Sheila Callaghan

From Wikipedia, the free encyclopedia

Sheila Callaghan (b. 1973) is a New York City-based playwright who emerged from the RAT (Regional Alternative Theater) movement of the 1990s. Her work is considered to be part of the downtown theater (or "experimental") scene,[1] and is known for its unusual use of language and narrative structure. Callaghan's writing has been described as "comically engaging, subversively penetrating" [2], "whimsically eloquent" [3], "unique and completely contemporary"[4], and "downright weird"[5]. The New York Times has said Callaghan "writes with a world-weary tone and has a poet's gift for economical description,"[6] and the Philadelphia Weekly has called Callaghan a "provocative playwright" with a "national following" who "creates work that's realistic and unpredictable, dark and funny, reassuring and disturbing."[7]

She has been profiled by American Theater Magazine, Time Out New York[8], Theatremania[9], and The Village Voice[10], and she occasionally contributes articles to the theatre section of The Brooklyn Rail.

She is a member of the Obie award winning playwrights' collective 13P and the Tony award winning playwrights' organization New Dramatists.

Callaghan is also the recipient of several writing honors, including The Princess Grace Award, The LA Weekly Award, The Jerome Fellowship from the Playwright's Center, The Chesley Prize for Lesbian Playwriting, a MacDowell Colony Fellowship, and a grant from The New York Foundation for The Arts.

Callaghan has taught playwriting and English at the University of Rochester, The College of New Jersey, Spalding University, Brooklyn College, LaGuardia Community College, and Florida State University.

She is also the author of a blog popular within the theatre community, which deals with her life as a writer in New York City.

[edit] Plays by Sheila Callaghan

Her most well-known play to date is Dead City, a free adaptation of James Joyce's Ulysses, which was produced by New Georges in 2006. Her other plays have been produced and developed with Soho Rep, Playwrights Horizons, South Coast Repertory, Clubbed Thumb, The LARK, Actor's Theatre of Louisville, New Georges, the Bloomington Playwrights Project, and Moving Arts, among others.

Internationally, her plays have been produced in New Zealand, Norway, Germany, and the Czech Republic. She has been commissioned by Playwrights Horizons, South Coast Repertory, and the Ensemble Studio Theatre.

Several of her plays are published by Playscripts, Inc., Samuel French, and S. Fischer Verlag (in German translation), and she has been anthologized in the New York Theatre Review.

List of plays:

  • Scab
  • Lascivious Something
  • Tiny, Tiny Ads Make Sales
  • Dead City
  • Crumble (Lay Me Down, Justin Timberlake)
  • Crawl, Fade to White
  • Kate Crackernuts
  • We Are Not These Hands

[edit] External links

[edit] References

  1. ^ in dialogue: Devouring the Scenery with Sheila Callaghan. The Brooklyn Rail.
  2. ^ Achingly funny comedy that has serious issues with capitalism. San Francisco Chronicle.
  3. ^ Dazzling 'Crumble' is stalwartly screwy. Los Angeles Times.
  4. ^ Bloomsday Revisited. offoffonline.
  5. ^ "Weird" play christens new theater space. The Seattle Times.
  6. ^ 'Dead City': It's a Wonderful, Lively Town, Where the Dead Men Speak. The New York Times.
  7. ^ Review. Philadelphia Weekly.
  8. ^ The not-ready-for-Broadway playwrights. Timeout New York.
  9. ^ People to Watch. Theater Mania.
  10. ^ Rejoyce:A playwright's modern-day downtown riff on Ulysses. The Village Voice.
United States  This article about an American playwright is a stub. You can help Wikipedia by expanding it.
Retrieved from "http://en.wikipedia.org../../../s/h/e/Sheila_Callaghan_5d2c.html"