Raoul Coutard
From Wikipedia, the free encyclopedia
Raoul Coutard (born September 16, 1924 in Paris, France) is a French cinematographer who has contributed to over seventy five films. He is particularly associated with the nouvelle vague directors François Truffaut and Jean-Luc Godard, and he helped to create the visual style of such seminal films as À bout de souffle, Vivre sa vie, Pierrot le Fou, Prénom Carmen, Tirez sur le Pianiste and Jules et Jim.
[edit] Selected filmography (as cinematographer)
- Max, Mon Amour (Max, My Love) (1986)
- Prénom Carmen (1983)
- Passion (1982)
- L'Aveu (1970)
- Z (1969)
- Week End (1967)
- La Chinoise (1967)
- Pierrot le Fou (Crazy Pete or Pete Goes Wild) (1965)
- Alphaville, une étrange aventure de Lemmy Caution (Alphaville, a Strange Adventure of Lemmy Caution) (1965)
- Bande à part (aka. Band of Outsiders) (1964)
- Les plus belles escroqueries du monde (The most beautiful swindles in the world) (1964)
- Le Mépris (Contempt) (1963)
- Jules et Jim (1962)
- Vivre sa Vie: Film en Douze Tableaux (My Life to Live) (1962)
- Une Femme est une femme (A Woman Is a Woman) (1961)
- Tirez sur le pianiste (Shoot the Piano Player) (1960)
- À bout de souffle (Breathless) (1960)
- Pêcheur d'Islande (1959)
- Ramuntcho (1959)
- La Passe du Diable (1958)
[edit] Filmography (as director)
- S.A.S. à San Salvador (1983)
- La Légion saute sur Kolwezi (1980)
- Hoa-Binh (1970)
[edit] External links
- Raoul Coutard at the Internet Movie Database
- Interview with Guardian Film
- Video of Raoul Coutard at the Peoples Archive