Palm Products GmbH

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The Wave, designed by Wolfgang Palm, was PPG's most successful and well-known product.

Palm Products GmbH (commonly abbreviated to PPG) was a highly-regarded manufacturer of audio synthesizers. Founded and owned by Wolfgang Palm, PPG was located in Hamburg, Germany and, for 12 years from around 1975 to 1987, manufactured an acclaimed and eclectic range of electronic musical instruments, all designed by Palm.

1 Beginnings
2 The Wave and the rise of digital synthesis
3 Computer-controlled synthesizers and the Realizer
4 Wolfgang Palm after PPG
5 External links

[edit] Beginnings

Wolfgang Palm was active as a keyboardist in many bands in the Hamburg area before becoming aware of the then-burgeoning synthesizer market. Eager to cash in and seeking a career in music, Palm started his company in 1975 with the help of German electronic band Tangerine Dream - particularly, members Chris Franke and Edgar Froese, both of whom invested money into the new company and worked with Palm on product designs.

Although he had reportedly built many synthesizers on his own, his first commercially available synthesizer was a modular synthesizer, dubbed the 300 Series, which, despite being fairly sophisticated, failed to sell in large quantities. Motivated by his failure and inspired by the design of the popular Minimoog, Palm introduced the 1002 and 1020 synthesizers. Both were portable, analog, monophonic, and relatively compact. The 1002 used voltage-controlled oscillators; however, the 1020 was revolutionary in its implementation of digitally controlled oscillators, which were much more stable and had a distinctive sound that later became PPG's trademark.

[edit] The Wave and the rise of digital synthesis

With the financial support of Franke, Froese, and the rest of Tangerine Dream, PPG continued to develop and release digital synthesizers, most of which were met with little success. In 1979, PPG introduced the 340/380 System, a complex digital synthesizer which consisted of the 340 Processor Unit, the 340 Generator Unit, and the 380 Event Generator (a 16-track sequencer). It also included a "Computer Terminal" which included a monitor, 8-inch floppy disk drives, and a keyboard (5 octaves, for manual playing of events into the sequencer as well as polyphonic playing with the 340 Wave Generator). Despite its own shortcomings, which included its complex functionality and its high price, it received publicity when it was used by Thomas Dolby during the early 1980s.

Then, in 1980, Wolfgang Palm introduced a new concept with his Wavecomputer 360 synthesizer that was dubbed "wavetable" synthesis. These digital synthesizers expanded upon the capabilities of Palm's earlier synthesizers by expanding the sound creation tools with limited samples, which were compiled together in lists called wavetables. The first PPG synthesizer to implement this algorithm was the Wavecomputer 360, released in 1980 in two versions - the 360A, with 4 oscillators, and the 360B, with 8. However, the synthesizer sounded relatively poor due to having only one oscillator per voice and limited polyphony.

However, PPG soon found success with the release of the Wave, which debuted in 1981, priced at around US$10,000 (GB£5,500). It contained analog oscillators and filters, with digital oscillators. Where traditional analog synthesizer were only capable of 5 or 6 waveforms per oscillator, the PPG Wave offered 64 waveforms in 30 "wavetables". One selected a wavetable and then one of the 64 waveforms it contained - a total of 1,920 waveforms per oscillator available for use. In total, around 1,000 Waves were manufactured between 1981 and 1987 with two differrent updates to the model (the PPG Wave 2.2, which added more waveforms and samples, and the 2.3, which added multitimbrality and MIDI), making it the most successful product PPG manufactured. The Wave also found a place onstage with artists such as David Bowie, Electronic Dream Planet, Frankie Goes To Hollywood, Depeche Mode, Jean-Michel Jarre, Rush, Gary Numan, Talk Talk, Ultravox, Stevie Winwood, Stevie Wonder, and many others.

[edit] Computer-controlled synthesizers and the Realizer

By 1982, Wolfgang Palm was set on innovating again by introducing computers to music with the Waveterm, a rack-mounted computer system with a built-in monitor, two 8-inch floppy drives, and a proprietary operating system that PPG referred to as "Eurocom II." It was designed to be used with many of PPG's synthesizers, including the Wave, by specifying points on a graph which was displayed on the screen. One could also sample in acoustic sounds, or use some sounds provided by PPG on the accompanying discs. The Waveterm was manufactured through 1985, which were now being manufactured with 5-inch disk drives, which replaced the somewhat more antiquated 8-inch drives. To raise sales, PPG also dropped the prices of many of his synthesizers, including the Wave, which would now be sold at around US$6,500 (GB£3,500).

In 1986, Wolfgang Palm designed and began work on a prototype for his most ambitious project yet - the Realizer, an all-in-one studio machine which combined production, recording, sequencing, and mixing tools into one machine in addition to a sophisticated sampling and synthesis system. It also had the ability to load emulations of other popular synthesizers, such as a Minimoog. The system proved to be too far ahead of its time, and was so expensive to create that its projected retail price was almost US$60,000 (GB£34,000). As such, it was never sold, or even got beyond the prototype phase. As interest in Palm's other products waned, the cost of developing the Realizer was high enough to put PPG into serious debt. As such, PPG officially ceased business operations and closed its doors in 1987 after shelving the Realizer project.

[edit] Wolfgang Palm after PPG

After the decline of PPG, Wolfgang Palm continued to be an active innovator in the area of synthesizer technology. Together with several former PPG employees, he began work for Waldorf Music, another German synthesizer company whose founder, Wolfgang Düren, had previously been a distributor of PPG's products. With Waldorf, he helped to design the innovative Waldorf Wave, combining Palm's original wavetable synthesis algorithm with a completely new and updated design. Used by many professional artists (including Ace of Base and Depeche Mode), the Waldorf Wave continues to be popular, despite Waldorf Music's recent financial troubles. In 2002, Steinberg released PLEX, a software synthesizer designed by Palm.

Palm's influence on synthesis and electronic music is, undoubtedly, tremendous. The Wave's unique sound, and its use on the recordings of such a diverse range of artists is, arguably, responsible for the rise in popularity of digital synthesis in the late 1980's and early 1990's. Today, nearly every digital synthesizer implements wavetable synthesis in some form - the Wave's unique integration of analogue and digital circuitry influenced synthesisers such as the Monowave, Sequential Circuits Prophet-5 and the E-mu Emulator. His implementation of computer technology in sound creation was also ahead of its time; The 340/380 System and The Realizer predate products such as ProTools and Reason by more than two decades.