Paradiso (Amsterdam)
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Paradiso is a legendary music venue and cultural center in Amsterdam, the Netherlands. The venue is inside an old church, which has been transformed into a "temple of rock music". It is located on de Weteringschans, bordering the Leidseplein, one of the nightlife and tourism centers of the city. Outside, the building is somewhat dark and forbidding. The main venue in the former church interior has high ceilings and a balcony overlooking the stage area, with three large illuminated church windows above the stage. The acoustics are rather echoey, but improvements have been made over the years. In addition to the main venue, there is a smaller cafe stage on an upper floor.
Paradiso was opened by the city in 1968 as a publicly-subsidized youth entertainment center. Along with the nearby Melkweg (Milky Way), it soon became synonymous with the hippie counterculture and the rock music of that era. It was one of the first locations in which the use and sale of soft drugs was tolerated. From the mid-1970s, Paradiso became increasingly associated with punk and new wave music, although it continued to program a wide variety of artists. Glen Matlock played his last gig with the Sex Pistols at the Paradiso. Starting in the 1980s, raves and themed dance parties became frequent.
On May 26-27, 1995, the Rolling Stones played two semi-acoustic concerts at the Paradiso. Scalped tickets reportedly sold for many thousands of dollars. Recorded tracks from these concerts were released on the Stones' Stripped album later that year. Keith Richards said that the Paradiso concerts were the best live shows the Stones ever did.
In recent years, the venue has settled into an eclectic range of programming, which, besides rock, can include lectures, plays, classical music, and crossover artists such as Willie Nelson, who filmed a concert DVD there. Other artists who have recorded or filmed concerts at the Paradiso include the Soft Machine, Link Wray, Omar and the Howlers, Nick Cave and the Bad Seeds, and Beth Hart.
The future of the Paradiso has at times been a political issue in Amsterdam. Some in the city council would like to relocate the venue and redevelop the property on which it sits. [citation needed] However, because of its status as a cultural icon, the Paradiso has managed to survive so far.