Richard Williams (journalist)
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Richard Williams (born 1949 in Sheffield) is a British music and sports journalist.
As a writer, then deputy editor, of the weekly rock magazine Melody Maker, he became an influential commentator on the rise of new forms of rock music at the end of the 1960s. Williams and MM, as it was known, helped to promote and contextualise styles such as progressive rock and folk rock. In particular, Williams wrote several key articles around 1970 which first drew UK audiences' attention to the importance of a then-obscure (and disintegrating) band, The Velvet Underground. Melody Maker was then a magazine which still covered Jazz and Williams wrote about the more progressive developments in this field also.
The magazine's serious approach to rock music and culture, under the editorship of Ray Coleman, secured MM a huge circulation by the close of the 1960s and the start of the 1970s. It left New Musical Express, a more pop-oriented weekly, in its wake as MM caught the mood of a new generation of rock followers at a time when the music had transcended its Top 40 roots to become a powerful symbol of social and cultural change.
Williams would move on to new challenges in the early 1970s. The first presenter of BBC TV's rock show The Old Grey Whistle Test (launched in 1971) while still a member of the MM team, he would later become editor of the new London listings guide Time Out and after a period as features editor at The Sunday Times he became editor of the Independent on Sunday's Sunday Review. His music journalism has been gathered in the volume Long Distance Call: Writings on Music and biographies of Bob Dylan (A Man Called Alias), Miles Davis (The Man in the Green Shirt), and Phil Spector (Out of His Head) are among his list of other publications.
In 2006 he remains an active journalist and writer, the Chief Sports Writer of the UK daily newspaper The Guardian, covering a full array of sports from football to Formula One, cricket to golf.
