Riff
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Riff is also an alternate spelling of Rif, a region of Morocco. For the character from Sluggy Freelance, see Riff (Sluggy Freelance). If you want the Barney character, see Barney & Friends
In music, a riff is an ostinato figure: a repeated chord progression, pattern or melodic figure, often played by the rhythm section instruments, that forms the basis or accompaniment of a rock music or jazz composition. They can be as simple as repeated saxophone honking an entire chorus on a single exciting note by Big Jay McNeely or as complex as the head arrangements played by the Count Basie Orchestra.
David Brackett (1999) defines them as, "short melodic phrases," while Richard Middleton (1999) defines them as, "short rhythmic, melodic, or harmonic figures repeated to form a structural framework." Though Rikky Rooksby (2002, p.6-7) admits that there is no "water-tight" definition, he gives a "working description" for riffs in rock: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and excitement of a rock song."
Riffs are often used (and re-used) to create full compositions. The "Night Train" riff was first used in Duke Ellington's "Happy-Go-Lucky Local", which Ellington had recycled from Johnny Hodges earlier "That's the Blues, Old Man". The riff from Charlie Parker's bebop number "Now's the Time" (1945) re-emerged four years later as the R&B dance hit, "The Hucklebuck". The verse of "The Hucklebuck", which was another riff, was "borrowed" from the Artie Matthews composition, "Weary Blues". Glenn Miller's "In the Mood" had an earlier life as Wingy Manone's "Tar Paper Stomp". (All these songs use twelve bar blues riffs. It is probable that these riffs precede the examples given.)
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[edit] Terminology
The term riff entered musical slang in the 1920s (Rooksby, ibid), and is used primarily in discussion of forms of rock music or jazz. "Most rock musicians use riff as a synonym, almost, for 'musical idea.'" (Middleton 1990, p.125). Tony Iommi is a pioneer of "Riffage". Charlie Parker's "Thriving on a Riff", like many bebop originals, was based on the chord progression of George Gershwin's "I've Got Rhythm".
Some sources explain riff as an abbreviation for "rhythmic figure", however, the musical use of the term derives from its use in comedy where a riffing consists of short clever remarks ([1]) on a subject. Thus riffing on a melody or progression as one would riff on a subject by extending a singular thought, idea or inspiration into a bit, or routine.
[edit] Pieces and songs that depend on riffs for their effect
The popular website DigitalDreamDoor has compiled a list [2] of what they say are the "100 greatest guitar riffs".
[edit] Notation and sound examples
- In-A-Gadda-Da-Vida (file info) — play in browser (beta)
- Listen to the above.
- Problems listening to the file? See media help.
- "Iron Man" by Black Sabbath
- Iron Man (file info) — play in browser (beta)
- Listen to the above.
- Problems listening to the file? See media help.
- Piano intro to "Take Five" by Paul Desmond
- Take Five (file info) — play in browser (beta)
- Listen to a sample of "Take Five".
- Problems listening to the file? See media help.
[edit] Musicians who are especially known for their riffs
- Chuck Schuldiner
- Trey Anastasio
- Shoshana Bean
- Matthew Bellamy
- Chuck Berry
- Ritchie Blackmore
- Marc Bolan (T. Rex)
- Buckethead
- J.J. Cale
- Jerry Cantrell
- Eric Clapton
- Kurt Cobain
- Phil Collen
- Dimebag Darrell
- Dan Donegan
- John Frusciante
- Warren Haynes
- Jimi Hendrix
- James Hetfield
- Tony Iommi
- Mutsuhiko Izumi
- Adam Jones
- Mark Knopfler
- Ronni Le Tekro
- Yngwie Malmsteen
- Brian May
- Deron Miller
- Gary Moore
- Tom Morello
- Dave Mustaine
- Dave Navarro
- Buzz Osborne
- Jimmy Page
- Joe Perry
- John Petrucci
- Randy Rhoads
- Keith Richards
- Richie Sambora
- Joe Satriani
- Rudolf Schenker
- Slash
- The Edge
- Pete Townshend
- Eddie Van Halen
- Emppu Vuorinen
- Ron Wood
- Zakk Wylde
- Angus Young
[edit] Source
- Horner, Bruce, Swiss, Thomas (1999). Form and Music: Key Terms in Popular Music and Culture. Malden, Massachusetts: Blackwell. ISBN 0-631-21263-9.
- Middleton, Richard (1990/2002). Studying Popular Music. Philadelphia: Open University Press. ISBN 0-335-15275-9.
- Rooksby, Rikky (2002). Riffs: How to create and play great guitar riffs. San Francisco: Backbeat Books. ISBN 0-87930-710-2.