before his father bought him his first saxophone at the age of 13. In 1943, he was accepted into Jack Teagarden's band. After playing in various bands (1944 Stan Kenton; 1945 Jimmy Dorsey; 1945–46 Benny Goodman), Getz became known as a soloist in the Woody Herman Band from 1947–49. He scored a hit with his melodic and lyrical solo on Ralph Burns's Early Autumn. With few exceptions, Getz would be a leader on all of his recording sessions after 1950.

Getz became involved with drugs and alcohol while a teenager. He also developed a pack-a-day cigarette habit. In 1954, he was arrested for trying to stick up a pharmacy to get morphine. As he was being processed in the prison ward of Los Angeles City Hospital, his wife - Beverly Byrne, a former vocalist with the Gene Krupa band, whom he married on November 7, 1946 - gave birth to their third child one floor below; they divorced in 1956. Beverly was addicted to heroin, as was Stan, but eventually got clean. Getz married Swedish aristocrat Monica Silfverskiold on November 3, 1956, and they had one child. In 1957, a son was born to Inga Torgner. After years of trying to get him clean, Monica, who had gained custody of Stan and Beverly's children, left him; he divorced her in 1987. [1]

In the 1950s, Getz had become popular playing cool jazz with Horace Silver, Johnny Smith, Oscar Peterson, and many others. His first two quintets were notable for their personnel, including Charlie Parker's rhythm section of drummer Roy Haynes, pianist Al Haig and bassist Tommy Potter. In 1958, Getz tried to escape his narcotics addiction by moving to Copenhagen, Denmark.

Returning to America in 1961, Getz became a central figure in the fusion of jazz and Bossa Nova. Along with Charlie Byrd, who had just returned from a U.S. State Department tour of Brazil, Getz recorded Jazz Samba in 1962 and it became a hit. The title track was an adaptation of Antonio Carlos Jobim's "Samba De Uma Nota Só" (One Note Samba). Getz won the Grammy for Best Jazz Performance of 1963 for "Desafinado".

He then recorded with Jobim, João Gilberto and his wife, Astrud Gilberto. Their "The Girl from Ipanema" won a Grammy Award. The title piece became one of the most well-known latin jazz pieces of all time. Getz/Gilberto won two Grammys (Best Album and Best Single), besting The Beatles' A Hard Day's Night, a victory for Bossa Nova and Brazilian jazz. Other musicians such as Wes Montgomery and Joe Henderson incorporated Brazilian jazz in their work. In 1967, Getz recorded albums with Chick Corea and Stanley Clarke.

After another drug-induced hiatus in Málaga, Spain, Getz resurfaced, playing with electric ensembles into the 1980s, and experimenting with an Echoplex on his saxophone, for which critics vilified him. He eventually discarded fusion and "electric jazz", returning to acoustic jazz. Getz gradually de-emphasized the Bossa Nova, opting for more esoteric and less-mainstream jazz. His only film appearance in the 1980's was in the movie The Exterminator, in which he had a cameo.

Getz owned an estate called Shadowbrook in Irvington, New York where he recorded the album Poetry.

Getz died in 1991 of liver cancer. In 1998, The "Stan Getz Media Center and Library" at the Berklee College of Music was dedicated to the memory of the saxophonist through a donation from the Herb Alpert Foundation.

[edit] Quotes regarding Getz

  • "Flawless technique, perfect time, strong melodic sense and more than enough harmonic expertise, fabulous memory, and great ears. Add a superb sense of dynamics, pacing, and format. Top this off with a sound of pure gold and you have Stan Getz". — pianist Lou Levy
  • "Let's face it. We [tenor saxophonists] would all play like him, if we could." —John Coltrane

[edit] Samples

[edit] Partial discography

[edit] Bibliography

  • The Stan Getz discography - Astrup, Arne. [1978]
  • Stan Getz - Palmer, Richard. 1988.
  • Stan Getz: an appreciation of his recorded work - Kirkpatrick, Ron. 1992.
  • Stan Getz: a life in jazz - Maggin, Donald L. c1996.
  • Stan Getz: nobody else but me - Gelly, Dave. 2002.
  • Stan Getz: an annotated bibliography and filmography - Churchill, Nicholas. 2005.
  • Jazz saxophone: an in-depth look at the styles of the tenor masters - Taylor, Dennis, 2004.

[edit] External links

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