Speedcore

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Speedcore is a form of hardcore techno that is typically identified by its high rate of beats per minute and aggressive themes. Tracks can range from 240 BPM all the way up to 1000 BPM.

A sub-genre of speedcore, Extratone, can be chiefly classified as extreme speedcore. Whereas general speedcore tracks range from the high 200 BPMs to a 1000, Extratone tracks are produced at a bare minimum of speedcore's upper limit - 1000 BPM. Ergo, the boundary between speedcore and Extratone tracks lies in that BPM figure.

Speedcore tracks often contain elements of its musical brethren - noizecore, gabber, and terrorcore. To the untrained ear, tracks belonging to these genres sound similar.

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[edit] Characteristics

The typical speedcore track is characterized by a general anti-music and anti-establishment sentiment. The music is angry, aggressive and often attempts to foster an atmosphere of hostility for the listener. Speedcore DJs push the boundaries of electronic dance music and often use offensive themes in their music to create such extremes.

While most speedcore artists are content to attack the normal standards of music, or even the gabber music that spawned them, the extremism of speedcore has caused some to turn inwards and parody the standards of the genre. Much like how happy hardcore relates to gabber and hardcore techno, these songs utilize samples of lighter and more manic themes, like Bing Crosby and Futurama, to create their extreme sound.

Aside from the very fast tempo of speedcore, which rarely drops below 240 BPM, speedcore can often be distinguished from other forms of hardcore techno by an aggressive and overridden electronic percussion track that is often punctuated with hyperactive snare or tom-tom fills. The Roland TR-909 is often the drum machine of choice for speedcore producers due to its ability to generate heavily distorted bass-drum kicks that anchor the percussion tracks.

As with many other forms of techno, synthesizers are also heavily used, often producing heavily distorted and/or disharmonic melodies to complement the underlying drums. Although any analog or hybrid synth can be used, the analog/digital hybrid Roland Juno-106 is a common favorite with speedcore artists. Pure digital synthesizers are comparatively rare in speedcore.

Samples are often used to further heighten the aggressive nature of speedcore, with many artists using audio samples of violent scenes from movies by directors such as Martin Scorsese and Stanley Kubrick. Samples of actors such as Joe Pesci and R. Lee Ermey are especially popular, especially in older speedcore works. Some artists are content to sample shouted obscenities and incorporate these samples into their music.

Phonograph turntables, usually specialized belt-drive and direct-drive models, are frequently used during the recording process to produce various "scratching" and speed distortion effects that are often difficult to produce with synthesizers. During live performances, most speedcore artists and DJs consider turntables indispensable.

[edit] History

The first authentic speedcore artist or ensemble appears to be Disciples of Annihilation (D.O.A.), which was formed in New York City in 1993 by Sal Mineo, Nick Marchetti and Carl Carinci. One year later, the trio began releasing material on Industrial Strength Records, including the "Industrial Power 9D4" single. After playing several shows in hardcore techno's homebase of Scotland, D.O.A. signed a deal with UK record label Earache. The group's debut album, New York City Speedcore, appeared in early 1997. Marchetti died that same year, resulting in the demise of D.O.A., but the new sound lived on.


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Hardcore
Bouncy techno - Breakbeat - Breakcore - Darkcore - Freeform - Gabber - Happy - Hardcore Breaks - Industrial - Makina - Speedbass - Speedcore - Terrorcore - Trancecore - UK
Other electronic music genres
Ambient | Breakbeat | Dance | Drum and bass | Electronica | Electronic art music | Hard dance | Hardcore | House | Industrial | Synthpop | Techno | Trance
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