Peter Hammill

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Peter Hammill portrayed on the cover of his 1982 album Enter K.
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Peter Hammill portrayed on the cover of his 1982 album Enter K.

Peter Joseph Andrew Hammill (born 5 November 1948) is an English singer-songwriter, and a founding member of progressive rock band Van der Graaf Generator. Most noted for his vocal abilities, his main instruments are guitar and piano. He also acts as a record producer for his own recordings, and occasionally for other artists. He has been married to his wife Hilary since 1978 and they have 3 children.

Contents

[edit] Biography

Peter Hammill was born in Ealing, west London, and moved with his family to Derby when he was 12[1]. He attended Beaumont College, Old Windsor, and Manchester University, where he studied Liberal Studies in Science.


Hammill's solo career began with Fool's Mate (1971), while Van der Graaf Generator were still active. To some extent it is difficult to separate Hammill's solo work during the 1970s from his work with the band, as he tended to be credited as the sole songwriter on the majority of the songs included on the band's albums, whilst conversely many of his "solo" albums feature all the members of Van der Graaf Generator playing on the recordings – the difference between the two scenarios seemed primarily to be who was paying for the sessions. In general, however, solo Hammill is concerned with more personal matters, while the band's songs deal with broader themes. His earlier work was largely existential in nature and many of his solo album lyrics are literary, poetic and amongst the most sensitive and intelligent and complex expressions of angst and a search for meaning in the history of music. Indeed, his work ranges from short simple riff-based songs to highly complex lengthy pieces. Mainly because of the strangeness of his music, his refusal to make anything resembling middle-of-the-road music, and the general absence of any smooth or glamorous sounds in his music, there is much debate amongst his admirers whether Hammill is to be considered a part of the progressive rock scene. It appears to be very difficult to categorize his music. In many interviews Hammill has stated that he does not want to be put in the progressive rock music label, or any music label at all.

Hammill recorded a series of diverse albums during Van der Graaf Generator's three year hiatus between 1972 and 1974. Among these, Nadir's Big Chance (1975) is notable for its anticipation of punk rock. In a 1977 radio interview, John Lydon of the Sex Pistols played two tracks from the album and expressed his admiration for Hammill in glowing terms: "Peter Hammill's great. A true original. I've just liked him for years. If you listen to his solo albums, I'm damn sure Bowie copied a lot out of that geezer. The credit he deserves, has just not been given to him. I love all his stuff"[2].

Hammill's solo career resumed in earnest after the final demise of Van der Graaf Generator in 1978, and has continued to the present day. Many different styles of music appear in his work, among them avant garde electronic experiments (Loops and Reels; Unsung; Spur of the Moment), opera (The Fall of the House of Usher); solo keyboard accompaniment (And Close As This); solo guitar accompaniment (Clutch); and band recordings (Enter K).

Despite the complexity of his work, Hammill's output is prolific, typically with new albums once or twice a year. His catalogue varies between artful complexity in the late 1960s and early 1970s; raw, energetic new wave in the late 1970s and early 1980s; mature, expansive songform in the late 1980s and early 1990s; and slow, melancholic balladry in the late 1990s and 2000s. There are numerous exceptions to all of these phases, illustrating the difficulty of categorising Hammill's work.

Hammill's early records, like the VdGG albums, were released on Charisma Records. He parted company with them after pH7 (1979), and then released albums on a number of small labels. A Black Box came out on S-Type, a label run by Hammill and his manager Gail Colson. Enter K and Patience appeared on Naive, Skin and The Margin on Foundry and In A Foreign Town, Out of Water and Room Temperature on Enigma Records. In 1992 he formed his own label, Fie!, on which all his albums since Fireships have been released. The label's logo is the Greek letter phi (Φ), a pun on PH-I.

Hammill survived a heart attack in December 2003. He was awarded the prestigious Italian Tenco Prize for songwriting at the end of 2004.

