Perugia

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Comune di Perugia
Municipal coat of arms
Country	Italy
Region	Umbria
Province	Perugia (PG)
Mayor	Renato Locchi (since June 13, 2004)

Elevation	493 m
Area	449 km²
Population
- Total (as of December 31, 2004)	157,842
- Density	352/km²
Time zone	CET, UTC+1
Coordinates	43°07′N 12°23′E
Gentilic	Perugini
Dialing code	075
Postal code	06100
Frazioni	see list
Patron	St. Constantius, St. Herculanus
- Day	January 29
Website: www.comune.perugia.it

Perugia is the capital city in the region of Umbria in central Italy, near the Tiber river, and the capital of the province of Perugia.

Perugia gave its nickname to the famous painter Perugino (Pietro Vannucci), who lived and worked there. Another famous painter, Pinturicchio, lived in Perugia.

1 History
2 Main sights
- 2.1 Main attractions
- 2.2 Other attractions
3 Local events
4 Twinned towns
5 See also
6 External links
7 References

[edit] History

Perugia first appears (as Perusia) in history as one of the twelve confederate cities of Etruria. It is first mentioned in the account of the war of 310 or 309 BCE between the Etruscans and the Romans. It took, however, an important part in the rebellion of 295, and was reduced, with Vulsinii and Arretium (Arezzo), to seek for peace in the following year.

In 216 and 205 BCE it assisted Rome in the Hannibalic war, but afterwards it is not mentioned until 41-40 BCE, when Lucius Antonius took refuge there, and was reduced by Octavian after a long siege. A number of lead bullets used by slingers have been found in and around the city (Corpus inscr. lat. xi. 1212). The city was burnt, we are told, with the exception of the temples of Vulcan and Juno--the massive Etruscan terrace-walls, naturally, can hardly have suffered at all--and the town, with the territory for a mile round, was allowed to be occupied by whoever chose. It must have been rebuilt almost at once, for several bases exist, inscribed Augusta sacr(um) Perusia restituta; but, as we have seen, it did not become a colony until 251-253 CE.

It is hardly mentioned except by the geographers until the middle of the 6th century, when it was captured by Totila after a long siege. Totila is said to have ordered the city's bishop, Herculanus of Perugia, to be flayed and killed. St. Herculanus (Sant' Ercolano) later became the city's patron saint.

In the Lombard period it is spoken of as one of the principal cities of Tuscia. In the 9th century, with the consent of Charles the Great and Louis the Pious, it passed under the popes; but for many centuries the city continued to maintain an independent life, warring against many of the neighbouring lands and cities--Foligno, Assisi, Spoleto, Todi, Siena, Arezzo, etc. It remained true for the most part to the Guelphs.

Palazzo dei Priori: the center of communal government.

On various occasions the popes found asylum within its walls, and it was the meeting-place of the conclaves which elected Honorius II (1124), Honorius IV (1285), Celestine V (1294), and Clement V (1305). But Perugia had no mind simply to subserve the papal interests. At the time of Rienzi's unfortunate enterprise it sent ten ambassadors to pay him honour; and, when papal legates sought to coerce it by foreign soldiers, or to exact contributions, they met with vigorous resistance.

In the 15th century power was at last concentrated in the Baglioni family, who, though they had no legal position, defied all other authority. Gian Paolo Baglioni was lured to Rome in 1520 and beheaded by Leo X; and in 1540 Rodolfo, who had slain a papal legate, was defeated by Pier Luigi Farnese, and the city, captured and plundered by his soldiery, was deprived of its privileges. A citadel known as the Rocca Paolina, after the name of Pope Paul III, was built "ad coercendam Perusinorum audaciam."

In 1797, the city was conquered by French troops. On 4 February 1798, the Tiberina Republic was formed, with Perugia as capital, and the French tricolour as flag. In 1799, the Tiberina Republic merged to the Roman Republic.

In 1832, 1838, 1854 and 1997 Perugia was visited by earthquakes; in May 1849 it was seized by the Austrians; and, after a futile insurrection in the June of 1859, bloodily defeated by Pius IX's troops, it was finally united, along with the rest of Umbria, to Piedmont, in 1860.

