Pellegrino Tibaldi
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Pellegrino Tibaldi, also known as Pellegrino di Tibaldo de Pellegrini (1527—1596), was an Italian mannerist architect, sculptor, and mural painter.
[edit] Biography
Tibaldi was born in Puria di Valsolda, then part of the duchy of Milan, but grew up in Bologna. His father worked as stonemason. He may have apprenticed with Bagnacavallo or Innocenzo da Imola. His first documented painting was likely as at age 15 year, a Marraige of Saint Catherine.
In 1547 he went to Rome to study under Perin del Vaga. He was employed in the decoration of the Sala del Consiglio of Castel San Angelo. When Perino died in 1547, Tibaldi became the leadership in the large scale fresco painting of the chambers and doorways (1547-1549). The frescoes are described as Michelangelesque in influence.
Other works were for Cardinal Luigi Poggi in Bologna, and he carried out numerous commissions for him [1]. Tibaldi painted frescoes of the Story of Ulysses in the Palazzo Poggi [2][3][4][5], scenes from the life of the Baptist in the Poggi chapel, and scenes from the Life of Moses in the Palazzo Sacchetti in Rome.
He lived in Ancona between 1558 and 1561. Here he painted frescoes for Loggia dei Mercanti[6] and Palazzo Ferretti. In 1561, he met Cardinal Carlo Borromeo, who employed him in Milan mostly as architect in the nearly endless task of constructing the cathedral, working on various projects in the cathedral, the courtyard of the archiepiscopal palace (1564—70), San Fedele (1569—1579) and San Sebastiano (1577). In Milan he worked also as a civil architect, projecting the Spinola, Erba Odescalchi and Prospero Visconti palaces.
In 1586 he went to Spain, where he followed and replaced Federico Zuccari as main court painter. He painted in the lower cloisters of El Escorial at the request of King Philip II. His greatest work were frescoes in the library.[7][8][9]After nine years, he returned to Italy and was appointed architect of the Duomo di Milano until his death.
[edit] Partial anthology of works
- Marriage of St. Catherine - Pinacoteca, Bologna
- St Michael fresco - Castel Sant'Angelo, Rome
- The Adoration of Christ by Shepherds - Galleria Borghese, Rome[10]
- Conception of John the Baptist (1555) - San Giorgio Maggiore, Bologna
- Preaching to the Multitude, (San Giorgio Maggiore, Bologna)
- Holy Family and Saint John the Baptist (attributed) - Indianapolis Museum of Art
- Baptism of Christ - Ancona
- Altarpiece - Sant'Agostino, Ancona
- Incredulity of Thomas (1565) - drawing, 1565, Ambrosiana, Milan[11]
- The Incredulity of Thomas (recto); Study for the Figure of Thomas (verso) - drawing, Getty Museum [12]
- The Beheading of St. John the Baptist - Pinacoteca di Brera, Milan
- Madonna and Child - Private collection[13]
- Holy Family and Holy Elizabeth[14]
- Allegory of Silence (1569) - Museo Civico, Bologna
- Blinding of Polyphemus - Palazzo Sanguinetti[15]
- Life of the Virgin - Escorial, Madrid
- Passion of Christ - Escorial, Madrid
- Ecce Homo (1589) - El Escorial, Madrid
- St. Michael - El Escorial, Madrid[16]
- Martyrdom of St. Lawrence - Escorial, Madrid[17]
[edit] References
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- The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries (exh. cat., Washington, N.G.A.; New York, Met.; Bologna, Pinacoteca; 1986)
- Painting in Italy 1500-1600, S.J. Freedberg, (Penguin History of Art, 2nd Edition, 1983). 567-572.