Sampling rate
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The sampling rate, sample rate, or sampling frequency defines the number of samples per second (or per other unit) taken from a continuous signal to make a discrete signal. For time-domain signals, it can be measured in hertz (Hz). The inverse of the sampling frequency is the sampling period or sampling interval, which is the time between samples.
The concept of sampling frequency can only be applied to samplers in which samples are taken periodically. Some samplers may sample at a non-periodic rate.
The common notation for sampling frequency is fs which stands for frequency (subscript) sampled.
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[edit] Sampling theorem
The Nyquist–Shannon sampling theorem states that perfect reconstruction of a signal is possible when the sampling frequency is greater than twice the bandwidth of the signal being sampled, or equivalently, that the Nyquist frequency (half the sample rate) exceeds the bandwidth of the signal being sampled. If lower sampling rates are used, the original signal's information may not be completely recoverable from the sampled signal.
For example, if a signal has a bandwidth of 100 Hz, to avoid aliasing the sampling frequency should be greater than 200 Hz.
[edit] Oversampling
In some cases, it is desirable to have a sampling frequency considerably more than twice the desired system bandwidth so that a digital filter can be used in exchange for a weaker analog anti-aliasing filter. This process is known as oversampling.
[edit] Audio
In digital audio, common sampling rates are:
- 8,000 Hz - telephone, adequate for human speech
- 11,025 Hz
- 22,050 Hz
- 32,000 Hz - miniDV digital video camcorder, DAT (LP mode)
- 44,100 Hz - audio CD, also most commonly used with MPEG-1 audio (VCD, SVCD, MP3)
- 47,250 Hz - world's first commercial PCM sound recorder by Nippon Columbia (Denon)
- 48,000 Hz - digital sound used for miniDV, digital TV, DVD, DAT, films and professional audio
- 50,000 Hz - first commercial digital audio recorders from the late 70's from 3M and Soundstream
- 50,400 Hz - sampling rate used by the Mitsubishi X-80 digital audio recorder
- 96,000 or 192,000 Hz - DVD-Audio, some LPCM DVD tracks, BD-ROM (Blu-ray Disc) audio tracks, and HD-DVD (High-Definition DVD) audio tracks
- 2.8224 MHz - SACD, 1-bit sigma-delta modulation process known as Direct Stream Digital, co-developed by Sony and Philips
[edit] Video systems
In digital video, the sampling rate is defined the frame/field rate, rather than the notional pixel clock. The image sampling frequency is the repetition rate of the sensor integration period. Since the integration period may be significantly shorter than the time between repetitions, the sampling frequency can be different from the inverse of the sample time.
When analogue video is converted to digital video, a different sampling process occurs, this time at the pixel frequency. Some common pixel sampling rates are:
- 13.5 MHz - CCIR 601, D1 video
Aliasing of high-frequency luma or chroma video components shows up as a moiré pattern.
[edit] See also
- Continuous signal vs. Discrete signal
- MP3
- Digital control
- Sample and hold
- Sample (signal)
- Sampling (signal processing)
- Signal (information theory)
[edit] External link
| Digital Signal Processing |
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| Theory — Nyquist–Shannon sampling theorem, estimation theory, detection theory |
| Sub-fields — audio signal processing | control engineering | digital image processing | speech processing | statistical signal processing |
| Techniques — Discrete Fourier transform (DFT) | Discrete-time Fourier transform (DTFT) | bilinear transform | Z-transform, advanced Z-transform |
| Sampling — oversampling | undersampling | downsampling | upsampling | aliasing | anti-aliasing filter | sampling rate | Nyquist rate/frequency |
