Raoul Walsh

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Raoul Walsh (March 11, 1887 – December 31, 1980) was an American film director; a founding member of the Academy of Motion Picture Arts and Sciences (AMPAS); and the brother of silent screen actor George Walsh.

Walsh began his entertainment career as a stage actor in New York City, quickly progressing into film acting. In 1914 he became assistant to D.W. Griffith and made his first full-length feature film The Life of General Villa in the same year after actually riding with Pancho Villa in Mexico, followed by the newly-revisited and critically-acclaimed Regeneration in 1915, possibly the earliest gangster film. Walsh played Lincoln's murderer in Griffith's towering classic The Birth of a Nation (1915), often cited by critics (along with Citizen Kane) as the greatest movie ever made. Walsh enjoyed success as a director with the innovative and spectacular The Thief of Bagdad in 1924 starring Douglas Fairbanks and Anna May Wong. In the early days of sound with Fox Walsh directed the Western In Old Arizona in 1929 after having to give up the leading role of the Cisco Kid when a jackrabbit jumped through a windshield and cost Walsh an eye. Walsh also directed the first widescreen spectacle The Big Trail in 1930, a wagon train western shot on location across the West and starring then unknown John Wayne, whom Walsh discovered as prop boy Marion Morrison and renamed after Revolutionary War general Mad Anthony Wayne (Walsh happened to be reading a book about General Wayne at the time). Walsh directed The Bowery in 1933, featuring Wallace Beery, George Raft, Fay Wray, and Pert Kelton; the movie recounts the story of Steve Brodie, the first man to supposedly jump off the Brooklyn Bridge and live to brag about it. A not too-distinguished period followed with Paramount Pictures from 1935 to 1939 but Walsh's career rose to new heights soon after moving to Warner Brothers with The Roaring Twenties (1939) featuring James Cagney and Humphrey Bogart, Dark Command (1940) with John Wayne and Roy Rogers, High Sierra (1941) with Ida Lupino and Humphrey Bogart, They Died With Their Boots On (1941) with Errol Flynn as Custer, and White Heat (1949) with James Cagney. Walsh's contract at Warners expired in 1953, after which he directed several films, including two with Clark Gable, The Tall Men (1955) and The King and Four Queens (1956). Walsh retired in 1964.

Contents

[edit] Selected Filmgraphy

[edit] Director

He also unofficially co-directed Humphrey Bogart's The Enforcer in 1951.

Like his contemporary Howard Hawks, Walsh was known for never letting the facts get in the way of a good story. Leonard Maltin has described Walsh's autobiography as "entertaining fiction with an occasional nod at the truth".

[edit] Trivia

There are echoes in Walsh's films of events in his own life and that of his family: as a child his parents entertained famous Broadway actor of the day Edwin Thomas Booth, brother of John Wilkes Booth whom Walsh was later to play in The Birth of a Nation (1915); in They Died with Their Boots On (1941) there is an actor playing a bit part as a tailor to the US cavalry officers that might have been a reference to Walsh's father who made uniforms for General Custer and other high-ranking officers before becoming chief designer for Brooks Brothers in New York.

He was quite a character: in 1942, a few days after John Barrymore had died, Walsh, as a practical joke, picked up Barrymore's body from the mortuary and managed to sit the body, clad in a business suit, in a chair in Errol Flynn's house just before Flynn was due to arrive home.

James Cagney once said to Walsh: 'Each man in his time plays many different parts. You have played them all' which suggested the title for Walsh's autobiography, Each Man in his Time published by Farrar, Strauss and Giroux in 1974.

[edit] External links

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