In 2005, Hammill reformed Van der Graaf Generator. They recorded a new album, Present, in April 2005 and played a series of well received concerts.

Hammill will release his new album Singularity on December 1, 2006 and has announced plans for a British and European tour in November.

[edit] Hammill's voice

Many consider Hammill's voice to be the most distinctive element of his music. As a former Jesuit chorister, his delivery is invariably middle class English (rather than Americanised), and ranges in tone from peacefully celestial to screaming rants (which are nevertheless highly controlled). Singing in registers from baritone to high falsetto, he growls, croons, shrieks and shouts in ways that have drawn comparison with the guitar playing of Jimi Hendrix.

[edit] Lyrics

Hammill's lyrics are another distinctive feature of his work. He has visited a number of recurring themes including: love; human relationships; ageing and death; human follies; politics; self-awareness and introspection; religion; and current affairs. He expresses these themes with a verbal dexterity that is rare in rock. His lyrics often include literary references. For example, the Norse names mentioned in the song Viking on Fool's Mate are characters in the Icelandic Eiríks saga rauða. (Judging by the spelling of the names, Hammill's source seems to have been Magnus Magnusson's 1965 translation.)

The science fiction themes of Van der Graaf Generator's lyrics are mostly absent in his later work. In 1974 Hammill published a book, Killers, Angels, Refugees (Charisma Books, London), a collection of lyrics, poems and short stories. This was later reissued by Hammill himself (Sofa Sound, Bath) and was followed by a sequel Mirrors, Dreams, Miracles (1982).

[edit] Discography

[edit] Studio albums

[edit] Live albums

  • The Margin (1985)
  • Room Temperature (1990)
  • There Goes The Daylight (1993)
  • The Peel Sessions (1995, BBC radio sessions)
  • Typical (1999)
  • The Margin + (2002, reissue of the 1985 album with a second disc of additional material)
  • Veracious (2006, with Stuart Gordon)

[edit] Compilations

  • Vision (1978)
  • The Love Songs (1984, compilation of re-recorded back catalogue)
  • The Essential Collection (1986, Enter K and Patience collected)
  • A Fix On The Mix (compilation EP) (1992)
  • The Storm (Before The Calm) (1993) (more aggressive Virgin-era material)
  • The Calm (After The Storm) (1993) (Virgin-era ballads)
  • Offensichtlich Goldfisch (1993, compilation of songs re-recorded in German)
  • After The Show (1996)
  • Past Go (Collected) (1997)
  • The Thin Man Sings Ballads (2002)

[edit] Collaborations

  • Spur of the Moment (1988, with Guy Evans)
  • The Union Chapel Concert (1997, live, with Guy Evans and others)
  • The Appointed Hour (1999, with Roger Eno)

[edit] Guest appearances

  • Le Orme, Felona e Sorona (1973) - Hammill wrote English language lyrics for the Charisma Records UK release of the Italian album with the same name
  • Robert Fripp, Exposure (1979) - Hammill sings lead vocals on three tracks
  • Peter Gabriel, IV (1982) - Hammill sings backing vocals on three tracks
  • Miguel Bosé, Bandido (1984) - Hammill wrote two lyrics: 'South of the Sahara' and 'Domine Mundi'
  • Alice, Il sole nella pioggia (1989) - Hammill co-wrote and sang the track 'Now and Forever'
  • Ayuo, Songs from a Eurasian Journey (1997) - Hammill sings lead vocals on several tracks
  • David Cross, Exiles (1997) - Hammill sings lead vocals on two tracks
  • Premiata Forneria Marconi, PFM Live in Japan 2002 (2002) - Hammill wrote and sang one studio track 'Sea Of Memory'

[edit] Work as producer

  • Avalanche (1980 double LP) abridged as Etceteraville (1980 LP); rereleased as The View From Here (2001 double CD), for Random Hold (David Rhodes, David Ferguson, Bill MacCormick, Peter Phipps))

[edit] External links

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