Remedios Varo

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Useless Science or the Alchemist, 1955

Remedios Varo Uranga (December 16, 1908 - October 8, 1963) was a surrealist painter. She was born in Anglés Cataluña, Spain in 1908 and died from a heart-attack in Mexico City in 1963. During the Spanish Civil War she fled to Paris where she was largely influenced by the surrealist movement. She was forced into exile from Paris during the Nazi occupation of France and moved to Mexico City at the end of 1941. She initially considered Mexico a temporary haven, but would remain in Latin America for the rest of her life.

In Mexico she met native artists such as Frida Kahlo and Diego Rivera. However, her strongest ties would be to other exiles and expatriates, and especially her extraordinary friendship with the English painter Leonora Carrington. Her last major relationship would be with Walter Gruen, an Austrian who had endured concentration camps before escaping Europe. Gruen believed fiercely in Varo, and gave her the support that allowed her to fully concentrate on her painting.

After 1949 Varo developed into her mature and remarkable style, which remains beautifully enigmatic and instantly recognizable. She often worked in oil on masonite panels she prepared herself. Although her colors have the blended resonance of the oil medium, her brushwork often involved many fine strokes of paint laid closely together - a technique more reminiscent of egg tempera. She died at the height of her powers.

Her work continues to achieve successful retrospectives at major sites in Mexico and the United States.

"Creation of The Birds" by Remedios Varo

1 Major Influences
- 1.1 Artistic Influences:
- 1.2 Philosophical Influences:
2 Selected list of works
3 See Also
4 External links
5 Sources:

[edit] Major Influences

Exploration of the Source of the Orinoco River, 1959.

[edit] Artistic Influences:

The allegorical nature of much of Varo's work especially recalls the paintings of Hieronymus Bosch, and some critics, such as Dean Swinford, have described her art as "postmodern allegory," much in the tradition of Irrealism.

Varo was also influenced by styles as diverse as those of Francisco Goya, El Greco, Picasso, and Braque. While André Breton was a formative influence in her understanding of Surrealism, some of her paintings bear an uncanny resemblance to the Surrealist creations of the modern Greek-born Italian painter Giorgio de Chirico.

In Mexico, she came under the influence of the primitive art of pre-Columbian cultures.

Varo's painting "The Lovers" served as inspiration for some of the images used by Madonna in the music video for her 1996 single "Bedtime Story".

[edit] Philosophical Influences:

Varo was influenced by a wide range of mystic and hermetic traditions, both Western and non-Western. She turned with equal interest to the ideas of C. G. Jung as to the theories of G. I. Gurdjieff, P. D. Ouspensky, Helena Blavatsky, Meister Eckhart, and the Sufis, and was as fascinated with the legend of the Holy Grail as with sacred geometry, alchemy and the I-Ching. She saw in each of these an avenue to self-knowledge and the transformation of consciousness.