Sequential Circuits Prophet-5
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| Prophet-5 by Sequential Circuits | |||
| Synthesis type: | Subtractive synthesis FM synthesis via Poly-Mod |
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| Polyphony: | 5 voices | ||
| Oscillators: | 2 VCOs per voice | ||
| VCF: | 1 lowpass | ||
| LFO: | 1 | ||
| Left hand control: | Pitch & modulation wheels | ||
| External control: | CV/Gate Optional factory MIDI kit |
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| Produced: | 1978-1984 | ||
The Prophet-5 was an analog synthesizer manufactured by Sequential Circuits in San Jose, California between 1978 and 1984. The Prophet 5 was groundbreaking in that it was one of the first analog synthesizers to implement patch memory, a feature which scanned the settings of every parameter on the synthesizer and stored it into internal memory. It is also one of the first polyphonic synthesizers, with a maximum polyphony of 5 voices, meaning that up to 5 notes can sound at the same time.
The Prophet-5 was also known for its modulation capabilities. The "Poly-Mod" feature routed the output of the filter envelope generator and the second oscillator in each voice through two mixer knobs, which could then be connected to the pulse width and pitch controls on the the first oscillator, to the filter cutoff frequency control, or all three at the same time. Since the second VCO was not limited to being an LFO, this allowed the Prophet-5 to generate 2-operator FM synthesis and ring modulator-style effects, as well as complex sweeping sounds.
Three revisions were produced, the first two using oscillators manufactured by Solid State Music, and the last one (Revision 3) using chips from Curtis Electronics.
[edit] SSM vs. Curtis
The Revision 1 and 2 Prophet-5s used SSM oscillator and filter chips while the Revision 3 instruments used the CEM chips. There is great and ongoing debate about whether the earlier SSM oscillators produced a richer, more musical timbre. The instability of the early SSM-based Prophets, however, renders this debate moot for all but owners who are either technical enough to tweak or maintain their own Rev. 1 or 2 instruments, or wealthy enough to pay a dwindling breed of analog synth technicians to do it for them. The most common and stable of the 3 revisions was the Revision 3.
[edit] Users
The Prophet 5 is prized by amateurs and professional musicians alike for its excellent bass sounds and sound effects, as well as its uniquely warm sound that is characteristic of all synthesizers Sequential Circuits manufactured during its short lifetime. The Prophet 5 has been used by many famous artists including Kraftwerk, Duran Duran, No Doubt, Vince Clarke, Talking Heads, Peter Gabriel, Gary Numan on his solo albums and his work with Tubeway Army, Thomas Dolby, New Order, Michael McDonald of The Doobie Brothers on the album Minute by Minute specifically for string pads on the song "What a Fool Believes", Annie Lennox on Medusa, The Prodigy, INXS, The Cars, Phil Collins, Richard Barbieri of Japan, David Bowie, Icehouse (e.g. the pads on "Great Southern Land"), Hall & Oates, Philip Glass, Jean-Michel Jarre, Sneaker Pimps, Steely Dan, Tony Banks extensively on various albums by Genesis, Rick Wright, Kitaro, Level 42, Eurythmics, Pet Shop Boys, filmmaker/composer John Carpenter, and even Men Without Hats in almost all of their albums. One of its best remembered appearances is probably in "Bette Davis Eyes" by Kim Carnes. The Prophet 5 was also used by Yellow Magic Orchestra and Cosmic Groove Transmission (legendary underground house artists).
[edit] Other versions
Sequential Circuits also manufactured a double version of the Prophet-5 called the Prophet-10, which featured 10 voice polyphony and two keyboards, stacked on top of each other.
