Roger van der Weyden
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Rog(i)er van der Weyden, also known as Roger de la Pasture or Rogier de Bruxelles, (1399/1400 – June 18, 1464) is, on a par with Jan van Eyck, considered one of the greatest Flemish and Northern European painters of the 15th century.
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[edit] Life
Roger was born at Tournai, where in 1427 he entered the studio of Robert Campin, also known as the Master of Flémalle.
He established himself in Brussels about 1435. He was in Italy in 1440-1450; but his visit shows no result on his style, which owes nothing to Italian models. He then returned to Brussels, where he died.
[edit] Works
His vigorous, subtle, expressive painting and popular religious conceptions had considerable influence on the art of Flanders and Germany. His great family portrait in the Uffizi Gallery in Florence had an important influence on the spread of oil painting into Italy in the late 15th century. He did not study with Jan van Eyck, his older colleague, who perfected the art of oil painting during Roger's lifetime. His style differs from van Eyck's in its direct appeal to emotion and the sometimes highly dramatic composition; but his handling of paint is akin to van Eyck in its lucid, gemlike perfection. Unlike other Flemish masters, Roger used little underdrawing for his oil paintings, only blocking out the positions of the major elements in the composition. Hans Memling was his greatest pupil.
His principal paintings were:
- Descent from the Cross (1440), Madrid
- Descent from the Cross (1443), Sint-Pieterskerk, Leuven, Belgium
- Miraflores Altarpiece (c. 1440), Staatliche Museen, Berlin
- Madonna with Saints (1450), Städel, Frankfurt
- Last Judgment (1451), Hôtel-Dieu, Beaune, France
- Portrait of Philip the Good (c. 1456-1458), Koninklijk Museum voor Schone Kunsten, Antwerp
- Portrait of Charles the Bold (c. 1456-1458), Royal Museums of Fine Arts, Brussels
- St. John Altarpiece, Staatliche Museen, Berlin
- Bladelin Triptych, also called the Middelburg Altarpiece, Staatliche Museen, Berlin
- Entombment of Christ, National Gallery, London
- Woman Crying, Royal Museums of Fine Arts, Brussels
- Descent from the Cross, Louvre, Paris
- Adoration of the Magi, Alte Pinakothek, Munich
- Descent from the Cross, the Hague
- Seven Sacraments, Koninklijk Museum voor Schone Kunsten, Antwerp
- Descent from the Cross, Royal Museums of Fine Arts, Brussels
- Francesco d'Este, Metropolitan Museum of Art, New York
Some of these latter works and others are only doubtfully attributed to the master. The Crucifixion in the Royal Museums of Fine Arts, Brussels, assigned either to him or to Memling, and containing portraits of the Sforzas, probably represents Roger van der Weyden in some of the principal figures at least, though Memling may have completed the picture.
There was a younger Roger van der Weyden (c. 1450-1529), to whom a brilliant Mary Magdalene in the National Gallery is attributed.
[edit] See also
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[edit] External links
[edit] Further reading
- Campbell, Lorne Van Der Weyden ISBN 1-904449-24-7
- Kemperdick, Stephan Rogier van der Weyden (Masters of Dutch Art) ISBN 3-8290-2571-8 Konemann, 2000
- de Vos, Dirk. Rogier van der Weyden: The Complete Works ISBN 0-8109-6390-6 Harry N Abrams, 2000
[edit] References
- This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.
