Put My Dream on This Planet
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| Put My Dream On This Planet | ||
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| Studio album by Jandek | ||
| Released | 2000 | |
| Recorded | Unknown | |
| Genre | Acapella/Spoken word/Outsider Music | |
| Length | 52:15 | |
| Label | Corwood Industries | |
| Producer(s) | Corwood Industries | |
| Jandek chronology | ||
|---|---|---|
| The Beginning (1999) |
Put My Dream on This Planet (2000) |
This Narrow Road (2001) |
Put My Dream on This Planet is the twenty-ninth album by Jandek, and his only new release of 2000 (note that there were numerous reissues of the oldest material). The first of three (so far) "spoken word/a capella" albums, it is Corwood Industries #0767.
Contents |
[edit] Overview
Chances are, Jandek couldn't have shocked his fanbase more if he'd released an album of slide whistle and kazoo solos. Coming after seven mostly acoustic albums, only the extended piano instrumental at the end of The Beginning gave any clue that something might be up. So from an instrumental to a full album of no instruments at all - just the older, more gravelly voice of the Corwood Representative singing and speaking nakedly emotional and at times disturbingly confessional a capella pieces. And from here, he'd release two more of them!
This one, though, is especially startling. Say what you will about the "lo-fi" quality of Corwood's music, they've always (for the most part) been fairly well recorded. This album sounds like the results of an FBI surveillance tape recorded at varying distances from a man having a very private moment. Most likely recorded on an older, voice activated tape recorder, the opening two twenty-minute plus "sung recitations" are the sounds of a man who appears to feel that his life is nearly over, and now he's going to plead for forgiveness. In fact, his viewpoint appears to waver. On the 28 minute opener, "I Need Your Life," the vocalist says "Please/let me up/let me win/let me get this war taken care of/I’ll be on your side/where else am I gonna be/I love you." The song repeats a variety of phrases, driving home the point that he wants to "win this war," that he "needs your life," and that "you push me down." He also notes that "I see the Chinese and the Japanese/laughing, talking, acting just like animals/why can’t I be like an animal." If the urge to turn the track off occurs, that's a natural response. But Jandek feels this needs to be out there, and so it gains value simply from that. This is no accidental recording, though it often sounds like it. In the second track he explicitly describes building what appears to be a mausoleum and notes that "I'm ready for the house." So after all these years, it turns out the house is a tomb?
That possibility is suddenly dashed away by the brief closing track, in which the vocalist puts on his shoes and goes for a walk, "in the snow and ice/so cold." And then it's over.
[edit] Track Listing:
- I Need Your Life – 28:43
- It's Your House – 22:14
- I Went Outside – 1:17
[edit] Album Cover Description
I see a bent, sleeved arm. If you can make out anything else, let me know. -- Seth Tisue
There is also a black hat, the first appearance of his later day "trademark" (he's worn it at all live shows), suggesting that this may be the first image we're getting of the contemporary artist. Naturally, the image is blurred beyond comprehension.
[edit] Reviews
A startling album of stark-naked music from the man who has been trying to bare all since he started recording in the late 1970s. Using only his voice, Jandek literally begs for understanding for nearly 29 minutes on “I Need Your Life”. He’s never sounded so Texan, or so completely immersed in the kind of ultra-personal blues music that existed before the 1930s. In this a cappella setting, his emotions run free, and he speaks from painfully deep places... Jandek puts on his shoes for the last song, “I Went Outside,” but once out there, he finds only snow and ice. His venture into the outside world ends abruptly after only a minute-seventeen. If you’ve ever followed Jandek’s uncomfortable journey into his own head, this is essential listening. -- Piero Scaruffi The History of Rock Music Vol. 4