Perugia has become famous for chocolate, mostly because of a single firm, Perugina, whose Baci (kisses) are widely exported. Perugia chocolate is very popular in Italy, and the city hosts a chocolate festival in October of every year.

Perugia today hosts two main universities, the Università degli Studi and the Foreigners University(Università per Stranieri), and are melting pots for students from all over Italy and the world. Stranieri serves as an Italian language and culture school for students from all over the world. The city also hosts the Umbra Institute, an American school for students studying abroad in Perugia. The Università dei Sapori(University of Tastes), Accademia delle belle arti (Art Academy), and Scuola di giornalismo radio televisivo (a radio-television journalism school owned by RAI) are located in the city as well.

The city symbol is the griffin, which can be seen in the form of plaques and statues on buildings around the city.

[edit] Main sights

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Fontana Maggiore.

Roman aqueduct.

Etruscan Arch.

[edit] Main attractions

The Cathedral of S. Lorenzo.
Palazzo dei Priori (Town Hall, encompassing the Collegio del Cambio, Collegio della Mercanzia, and Galleria Nazionale). The Collegio del Cambio has frescoes by Pietro Perugino, while the Collegio della Mercanzia has a fine later 14th century wooden interior.
Church and abbey of San Pietro (late 16th century).
Basilica of San Domenico (begun in 1394 and finished in 1458). It is located in the place where, in Middle Ages times, the market and the horse fair were held, and where the Dominicans settled in 1234. According to Vasari, the church was designed by Giovanni Pisano. The interior decorations were redesigned by Carlo Maderno, while the massive belfry was partially cut around mid-16th century. It houses examples of Umbrian art, including the precious tomb of Pope Benedict XI and a Renaissance wooden choir.
Church of Sant'Angelo (6th century).
Church of San Bernardino (with façade by Agostino di Duccio).
Fontana Maggiore, a medieval fountain designed by Fra Bevignate and sculpted by Nicolò and Giovanni Pisano.
Galleria Nazionale dell'Umbria, the National Gallery of Umbrian art in Middle Ages and Renaissance (it includes works by Duccio, Piero della Francesca, Fra Angelico, Perugino)
Ipogeo dei Volumni (Hypogeum of the Volumnus family), an Etruscan chamber tomb
National Museum of Umbrian Archaeology.
Palazzo del Capitano del Popolo.
Porta Augusta, a Roman gate with Etruscan elements.
the Rocca Paolina, a Renaissance fortress (1540-1543) of which only a bastion today is remaining. The original design was by Antonio and Aristotile da Sangallo, and included the Porta Marzia (3rd century BC), the tower of Gentile Baglioni's house and a mediaeval pit.
The Etruscan arch.

[edit] Other attractions

The Etruscan Well (Pozzo Etrusco).
Medieval aqueduct.
The Tribunali.
Piazza Matteotti
Teatro Comunale Morlacchi.
Church of Sant' Agata.
Church of Sant' Ercolano (early 14th century). Currently resempling a polygonal tower, it had once two floors. The upper one was demolished when the Rocca Paolina was built. It includes Baroque decorations commissioned from 1607. The main altar is made by a 4th sarcophagus found in 1609.
Church of Sant'Antonio da Padova.
Church of San Francesco al Prato.
Church of Santa Giuliana, heir of a female monastery founded in 1253, which in its later years gained a fame of dissoluteness, until the French turned it into a granary. It is now a military hospital. The church, with a single nave, has traces of the ancient frescoes, which probably covered all the walls (13th century). The cloister is a noteworthy example of Cistercense architecture of the mid-14th century, attributed to Matteo Gattapone. This is contemporary to the upper part of the belfry, whose base is from the 13th century.
Church of San Michele Arcangelo (5th-6th centuries). It is an example of Palaeo-Christian art with central plant recalling that of Santo Stefano Rotondo in Rome. It has 16 antique columns.
Church of San Matteo in Campo Orto.
Church of Santi Stefano e Valentino
Templar church of San Bevignate.